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Messages - SEBC

251
Hey thanks to everyone who chimed in. I'm glad to hear that I'm not alone.

It would be cool to have a search feature where you could highlight a passage and nwc would find all the files that have it. Really useful for when you realize that you've copied an error multiple times in multiple documents.
Is that possible? Also synchronized scrolling like when you have multiple Word documents open would be good.

I'm trying the dated version in the copyright section to see how that works for me on current documents. I haven't worked up the courage to face the binder file rearrangement yet. Blah.
252
I had the unpleasant task recently of trying to go through 8 drafts of the same piece and figuring out which one to keep...I am really bad about keeping track of changes I make, and being organized. ANY HELP IS APPRECIATED.

I have asked other composers and they are no help at all. Most of them say they struggle with the same thing, or just delete all old versions. The problem is that I take time to commit to one idea, so I like to keep the other drafts until I have decided for sure. However, sometimes a lot of time has gone by since then and I can't remember what was unique about a past draft.  Or, I may have the same piece arranged for different voices/instruments, so there are slight changes to the arrangement (i.e. give the piano runs to the flute and change the piano accompaniment to adapt). Any advice on this? Where do you note things? I can be taught new tricks, just need ideas of what will be the easiest method.

What I ended up doing was opening them all up using the tile feature and then shrinking them down to one measure width, and then going through them all measure by measure... sigh. It seemed like the best option without me losing my mind completely and flipping back and forth between full size scores where I kept losing my place! I haven't completely recovered but I was able to delete all but 2 drafts.

I have rearranged my computer files several times to try different ways of organizing my projects. Also, I print off drafts of the scores. Is there a way to print dates on the scores to help keep up with the changes? Or another way to keep track? I have been putting a number in the title and that helps somewhat.

I have a big unwieldy binder divided by Choral, Piano, Vocal, Instrument then subdivided by current, in process, complete, source material. Then I have a smaller binder that is just alphabetical and regardless of genre or voice, it gets filed under the title if I am still working on it at the piano or in reading session. Then when the piece is finished it is supposed to go back to the big binder. (Not always done to be honest) I'm not sure which way is better. I probably should change the big binder to alphabetical since I have different versions of the same piece all over that binder and it makes me feel unorganized.

I'd love to hear how others are staying organized and on track. I know we all work differently but ideas would be helpful. I apologize if some of the answers seem obvious. I am technically challenged.

Thanks and Happy New Year to all!
253
Ah ... maybe someone likes this (I sent it to free-scores.com's "Concourse de Musique", but did not get past the last round of eight):

Jingle Bells Overture - PDF
Jingle Bells Overture - MP3

Is this supposed to be polytonal? Or is my playback messed up? Its quite impressive!
254
Is there a place to read up more on this? I sometimes create a new staff via Cntrl  A and then discover during playback that it is on channel 10...you can guess the results. Quite humorous, but I'd like to avoid the effect, and figure out what I'm not doing right in the first place.
255
Thank you,  William, for taking time to include the rastral information.
256
Sorry guys for being a bit tardy in my thanks. My notifications were going to my spam folder. I think I have that figured out now.

I am learning new tricks and tools on the forum and thank you for taking time to make it clear for someone who is technically challenged. Pictures will help. Just like with a toddler.

It's nice to know that there is an alternative to shrinking the font sizing to make scores line up better.

Speaking of font sizes, is there a list of standard sizing for different types of composition? I've googled but haven't found anything authoritative.

Many thanks
SEBC
257
Hi David and Flurmy

8ve is French and stands for "a l'octave" (at the octave). But I just checked through my Canadian music and French music and I am not seeing it in use. I'm not sure where I picked it up, maybe from music history classes? 

I am seeing 8..................../ over and under sections in some of the older Royal Conservatory pieces. I saw 8a................ in some French Canadian scores.

So, is there a common practice or is it geographical?

I did have success with the object. It was pretty easy once I had the steps to take. There were shouts of joy in the land. Now I have a long list of scores to edit... by the time I'm done, I'll be able to do it in my sleep!




258
Ok, that worked well. Thanks again!
259
Hi

Sorry about being unclear. I'm happy to receive help here, there, and everywhere!

Off to try it! I can't just read it, I have to do it for it to stick. Sometimes, I even need to write it down on a cheat sheet.

Thanks
260
I would like more information on this topic.

Where do you access the nwctxt file? Is that the same as a song file? I don't think so,

Could someone post a link to the Sharpeye program and what kind of cost is involved in that?

I need to convert to Finale.

Thanks for your help.
261
Hi, it's me again, computer incompetent musician...(considering changing my screen name)

I want to use Octavamatic. I really do. But when I see all that coding information, my eyes glaze over, I get confused and I panic. I don't speak code.

I need simple, hand-holding steps for how to make this work. I'd like to have one last note play an octave lower than written. It is easier to read it when it is marked rather than write it so low on the staff. I have another section that is so high, it is easier to read with the octave markings above it. I still don't understand how to do these simple things. Right now I have a text insertion that says 8ve but it obviously doesn't sound accurately on the playback.

Would someone take pity and talk me through it, one baby step at a time?

On a related matter, perhaps I am not the type of person who should use NWC, even though I have been doing so for over 10 years. Maybe I need to go to software that is not as hard to understand. I believe that NWC will do all that I need it to do, and I understand most things, but a lot I still don't get. (I am, however, considered a good musician, if that's of any consolation. ) I REALLY dread having to learn a new program...given the sweat, blood and tears already shed on NWC, but what do you think? It this really meant for more technically-oriented people than me...(and dare I say it...those of our species with a male brain????)

I want to write, notate and make music! I don't want to learn to be a computer progammer. :D
262
Hi
I left you a comment on the blog that's still awaiting moderation,

I wondered if you could post here about adjusting scores for page turns. I have searched and didn't have anything come up. A step-by-step with screen shots helps incompetent people like myself, lol.

Thanks for your help!
263
Thanks! I will give both methods a try and see if I can reduce my time so I can get to the good stuff - composing and performing!
264
Hi

I am doing lots of score edits and find that I need to jump back and forth between similar sections to compare and make sure changes are made consistently. Is there a way to mark where I have been working so I can jump back to it, other than by using the Go to feature? I've tried searching and can't seem to find what I'm looking for on the forum. Any other tips and tricks to help in this endeavour?

Thanks for your help!
265
Object Plugins / Re: CueHeads.ms (1.0)
Hallelujah!

I was doing everything right, just not the most recent update to 2.75!

Thanks, this is fantastic!!!!!!!!

Now, what other new tricks should I be learning????
266
Object Plugins / Re: CueHeads.ms (1.0)
And thanks for the help, btw. If I can get this to work, my life will take on a rosy glow!
267
Object Plugins / Re: CueHeads.ms (1.0)
Mike, I am doing that, but I am getting an alert that it has been suspended and that I have to download an upgrade?

Sorry to be so stupid but I am musically great, but not so much technically!
268
Object Plugins / Re: CueHeads.ms (1.0)
Sorry, guys, but I must be really dense. I have no idea how to get the cueheads to show up. I have installed the object.

Help??
269
Trying again!
270
The email didn't go through.
271
Ok, I'm sending it your way.
272
Well, I didn't have double bars there but in front of the first verse, since it was a medley that included a first song. I removed them but it hasn't helped.  The carol does occur in a second ending after a master repeat close. The thing that confuses me is that the first verse of the carol is fine, but it is only after the key change that the playback stops. That is what leads me to believe it is somehow connected to the transposition.

Any other ideas?

Thanks!
273
I'm having a playback problem related somehow to transposition. Here is what I did:
I am arranging "Joy to the World" . I started in the key of A, and am modulating to the key of Bb. So, I input the notes in A, then I copied those notes to a new staff, transposed it to Bb using the staff transpose function, and then copied and pasted the new key onto the staff that had the original. Now, it will play through until the key change and then stop. I don't understand what I did wrong. Any ideas?