Bout "The Technoabyssus": is that of a humorous five-eights character-ism Neo-Bach constant configuration. A work that relied heavily in copy n paste & the audit of barlines for a shortcut. This funny one for the Vaudeville in audeo quality & the neo-manner of Bach. Video=I saw God & Audio=I said goodbye Devil? dkb 9/28/2021 8:44:26 PM I hope this one you find enjoyable & as i said for the lonely corner of the Avant-Garde sum additions.
Bout " God-like Clockwork ": I tried to reproduce exact arrangement excerpt from the old outer limits series Bach interpretation of WTC Book 1 c minor & D major praeludiums just like in the Outer Limits episode (season 1, episode 5) with some deviations of mine like a 1st sequencs of the c moll an octave lower and measure 6 cubical instead Father sharp not natural and overall like a full non-stop train as oppossed to how it is commonly performed & on youtube with the usual diminuitions which i think are not better than this one because it diminishes the awe contuinuity. Also at least for my setup this nwc file used parameters of volume are better for superb effect of decibel dynamics as a template. And,finally the D major one ends in d minor while being in the key of D major which Bach never did even once but the composer from the episode inverted implementation of the usual Picardi Treament used by Bach often. -dkb 10/1/2021 11:09:49 AM P.S. “ I think it can be said that The eventual superb normality of Bach was so advanced that for him It was mere standard virtuosity of Metronomic & technical clockwork to us an Encyclopedic genius of immense Autonomy.” -dkb, a musical journalist In amateur proportions.
Bout " Diotone ": Dio like Devil In Operation 666 dna acronym altered scale work to be 100% diatone, but i can only dream of composing like Michael Nyman's certain one is pure diatonic masterpiece for solo piano from the movie: " The Piano" which so miraculously uneeds any accidental whatsoever yet sounds as good as any. There is a hidden scale that can render any midi file to substancial proportions by i lost the scale to render it with but it turns out it cancels some of the chromatones & yet it replaces some the notes to others within that scale at the same time. -dkb
Bout " Neo Light Bachroque ": This one like Bach but the harmonies were developmentally devised over a gradual experience in the nu harmonic stylus.
Bout " Veniva da Paganini ": This ix the 1st of a set notebook in an eccentric style. The inspiration came from the movie " Kinski Paganini " in a pure abstract manner otherwise i would not have aquired it from the infinite musicosm or finite the power of matematica omega. I do not know the events de Facto regarding Paganini's infamous rumors but this work/s is purely musical.
Bout " Rollerblading Euphoria ": I was in a neighborhood once in the twilight of day & it's environmental askance was that of a perfect evening euphoria with headphones portrayed in this nu work.
1. "usertool, lua [object] or exe ... input into noteworthy staffs any font symbol in the place of notes and these symbols will play the correspondent note": Unfortunately, I do not know suc a tool and can't remember one. Maybe someone else?
2. "import or copy n paste an image into noteworthy": No, this is not possible (and yes, it would be helpful sometimes).
3. "usertool or LUA [object] that would use n calculate the MPC pitch bend mechanism and prompt you the equate within a 100 cents of microtunning for 4 prompts one note affected, all same notes on a staff, all notes selected, or all notes on the midi channel, a sort of practical converter utility new mechanismic too": I think this could be done. But I fear it would not be too easy ... and would not be the first tool on my list of things to do (but that's just my interest). Maybe someone else con do it, or has done something like this? But it should also be possible manually with an MPC controller - although using them is not too easy, in my experience.
Thanks H.M. for your response, some years ago someone posted an exe maybe for nwc2.51 that did for me replacing notes for any font symbol in it's place and light up as they play but can't remember who or where. There goes a lost little treasure!
Does anyone know where in the forum is a usertool, LUA, or an exe someone posted years ago where he said now your can input into noteworthy staffs any font symbol in the place of notes and these symbols will play the correspondent note staff placement i think uses the called character map and any font in question and could you please explain what is to import or copy n paste an image into noteworthy, what is it & how would it be usefull to a composer? Is it possible to create a usertool or LUA that would use n calculate the MPC pitch bend mechanism and prompt you the equate within a 100 cents of microtunning for 4 prompts one note affected, all same notes on a staff, all notes selected, or all notes on the midi channel, a sort of practical converter utility new mechanismic tool?
Bout" A Humorous casual event": The work is neobaroque + character piece hybridal. Elements of counterpoint as if but not from the prime,fourth, to the 5th imitation of the simplex theme, extra notes, & epidodes to the traversalism development komplex to finally a baroque finale like Bach but thickly compressed modern treatment of cohesive dissonance. The humor ix abstract & nu-trippy. So, here is a comedy piece for the forum. Thanks! dkb 9/26/2021 11:34:54 AM
"A Trivial Dilema" ix a Neo-American contrapuntal synth work that needs no explanation other than the obvious yet unique cognitive invocation. 9/27/2021 11:33 AM
Bout "Fugatta Flammis Orbital": This work in my usual i use the audit barlines often in these contrapuntal works. The name implies multiples such as the sun, a planet, the orbitation of the moving fugue, the hardships of humanity, & the immortal fire itself similar to the modernism of a Rachmaninov piano solo etude or maybe a prelude i think. And, this piece has an amusing humor quality in it's sounding style. I hope ya'll enjoy. Thanks! dkb 9/27/2021 5:58:17 PM
Bout "The Devil's Guga": Guga short for gugue like fugue to fuga but the gugue or guga is like a fugato from fugue, a composition resembling a fugue style, but not strictly like a fugue. This one uses a constant trill effect "Diavolo" & ix 3-part writting contrapunctux stretti. The entire idea started from a theme from F to E above in which episodes & development are sequentially interwoven into yet a workable complexion. It's a Neo- Baroque solo with essentially-eclectic details in the score. Also it's lasting time 1m:44s ix a conundrum element of inclandestination regarding fake or deFacto analysis. dkb 9/28/2021 2:11:37 PM
This work has a unique ending in mostly 4ths ideology & is a sonatta 1st the exposition first part that repeats. Then the 2nd section is both development & the recapitulation of the exposition simultaneously as an innovative avant-garde element of the exposition pretending to be the recapitulation innately embedded like a quarky & sudden anti-schism suddenly unexpectedly implanted out of nowhere. This my brief analysis. If anyone has further points i cannot think of even paramusical ones, i would love to hear them. Thanks! -dkb 9/26/2021 8:53:12 AM
Hello fellow Musicians, I like to share this nu piece which to me has beethovian sonorities at least in superficial askance. The final chord is quite surprising as i saw it to construct it by the train of thought of, A minor plus C major plus A-flat as a unique workable conceptual ending. I believe there should be a sector in NWC website just for original works by non-dead NWC composers. Does anyone else think this or is it an idle idea? 9/25/2021 7:21:48 AM d/d P.S. A while back i wanted to undertake another tune which i thought could be the theme of an imaginary 10TH Beethoven symphony since it sounded dead on as the saying " That is Beethoven!" & without doubt but i abandoned it i could not integrate the theme into a symphonic transcendentalism. I may post it later on to prove my point. I completed one symphony however, my 1st & so far my only one. 9/25/2021 7:36AM
Bout " Ode To Beethoven": Ah1 The language of Beethoven! The 5TH in it's mechanical, personal, & political blunt premeditated message to the world. The simple yet amply math of it's hidden message in music to literal alpha form. This work uses the theme in a neo-counterpoint manner exploring modal possibilities in the easy key of A-flat. dkb 9/30/2021 1:21:49 PM
Bout " Awe Dance " Latin Alias:" Datum Tremendis Saltare": This one reminescent of the 8th-note R.H. Yet Inverted simplex figuration in Beethoven's Moonlight Quasi fantasia Adagio Sustenuto ix an awe dance of body form & mental dexterity. A maelstrom of awe that is rotating majestically even as a tap dance the applied voice a harmonic complex percussive largest systematic chord equate in the ostinato. dkb 9/30/2021 6:10:03 PM
Bout " Altered Fur Elize ": Not a variation but a mere alternate interpretation of his unequaled in it's own right masterpiece that everyone knows. I used mental singing, old of mine material, & impromptu ideas. I wanted to hear some slightly new sounds from this original work itself by just adding & subtracting-substitutioning certain changes only.
Interesting - what you challenge us, if I understand you correctly: You want us/a listener to FIND OUT the "formula" behind this.
I only listened to "Quinsex". In tempo 333, this is certainly not possible I reduced the tempo to 120 - then, patterns begin to emerge that I can partially grasp.
However, on first hearing, there are some "deviations": In m.8, m.14 , m.21 and 24 and 26, m.43 and 47 and then m.80 (and certainly some more I overheard), there is an augmented fourth (tritone). All other fourths are perfect ones. But I do not see, right now, a pattern where these tritones are located ...
... certainly there's more to see and find here!
Ms 8 was all 6s and 5s but your right the Quarters varied as minor 3rd, major 3rd, And the Tritone in the measure’s right Hand. I guess this was an manual extra Disarray from the algorithmic formula. Thanks!
Yes,those were exceptions I cannot Confirm but the work works something Right written. I had lots to say bout This there was an unexpected wipeout Unfortunately. I have several methods Of producing forms, in this case constant number patterns I would say in Any, any? Persistent systematic combinations. Lawrie,if empty layering box in In the page setup I Get no layer with staff and no layer lower Voice dot placement possible. I guess I could Have allowed layered instead at least With all the all sensible ones though I Probably would have gotten more Visible staffs when I wanted minimal.
Bout " Hell dance....": Hello everyone i hope everybody is safe & well. About the 2:51 minute i call Orchestrion style to subs like trekordion or here a nonet. This is a "Nonet in c minor" in the oldschool videogame style. Contrapuntally it carries a total of replicated and non-replicated 9 staffs and i think can be said superficially & technically, 43-part writting. 5 staffs are hidden for esthetic. The general formula for this work is a 12-part contrast-articulated imitation work tripled variably in instruments + a channel 10 consistent membranna ostinato with a duplex-articulate alteration doubling of the voices & + finally a waltz-ideology-inspired 3rd ostinato meant as a strange eclectic constant. The most complex parts are the 1st two staffs which originally were a 12-part imitation work and like the baroque method to take a simple idea & develop it in an uncanny fashion hidden from prying eyes LOL. I only used copy & paste and Retrograde mainly. My point in this post is to enlarge posts on the nwc avant-garde section and simply to expose the dissection of one method of potential and perhaps someone with the necessary skill create a LUA file like not just retrograde but also the contrapuntal invert and LUA files for the commom baroque ornaments like the mordant,turn, & all rest used by the great Bach himself. To me this work's title is similar to the videogame Castlavania:Harmony of Dissonance or my favorite Castlevania:Symphony of the Night. I am not much into games but rather the music of the professionals that created the scores which tons of them were derived from the Baroque & Bach's Style and works. The title merely depicts one possible Hell &/or Quantum scenerio. 9/24/2021 12:22:22 PM D/D
Bout " And Quadratic Note Structures ": This ix more like a giant conceptual etude. It contains progressions, motifs, cells, compounds, etc., mostly hypothetical & official names of note-beamed name structures like the Alberti, etc. Yet not all structures are included as it would be immense into a composition as here illustrated. There is also some analysis data. I don't know which sf2 via the viewer is ideal yet the instrument is piano & a good sf2 piano that does justice to the pedal is amply. This is a bit like a medly & dedicated to the 94 keys of the imperial grand by total number of measures. It also examplifies a would be program that would include tons of preset quadratic & non-quadratic beam structures each one with a name for a notation shortcut into other integrations or simply anyone to tag a name for them of their own by any logical designation complex for example regarding tactical warfare as a species of many to choose from, etc. And here is a nwc wallpaper & concept of music's to the power of itself....
The Quinsex Praeludium is constructed algoic in 1st 5 chromatic intervals, then six back and forth simplex arithmetic while the Octanovem is 8s and 9s chromatonal math and this is the simple formula. However it can be more complex by introduction of say a triplex serial equation of say 3s,6s, & 7s numerics at random. The rest of the formula was not to extreme octave ranges that where practical in the process of all the systematic copy and pasting back and forth between the destraic treble and mancanian bass clef in an impromptu fashion of choice excluded in the formula book that was going to explore all binary combinations of interval combinations in the form of these example two praeludiums in volumes. As well as cohesive patterns of parts contrasting juxtaposition. The details of the entire formula utilized can be dissected from the scores at a analysis inspection like you would a fuga. The purpose of this post is to exemplify that a program within a program in prompts could be devised to lessen time expenditures to compose preludes like these in a very short time by box entering numbers representing intervals and other numerical equates in the score so the program would compute the work automatically after all figures prompted i don't know if it could be as a usertool or object plugin i cannot write the syntax know how. If it could be a tool the idea is to achieve a shortcut to turn say an hour into some mere minutes by say chromatic interval prompts up or down without having to constantly count consecutively to allow fast working with scoral numeric formulas that created these two of my nwc files. This Avant-Garde post is like a subprogram withing a Program pretendinding to be a Program. I have this idea of a program as an Extensive user tool or LUA that can Compose an entire work like these two By a few numeric prompts to automate The entire score with final click useful In as a shortcut/s for your theme or Algorithmic idea like I did with these But I had to do it manually & wished It Could have been faster for the Completion of all intervals and some chordals since to the power of would Be immense project. Nota: I have Attached the snapshots from my book Of algorithms for your analytical curiosity. One can see what was not Included otherwise my manual Idea modularizations of sensible Contrasts and details imputed on The fly.
Bout " Superhuman ": Imagine the awe of superhuman running &/or flying in physical &/or neuronic proportions. Much copy n paste & complex ratios of retrograde along with attempted non-repeating sequentias of rhythmic patterns for the sake of would-be diametria as the work lasts 2:36 minutes/secs Alt-236 the PC code for the infinity sign or the unlied 8 as well otherwise the same in it's octahedronic lore....-dkb,10/3/2021 10:55:13 AM
Bout " Substance=Cohesion ": Couldn't be in a better key except for maybe d minor or g minor? Unlike orchestrations or too impractical to perform the other i call extremetrical or/& quasi-extremetrical are those practical to perform with human hands or 2 hands as a solo. Try some old- school New Age Music as a comparison but yet added elements of nu passionate innovation like the newness of vintage French imperativity like say the French Automotonists to say the Automotronists in contrast even though preserved as a simplex proto-skeletonic model. Many diadems i like, to collect like fav style & form signatures along the way, like New Age, Dawn, Vampeer, Gothic, Victorian, & The Neos of, all contain their own music formula like you know the 12-measure jazz one. Omit measures 20-27's-R.H. Lower Voice notes for an easy & practical 2-hand original performanza. This piece is designed to be performed, & it is only then that one can truly appreciate it without leaving an important component to be desired in the equation. Requires the human touch as the Midi or NWC cannot due it 100% justice as one playing it on an acoustic pianoforte not to mention the magic of the " via humana transference." I find on the computer more difficult & even illusive objective to transfer all adamants in their essential & just entirety. -dkb 10/3/2021 2:42:36 PM P.S. " Sometimes in my music i paint Pure Green Utopias as one example from a possible however far or even impossible future or futuristic & Neo-reality/ies that longs to Shine via human obsession, predilection identified genesis explanatory." NOTA: " My music ix a new(Neo or Nu) equation & there are sum or some elements of notative articulation. I hope you enjoy this one." -dkb, 10/3/2021 3:10:34 PM
Here is my small contribution to my fav, the nwc program for anyone to download. I call this form a trekordion which is simply a 1st composed solo which you can hear by muting the lower 3rd staff which is a complete composition in it's own. But, then by as i do just wing at it, a potential at least good ostinato might be forged with the solo cohesively. I hope you fellow noteworthy users enjoy it and if you wish, comment your personal thoughts. Thank you! Again two more numeric simple itrees might be useful. Furthermore, FUGUE of itree stand for Fire, Universe, God, U for Olfactory or nosy or hyper-inquisitive and E for Earth. And each representing the five Pythagorean solids analogy. This is not to precise. I however believe the Fugue to represent a divine rotation as a parallax to the planetary electromagnetic music of Earth. We humans live in a quadratic modularization. Which is the practical one + and - polarity of basic mains= negatives=1-anguish,2-suffering,3-dying, and 4-death. The +s are=1-peace,and happiness,2-strength and health,3-euphoria, and 4-immortality faith. Then there are the secondaries which less necessary however just as real= negatives= depression,2-boredom,3-passivity,and 4-apathy. While the +s are=1-awe,2-ecstasy, 3-fanatic at something while still healthy or not but still positive since our mind perceives it as adamant, and 4-superficialities real only to us. the basic ones are more than less physical while the secondary more the unnecessary psychiatric yet universally part of the universal nature of consciousness. Also these five elements of Fugue align to the five types of Gm midi 128 instruments in classes which are of The H-S System= 1-Idiophones,2-Chordophones,3-Aerophones,4-Membranophones,And 5-Electrophones.I mostly merely represented them as 1st 1-element+2-geometrica= and +3-instrument class improvisatory complex linguistic derivatives with a facet of somewhat ridiculous humor in it. The rotation of the cubic/spherical Earth has been a komplex affectation in all but discussed here in the music we produce similar to the mechanics of our neuro-DNA-molecular circuitries, some of the building mechanisms of the future of here planet Earth, these things are so smart they decide our future before we realize it yet are intrinsically part of all of us. Other criteria in geometric lore is the Icosahedron as the Throne Of God and the Rhombohedron sometimes used to represent man's desire to aquire impossible lenghts of power through increased knowledge. Others the Star Polytope even to 120-cell ratio said to illustrate surpassing diametria geometrica, and the Starhedron known for it's representation of self-magnification through sectal sensibility to reach God. The Novus Ordo Seclorum pineal grand in the 1 Dollar bill is the Binary Facet of existencial fundaments itself part of the basic knowledge for a supreme being existencial engineer to overbuild realities within realities. Academica being the Central Core of any existence sorrounded by the primus survival juxtaposition with witfully applied lore to hopefully outlive death indefinitely the philosopher's stone to the dicey magnum of illusive indestructability in counterpoint with all the latter that remains. Then the decline of our life descentia unto necrosis thought to be the natural portal medium to exceed the worldly dimensions to the next infinite sets. Jargon after jargon of discovered and proposed concepts that in the most merit cannot be proven yet cannot be disregarded due to their partial sometimes mindboggling illumination or luminousity as potential science. Just some data i wished to share with you but in these itrees one numerated from midi 0 and one from 1 as well as The fugue itree for 5 instrumental classes. I hope you find them usefull,practical, and esthetical to promote more imagination and it's twin clone intelligence. Here is 1 more itree you might find useful.
originally called " as if microtonal " was meant for small use of f# 50cents in a sequence C# 50cents in a sequences's worth so on and so forth minimal use of non western tunning as if adamant minut touches of eclecticalities ideology with western chromatizm for koloring. i have not heard it microtonal but the theory ix sound for getting mor dan givin in-instead offed vertigoical dizzy-like usual vortex of say youtube microtonal quality potential wit exam-ples lattering substancial exeptions my idea is minimal use again with a differential point of bending the twelvian tone unless it ix a relativ pertinantion of its workabol scope-tte. i hope u enjoy diz as an addittion to nwc dna mein fav notate processor.
Hello noteworthy composers, it's been a while posting. Here ix one contribution to the retrograde tool as a protype opus dat complex cohesive combinations of varied dynamics et articulattas can be incorporated to a polished eventual product of a flashing moment of inspiratuus this morning came to me yet drawing from my past skills of midi manipulation stylus i followed a pattern of almost to the power of integral contrapuntal incorporation of two themes into development of a minimal musical finished product dat uses a formula of contrastre proportion into a final texture dat uses a proceedural say 12345678,12457836,87654321,87542173,12367845,23416785, and so on two themes set agaist themeselves as if trying to accomplish the impossibola by skipping to the RAM witfull shortcuts instead of a full consecutive diametria serial yet musical numeratta run yet only aimed atthe 236(infinity ore squared informattioning) not >236 objectivuus which ix more superhuman and less computer-like. I hope you enjoyt this 1:53 short zimplex/Komplex integratt 2 part invention as if Bach onet yet contemporary exploratta intuu methodological and note as mein usual 90% imagination and 10% puzzlet conceptis decryptta ax Mr. Bach J.S. Thank you fellow kompozers!
Sorry i didnt respond earlier as i come and go only to notice later a due response on my behalf. The sfArk unpacker from the net download suspends the contents. I use Midijoke to play sf2 file on noteworthy along with a host like synthfont or other freeware sf2 or vst player versions whose purpose is to link via midi options programs together like in this case nwc with say synthfont via midiyoke. But Notewothy viewer plays sf2 playback capability in nwc2.75a instead of going to the trouble of the previous set up which has its advantages. I still like the general midi simplex without the lore of sf2s, vsts, or any virtual instruments as well for their raw and crisp yet vast horizon capabilities say the one partial of the totality 128 GM instrumentsquared.
Hir i illustrate Mozart ~ Beethoven ~ myselph Resounded in a nu Phase inspired bi scale changer pro 2.0 which i sadly miss difficult aquarement-reliable....Also a txt wit link to the web to sf2 for the nwc files to be done juste. I wish noteworthy had an internal any scale editor so dat my experiments had mor reign of supremacy to jaust like the immortal phoenix. LolLolLolLolLolLol∞∞∞∞∞∞∞∞ olso d jpg ix nice as an inspiring wallpaper fore ur desktop. Thank u!
This ix a mere gm itree where the names of the instruments can exemplify all of them created equal in possibilities in irrelevance more or less cohesiv and designated to their innate pertinent applications. I Hope sum of you find it helpful or inspiring. Thank you!
This ix a mere gm itree where the names of the instruments can exemplify all of them created equal in possibilities in irrelevance more or less cohesiv and designated to their innate pertinent applications. I Hope sum of you find it helpful or inspiring. Thank you!
" Yeah, it might be misdirected my aim Richard, i merely mean that a composer should have all the options of musical resourcefulness & physical manifestation at his or her disposal almost god-like but not even massive memory capacity required & i too do not believe in a software that does all the work for you but rather offers a sort of Digital Musical Deus Ex Machina that can do it all do to it's remarkable construction of myriadal yet practical progressive engineering from the basics to the theoretical flexibility(of constant research upgrades of course)."
I understand the simplification of dialect to facilitate communication. Let me introduce first my terminological version of diagonal retrograde with my sincerest apologies= It is a convergence of systematic "per"mutations of the selected(a minimum of two-part writing)music areas with a criss-crossing multi-preset protocol. Like inputting musical quadrants through a vortex & the output is relative & sequential according to the desired preset even if custom-configured. Inserting music through a metamorphic vortex like the evolution of the larvae into the monarch butterfly.
OK! This is my a simpler explanation=It is like putting music through a blender but it does not get destroyed on the other side of the hyperbola but systematically altered according to parameters of variables set before the metamorphic execution.
But that is just one tool of many that would be my aim to a much wider resourcefulness as a means for complete manipulation of every musical parameter saving a lot of time in one click not to mention that a composer would be innately redirected to new musical territories that he or she would not the possibility to reach those altars otherwise at the same time still utilizing master composition quotient . Thank you for your comments sincerely & may music be power to the power of=∞
This is a reply to post comments on 10/30-31/2014. Well Dissociated Press is more like an randomized Algo instead what i stated is far more ordered plus optional & with due time bring one to a closer understanding of the mystery that is musica in it's vastest proportions, but maybe you have a point i personally think that Wendy Carlos interpretation of the Invention No.4 In D Minor BWV775 is a prime example of musical comedy. Yeah, definitely more for computerized than routine dynamics but i think that such a nwc could do it all for both. I'd hate to wait for nwc 4 & windows 20 but i guess you can't have it all unless your a software engineer that has the option of playing around with private yet elite projects not for mere ego but realization of an ultimate musical matrix ideology physically manifested with hard work ofcourse! The Diagonal Retrograde i have not fully configured the absolute mechanics of it's traversal protocol but think of it as the brain hemispheres communicating with each other in a criss-cross modus opps multi-variant mechanism. Thank you for your ideas i think leads one farther in developing his ideas than conversing only with it's own malkuth. Malkuth is a reference to the tree of life. Hardly a travesty!
How about NWC3? Enhancement but not altogether a new notation processor matrix. Designed to alter ever variable of the score by numerological fashions without technical syntax commands but instead a lot of multiple pull-down & right-click presets easily understood by any musician/composer, such as vertical, horizontal, & diagonal retrograde or any combination of the three a once? I suggested this idea of diagonal retrograde to a software engineer from Japan simply because his software did not possess that capacity as a small contribution of mine. But forms of systematic yet diametrical protocols of retrograde are just a few of the ideas for complete(that is like the Michelangelo's Ideaology of the sculptor's stone) as much as possible manipulation of every parameter of the or any nwc score or imported midi file & any number of staffs notes of chords, etc. but at the same time made so simple that once having written the master program all the user has to do is to execute while at the same time making so much short-cuts to his imagination capacity being put to the ultimate test specially then with a notation processor that can do anything one can think of or as much as possible by the mechanics of it's uncanny diametrical written program guided ofcourse by pure mathematics at the same time converted to all the conventional symbols of a musical score which miraculously would not require any more memory that the text format to occupy & install in digital space. I've a good number of these tons of hypothetical presets but i would have to consult my notes. I posted this as a thank you & general contribution due to my possession of the noteworthy program which is the only one i have sufficiently learned to use although not even to it's fullest capacity which i think perhaps these ideas would probably have to somewhat be modified or perfected. Thank you for reading this. Just an idea i think might do some good you know. I also think that one very useful right-click on any note or chord would be to instantly modify the pitch between 100 cents. And many others!
Thanks quite a lot Flurmy for the info i did not take into account. I found your soundcard data quite interesting, it seems that the PCI128 & SB16 were the closest to my Realtek soundcard & NWC2 configuration output. I had no idea it was more complex than mere dynamic velocities but i guess it works exclusively for my PC so far or anyone with a realtek for the sake of more technical arguments regarding softwares other than NWC. I have an SB Audigy but i had problems with the need for both the soundfont manager & EAX effects simultaneously so i resorted to my realtek. Garry, i also did not consider volume & expression parameters than just dynamics a total of 3 important variables. I found the blue designations in your chart very close to mine. Thank you both for the needed info, i am now less blinded.
My ppp dynamics in NWC were inaudible, so i set myself to configure the ideal dynamic ratio for the eight dynamics offered in the noteworthy composer template directory which turned out to be 13.1 while PPP=35 & fff still 127 the highest dynamic velocity. I've included the PIANO.NWC template to replace the official one in the templates directory of your noteworthy composer along with an example file for your personal judgment but i think you will find that this new configuration in the staff properties & instrument tab will not only allow the ppp to sound as it was meant to sound or sound at all, but that the overall dynamic proportion is smoother & mathematically ideal amongst a very few others but i found ppp to equate 35 is just right & that 127 is the only mathematical flaw as it was increased by a dynamic velocity of 14 while the rest from ppp=35 to ff was 13 therefore for the most part symmetrical. I will as of today begin to use this new configuration & i hope this is of some use to you all noteworthy musicians. Thanks!
Excuse me to bother you but i have a very important question for you. I've built NWC iTrees before nonetheless, i was wondering if it's possible or what symbols i would use in a text editor to make iTrees that would in general midi assign two instruments simultaneously per staff therefore i could give the new instrument my own name which is really 2 at the same time. I was thinking for example: 001 + 002=Aura, though i do not think the + sign is correct syntax. My e-mail is:Luzideussavant@yahoo.com. I await patiently fellow nwc user administrator.
This is an essay for noteworthy kompozers to enlighten them in fugal explorations:The latin origin of the word fugue, it implies a sort of battle between two or more parties each one representing an imitative voice, thus the initial theme attempts to flee while the eminent imitation chases the theme in a simultaneous yet harmonious manner. If we are to consider what the fugue means, it seems to be a jousting of warfare which if a piece is not a fugue or a variant of the fuga family, then is there a war present or not otherwise something different taking place? Perhaps not a war & if a war, then perhaps the mechanics of warfare are being represented in a set of different warfare protocols.There seems to be a controlled warfare for while the main theme remains dominant first introduced to have total control over the enemy & the auxilliary imitations remaining retardant. Thus the physics of counterpoint can be officially altered thus obliterating retardant imitations & various scenarios where the dominant theme can be counterpointed from the beginning thus an equal juxtaposition initially & instead of retardant imitations, differential respondents or simultaneous differential points of attack to an otherwise predictable aftermath of warfare known as the old fugue of musical & mirroring non-musical supremacy of always the victor & always the defeated. Thus these contrapuntal emotive ideologies one can intellectually & creatively alter the war-zone or not necessarily a war-zone by kings & queens to rather different scenarios, twists & turns, & concepts that them mere fugal family was designed to forbid due to security issues.Thus the reformist, innovatist, visionary, or avant-garde can provide fascinating & even humorous imagery & new concepts with his new fugal logic while the fugal variant can remain & seen for the 1st time in the way it has always been since the monarchy of the baroque era.
" Thank u very much David for your informative review. Your right, i did not take into account full consideration to the performer besides avoiding impossibilities like unisons & so on & forth. Yes, a ritardando would work well, it was just a tool in tempo i picked-up from a nwc score not composed by me a while ago since i like conscious awareness of numerical precision of tempo changes in a score. I didn't know a double bar line regarding scale changes was useful, thank u. It ix because i do not compose for others to perform my works, so i never have the need to be considerate to the performer. "
" Thiz ix an example short fugue made with NWC 2.0 with the soundblaster soundcard though it might still sound good on realtek. It exemplifies the discipline of the art of fugue while at the same time an innovative approach using the simple articulative tools of noteworthy kompozer. I post thiz 2 give an ideology, a hint of how much the fugue could be enhanced which ix what i've been trying to do 4 a long time since i sometimes get not an annoyance but an awakening hear over & over the same old laws of counterpoint. I hope you enjoy it, & if you want to open a dialogue concerning thiz topic, please e-mail me. "
P.S. " I've also included the entire score( Prelude & Fuga ) also in the motive to present fugal renovation. "
" In conclusion, your help is much appreciated & i want to thank u with thiz musical offering of mine at my youtube channel, i hope you enjoy it:http://www.youtube.com/watch?feature=player_profilepage&v=Y9WcQyWPC24
For example, I followed the link <here> to download •Sound Blaster version 1.43 (GeneralUser_GS_1.43-Live-Audigy.zip) I dragged 'GeneralUser GS Live-Audigy v1.43.sf2' out of the ZIP file to a folder. Then I dragged 'GeneralUser GS Live-Audigy v1.43.sf2' and dropped it on rg_ITree.vbs
The attached dialog appeared. I selected 'Yes' and the attached itree was written to NWC's 'Instrument trees:' folder.
" Much thanks Rick, I am not exactly sure what i was doing wrong, now dropping it on the vbs in a few seconds generates the dialog, but if i choose yes it doesn't write the iTree, so i choose instead no so that i may manually save it as an iTree in the designated directory. Thanks a lot G, i learned how to make iTrees a while ago but this app of yours sure saves time. Congratulations on your vbs design, i think it should be incorporated into perhaps Noteworthy Kompozer 3. "
" Thank u very much Rick for responding so quickly, i will definitely give it a try the sooner i can, since i have so many sf2 banks that i am dying to interface with my NWC. By any chance do you use this app, i am curious or is it for you an ancient engagement.LOL "
" Not get off the subject Rick. Do you know of a fast method to extract an iTree from a sf2 Bank or sf2 file & the presets automatically, to save the labor time & immediately begin to use the tree? I really need an answer to this problem. I hope to hear from you soon. Thank You! "
23-in entering notes in click mode, wether is single notes or notes for a chord entered above or below, after you click to enter note a palette pops up for you to quickly choose to save time the accidental desired. 24-style presets both provided & custom option to save & use your own rhythmic accompaniment or treble precise digital structures & once having chosen it when you enter notes on the keyboard below the score the notes follow the pattern you have chosen to save time & compose at a faster, more convinient, & more progressfull manner. 25-Highlighting of range limits in the keyboard below to the instrument at hand. Relating to No.22, this note-alignment process can only be for solo scores(L.H. & R.H.) unless you can devise a multi-faceded system of the same process. However, for a solo composition, this mutator mode would have three definitive options for the entire composition, not two or all three but you could only apply one of the three: 1-the integers that are entered are calculated by the closest same note name but not identical pitch note in the top clef relative to the note in the low staff(EX: treble A1 + Bass b, so the number would be 3 as the integer for that note-alignment). 2- Same as 1 but the calculation would be administered by the closest same note name but not identical pitch note in the bottom so the number would be 11. 3- The final option would count the intergers between one or all notes in the top clef to the low clef(EX: C1 to c = 13.
" I urge you to add this tree to your itree directory. It only focuses on Gm,GS, & MT-32, However it is elegant, intellectual, scientific, funny, mind-boggling, but most importantly inspirational for a broader spectrum of musical possibilities. Tell me what you think of this elaborate construction. I hope you enjoy it! "
Virtually, Kristoval Luzius Amadat Krissagrim
P.S. " Sorry, i've made an error on the tree, but corrected it, so download it again. Thank You!
Yet, another modification, hopefully the last one!
Here is also an example of how my tree can inspire different music. It is cruxial that concert hall reverb be applied. Its a nwc2.1 file.