Oh, yes, and we have to thank Rich for that. I'm surprised it looks new to you: Lawrie already directed you there many times in this very thread!
Sto imparando una cosa alla volta. In questo forum sono molte le cose che per me sono una lingua sconosciuta. Però sono sulla buona strada. Oggi ho scaricato una Daw e ho ascoltato molti dei lavori di scriptorium. Ho fatto progressi importanti e vi ringrazio per i post interessanti
Which I think also suggests you're sending an audio stream. If correct, and therefore as you would need to run a synth, may I ask which soundfont, if any, you're using?
Hey @Richard Woodroffe , how does the web based playback of .nwc files on the Scripto work? Are you sending audio or a MIDI stream?
I'm asking because the talk above about the Ravel piece made me a little curious and I chose to play it back before I downloaded it and felt the audio wasn't the best. When I downloaded it and played back through the Coolsoft synth it was much better.
N.B. I haven't bothered to hack my Win10 to use the coolsoft synth as the default MIDI device.
Which I think also suggests you're sending an audio stream. If correct, and therefore as you would need to run a synth, may I ask which soundfont, if any, you're using?
Hey @Richard Woodroffe , how does the web based playback of .nwc files on the Scripto work? Are you sending audio or a MIDI stream?
I'm asking because the talk above about the Ravel piece made me a little curious and I chose to play it back before I downloaded it and felt the audio wasn't the best. When I downloaded it and played back through the Coolsoft synth it was much better.
N.B. I haven't bothered to hack my Win10 to use the coolsoft synth as the default MIDI device.
Which I think also suggests you're sending an audio stream. If correct, and therefore as you would need to run a synth, may I ask which soundfont, if any, you're using?
Thanks mate
Trovato. Molto interessante questa banca dati. Co sono alcuni suoni che forse andrebbero rivisti. Ad esempio string ensamble 2 al posto dei s. e. 1. Verrebbero più legati e meno aggressivi. Gli S. E. 2 sono più utili nelle frasi veloci. Mentre i S. E. 2 buoni per i tappeti lenti
Last post by Lawrie Pardy -
Hey @Richard Woodroffe , how does the web based playback of .nwc files on the Scripto work? Are you sending audio or a MIDI stream?
I'm asking because the talk above about the Ravel piece made me a little curious and I chose to play it back before I downloaded it and felt the audio wasn't the best. When I downloaded it and played back through the Coolsoft synth it was much better.
N.B. I haven't bothered to hack my Win10 to use the coolsoft synth as the default MIDI device.
Which I think also suggests you're sending an audio stream. If correct, and therefore as you would need to run a synth, may I ask which soundfont, if any, you're using?
Basta cercare nello Scriptorium: Ravel - Tableaux d'une exposition. N.B. Non posso passarti il link diretto perché Rich, onde evitare casini, ha fatto in modo che non fossero possibili.
From Google translate: Just look in the Scriptorium: Ravel - Tableaux d'une exposition. N.B. I can't give you the direct link because Rich made sure they were not possible in order to avoid trouble. ====
True. However the Scriptorium is an excellent resource and the general link will work: https://nwc-scriptorium.org/
Raffaele: In Flurmy's reply you may have noticed that the word "Scriptorium" is faintly underlined. This indicates it is a link and in this case will take you to the part of the scriptorium where Ravel's works are listed.
Si ok funziona! grazie. Ho notato che il massimo di canali sono 16. Ma è impossibile non mettere 2 strumenti in un canale.. . In una strumentazione di orchestra e Banda sarebbe praticamente impossibile.
From Google translate: Yes ok it works! thank you. I noticed that the maximum of channels are 16. But it is impossible not to put 2 instruments in one channel ... In an orchestra and band instrumentation it would be practically impossible. ==== True, but on the other hand, if you are trying to emulate an orchestra then all the trumpets will be close together, and all the violins will be close together etc. and if each group are sharing a channel then there is no real benefit of trying to pan each trumpet, or each violin etc. to separate them. In the real world you would not be able to tell which trumpet is playing from it's position.
Thus, panning the channel that all the trumpets are on so they sound like they are coming from the trumpet location in the orchestra is sufficient.
