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Messages - SEBC

151
General Discussion / Re: Swing rhythm
Wow, those tempo tracks are a much much easier way to accomplish what I was trying to do (which entails rewriting everything!)

Thanks for sharing these options.

So, do you always use a tempo track in all your scores? I usually just paste it onto the staff somewhere. Obviously, something as complex as what you have shared would clutter the page.


152
General Discussion / Re: Swing rhythm
So I guess the answer is that there is no easy way.
Would it be possible to develop a user tool? Other notation software has a setting for swing.

Thank you for sharing your cheat sheet!
153
General Discussion / Swing rhythm
Is there a quick way to change the playback to swing style?

I've just spent a long time making a hidden staff with triplets and will mute the visible staff.

Thanks
154
I would suggest making the "singer" MIDI channel 1, the oboe  MIDI channel 2, and the piano a higher MIDI channel.

In the event of voice overload, synths are supposed to drop voices from the higher channels first.

I would also remove any sustain pedal down items. While the pedal is down, voices are not released. They can add up rather quickly. If this solves the issue, you can judiciously add the 'pedal downs' back in where needed.


By George, that's it! I had put the pedal down in the piano staves to try and give more legato.

Thanks!
155
Bill, the instrumentation is voice, piano and oboe, so there shouldn't be an issue with timbre masking.
156
I am using everyone's favourite:
Microsoft GS Wavetable Synth

It's actually only in the available playback box but I suppose since there is only one, then it gets used by default.

If I stop and start later, I do hear what previously didn't play, but then a new section stops playing until there is only one or two notes.

This is my new computer and I didn't have issues with the last one like this.

Thanks for any help you can offer!
157
If there's enough going on in the 3 staves you have, you could be running into a synth limitation...  There is always a limited amount of polyphony any synth can handle and some are better than others - some also have the ability to have their polyphony setting adjusted.

What synth are you using?

Where would I look for that information?
158
My midi channels are not overlapping.

Any other ideas?
159
Hi

I was happily working on a score that contains three staves but when I played it back, about half way through, one staff stopped playing audibly but I can hear it trying to sound the notes. When I removed all the other staves, it played normally. I need them all to play together as I'm trying to export the midi. When I try to export, the midi file behaves the same way.



I am perplexed! What should I be checking?
160
General Discussion / Re: Stacked Rests
Rick,

Are you saying that you would need to write it into the code and that there is no way to do it otherwise? How exactly does one do that?

Could you make one or more of those rests invisible?

And when would you need to use this trick? I've not had to do this before but maybe I would want to one day.

Thanks
161
General Discussion / Re: boxed text
P.S. Mike, I am still using your Bar Label for rehearsal numbers and letters. What % size is recommended for those? I have been experimenting and am not sure which is best.
162
General Discussion / Re: boxed text
Hi

I just wanted to say that I have started using xtext for boxed text and I like all the options that it gives me! I don't find it difficult to use for my purposes. Thanks so much for developing it and for your help here on the forum. Thanks to Mike as well for his help and referral.





163
Thanks. I'll give it a try and see what is easiest.
164
Thank you!  :-[
165
General Discussion / Placement issues
I'm not sure what I'm doing wrong, but something is up with verse 3. Is there a hidden space somewhere?

Is there a better way to achieve verse numbering? I've used the number/underscore/first word of verse method for a long time.

Edit: I guess I need to insert a screenshot! That would show the issues. Basically, the third verse number does not line up with the others and I can't see anything that is stopping it.

Thanks!

Code: (nwc) [Select · Download]
!NoteWorthyComposerClip(2.751,Single)
|User|BarLabel.ms|Pos:9.5
|Bar|Style:Double
|Dynamic|Style:mf|Pos:9.5|Justify:Center|Placement:AtNextNote
|Note|Dur:8th,Dotted|Pos:-1|Opts:Stem=Up,Beam=First
|Note|Dur:16th|Pos:-3|Opts:Stem=Up,Beam
|Note|Dur:8th|Pos:-1|Opts:Stem=Up,Beam=End
|User|Slur.ms|Pos:0
|Note|Dur:4th|Pos:-1|Opts:Stem=Up
|Note|Dur:8th|Pos:-1
!NoteWorthyComposerClip-End
166
Object Plugins / Re: XText.hmm (0.92)
Thanks. I'm giving it a try!
167
Rick, I am attempting to do this, but I need more specific step by step information because I don't understand what to do.
Thanks,

Rename the attached txt file to: rg_RomitalClip.vbs
In NWC, make Romital your lyrics font.
Copy the lyrics you want to italicize to the clipboard.
Run: rg_RomitalClip.vbs
Paste into NWC

168
General Discussion / Re: boxed text
Hahaha! Thanks. Desperate times etc.

I wouldn't mind having a few extra options if you were willing to do it. I think for the most part, the default works, but for special cases, then its nice to have a few other options. If the instructions were extra long, could they be broken by using %br% ?

If anyone else is interested, I was told by an engraver that texted instructions should be used for moods in the music, specific rhythmic feel, (in 2, double time, etc.) telling the performer to pay attention to something other than common dynamics.
169
General Discussion / Re: boxed text
I think that I don't understand how this tool works...it clearly has more options than I originally thought.  I just experimented and was able to move it to the middle of the bar.  :-[

I have only used it before for rehearsal numbers.


Code: (nwc) [Select · Download]
!NoteWorthyComposerClip(2.751,Single)
|Note|Dur:4th|Pos:-2
|Note|Dur:8th|Pos:-6x|Opts:XNoteSpace=2
|User|BarLabel.ms|Pos:8.5|Text:Spoken:|Font:StaffLyric
|Note|Dur:8th|Pos:-6x
|Note|Dur:4th|Pos:-6x
!NoteWorthyComposerClip-End
170
General Discussion / Re: Hairpins
Yes, I use hidden ones all the time for shifting positions. Thanks for your help. I have only just started using the insert tool to help with positioning items. I don't always think about using it.
171
General Discussion / boxed text
Good morning
 Here is a new question which I haven't found an answer for.

Is it possible to box text and place it anywhere on the staff? Some text instructions should be put in a box for better visibility, and I was able to do this with some at the barline using the bar label tool. I couldn't find any other way to accomplish it. Is there another way to do this? What happens if the text needs to be in the middle of the phrase? The bar label tool won't work then.

I will try to attach a sample. This works ok but could be moved over to the right:
Code: (nwc) [Select · Download]
!NoteWorthyComposerClip(2.751,Single)
|Rest|Dur:4th
|Rest|Dur:4th
|Rest|Dur:8th
|User|BarLabel.ms|Pos:14|Text:"With Audience"
|Dynamic|Style:f|Pos:9
|Chord|Dur:8th|Pos:-6,-4,-1
|Bar
|Chord|Dur:4th|Pos:-3,-1,1
!NoteWorthyComposerClip-End

The text "Spoken" should  be boxed:

Code: (nwc) [Select · Download]
!NoteWorthyComposerClip(2.751,Single)
|Note|Dur:4th|Pos:-2
|Text|Text:"  Spoken:"|Font:PageSmallText|Pos:7
|Note|Dur:8th|Pos:-6x|Opts:XNoteSpace=2
|Note|Dur:8th|Pos:-6x
|Note|Dur:4th|Pos:-6x
!NoteWorthyComposerClip-End
[code=nwc]


Thanks for your help.
172
General Discussion / Re: Hairpins
Thanks, Mike.

Is it important to have a hidden dynamic at the beginning of the hairpin? Is it enough to have a previous dynamic a measure or two earlier?
173
General Discussion / Re: Hairpins
I figured out how to get the hairpin on the Alto and Bass "bring" by using a hidden grace note. I'm just wondering if there is a different approach for making it smaller.

Thanks,
174
General Discussion / Re: Hairpins
Need to have supper first. It's the side by side location not the horizontal one that's the issue.

Thanks
175
General Discussion / Hairpins
I am looking for help in getting those hairpins to behave satisfactorily.

I found this topic from 10 years ago.
https://forum.noteworthycomposer.com/?topic=6446.msg45412#msg45412

Have there been any new tricks or tools discovered? I've tried using an invisible muted grace note and that helps sometimes. Not always, like when I want a new hairpin after a whole note to show a crescendo on the note moving into a new dynamic range.

Thanks

176
General Discussion / Re: An idea
II'll try to suppress that "technical talk"; but some abstractions will be necessary, as with all software.

If there are pictures to accompany the tech talk, and step by step instructions, with lots of examples, that will go a long way to help people like me who struggle to understand what's going on!

For example, with the tremolo tool, I started by reading the instructions. That didn't totally illuminate me, so I opened the example. Then, I tried and failed to make one. (Had missed a key point) Then I cut and pasted the example into my score. Then I went into the settings to figure out how it was set up. Then I asked for some clarification and googled a few notation related things, went back and was successful.

It seems like a lot of steps in the path toward enlightenment but I got there in the end!  ;)
177
Object Plugins / Re: Tremolo.ms (2.1)
Woah! That was fast!
178
Object Plugins / Re: Tremolo.ms (2.0c)
Well, I succeeded in implementing whole note tremolos today. I'm not sure why my position looked different from the sample clip, and if it matters if the lines are a bit higher or lower. What's the thinking on this? Also, I had first hidden the rests, which then meant my notes were also hidden. I didn't know until now that there was an option to hide rests in the rest chord.

I see on Wikipedia that they are showing bass note tremolo lines as parallel to the notes, half way between them. Is this the normal notation? Is the plug-in able to do this instead of angled lines?

https://en.wikipedia.org/wiki/Tremolo#Notation

My use of tremolos to this point has been bass clef octave whole note trem. for piano accompaniments. I think this will work very well. Thank you for developing this tool!
179
General Discussion / Re: An idea
This is a wonderful idea. As you know, I always have lots of questions about how to make things work. I'm sort of an old-timer, but new to learning how to make my scores look much better. I had to quickly learn the program 15 years ago and then was so busy as a musician that I didn't have time to figure out anything advanced. Now I am forcing myself to learn new tools, and going back and editing my old scores and improving new ones. I don't seem to have much luck with the search feature, and when I do search a topic, I am never sure if the information I find is the most current way to do things. I also get overwhelmed at the first hint of technical talk.

I think your blog would be a welcome addition to the great helpful community here. You could also have guest bloggers if you wanted someone else to tackle a topic.

Now I am off to figure out how to use the tremolo tool! Wish me luck.
180
I have an old version of VST instruments that I used with Cubase two computers ago. It kept knocking out the playback on NWC. So I stopped using Cubase. It wasn't any good at scores anyway. See, even back then I didn't know what I was doing.

I could try and install the VST on this computer if it would  be worthwhile.
181
I'm not sure where to look for that info on this new computer. It's whatever the default is on the Lenovo ultra book.
182
Another trick I've used in the past to get this type of piano playing is to insert a "legato" play style in your piano staff. It can have a similar effect to inserting separate pedal down/up for each note.

I tried that as well and still didn't get the notes to sustain in that two bar section.
183
I should try it on my old computer because I don't recall noticing this before.
184
I'm talking about two tied semibreves. By the time the second semi breve appears there is no more sound. In real life the piano is still decaying nicely.
185
Of course I would use that in real life but inserting the pedal down symbol had
No effect  on the midi  playback.
186
I know you guys are probably tired of my questions but when I search for answers I don't usually find what I'm looking for and then I wonder If I am looking at the most recent information.

I found this discussion
https://forum.noteworthycomposer.com/?topic=6972.msg47794#msg47794

My  midi files are not usually very good because I can't seem to control the subtle nuances that I can produce on an acoustic instrument. Now that I am sending the files to conductors along with my scores for their consideration than I really need to step up that part of things.

I also have trouble with piano notes decaying too quickly in the left-hand. For example I had a two  measure cord in the left-hand and by the time the second measure came around the sound had completely disappeared.
187
Thanks. I'm reading it now.

Which processes are redundant?

Do you still use global modifications? I've never used it.

188
I've been rethinking my workflow. I'm sure I'm being inefficient and missing some key things. I'd welcome suggestions.

I start with a melody staff.

Then I create just one hidden staff full of notes that I attach chord names  to as lyrics. This helps me think through my harmonic progressions. I will usually delete this by the end of the composition because the chords tend to clutter up the score and the
Harmony is Contained in the voices and instrumental parts.

What else could or should I use h s for? I do find my staves are quite cluttered with dynamics and tempo and text and lyrics etc. It's hard to move things around because I keep grabbing the wrong thing. 
 
Thanks




189
General Discussion / Re: Italics again
Thanks. That did the job.
190
General Discussion / Re: Italics again
Hi Rick

I don't need an entire verse but just two words among the English text.

And if you've dealt with me before you know that I need a little hand-holding the first time (or two) and then I am off to the races!

Thanks for any help you can offer.
191
General Discussion / Italics again
I need to use a Hebrew phrase in an English piece and would like to italicize it. Is there a tool for this?

Thanks
192
 :D Melismata, I wish I could like those instructions more than once!!  :D

Thank you so much for clarifying the procedure. I now have a score complete with cover page, program notes, and bio!! It's a thing of great beauty.

Thank you again to all those who quickly offered suggestions along the way. This is a wonderful support group for engravers and composers.

193
Thank you everyone. I have downloaded the free version of PDF creator and I am able to get single documents but I cannot get the Merge feature to work and I would like to include a bio and a cover page. I am submitting some composition to a contest!
194
That's what I've done and nothing happens. Just nothing. On my other computer a box would pop up asking for a save to  location.

Yes, it is Windows 10.
195
General Discussion / Printing to PDF
I'm having issues with this new computer. On my other I had installed cute PDF writer and used that to create PDFs of scores. On my new computer I installed that PDF program and am not getting a dialogue box to save anywhere and so am not getting any PDFs. 😫

Can anyone help or is there another free program that I could be using? I just downloaded open office today because I needed something on this computer other that notepad! I'd love to combine PDFs into one document so I can include program notes and a biography.

Thanks for any help.
196
I learned something new (again).

Thanks!
197
This is a question for all you composers out there. How do you decide what dynamics you are going to apply to your works? It's something that's a creative challenge to me and I would like to hear your process.

Thanks
198
I had to do the same thing recently! It was a bit complicated and nwc support was not helpful at all!!!

What are you doing in Lilypond?
199
Well I just upgraded my computer and since I had the CD then I was able to reinstall and then download the latest updates from that website. Does that make it portable?
200
Thank you both for your replies. I had written the wrong book title down so I have edited it and clarified my questions.

I continue to be frustrated by:
Not knowing what staff size I should make my scores. As a performer,  I often use smaller sizes to reduce the page turns. But it seems too small for others and I want it to look professional.

How much space should be between systems? I like to enlarge the margins to get more on the page but some printers aren't happy with that and cutoff the lower notes.

Choosing staff size: Sometimes I get it wrong and the music looks too big and thus intimidating (strange how our brains work!)

The text issue: choosing font and size for things like " a tempo " and " rit" or "Unison. "

Thanks for any more illumination!