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Topic: "Nu Algorithmic Possibilities" (Read 407 times) previous topic - next topic

"Nu Algorithmic Possibilities"

The Quinsex Praeludium is constructed algoic in 1st 5 chromatic intervals, then six back and forth simplex arithmetic while the Octanovem is 8s and 9s chromatonal math and this is the simple formula. However it can be more complex by introduction of say a triplex serial equation of say 3s,6s, & 7s numerics at random. The rest of the formula was not to extreme octave ranges that where practical in the process of all the systematic copy and pasting back and forth between the destraic treble and mancanian bass clef in an impromptu fashion of choice excluded in the formula book that was going to explore all binary combinations of interval combinations in the form of these example two praeludiums in volumes. As well as cohesive patterns of parts contrasting juxtaposition. The details of the entire formula utilized can be dissected from the scores at a analysis inspection like you would a fuga. The purpose of this post is to exemplify that a program within a program in prompts could be devised to lessen time expenditures to compose preludes like these in a very short time by box entering numbers representing intervals and other numerical equates in the score so the program would compute the work automatically after all figures prompted i don't know if it could be as a usertool or object plugin i cannot write the syntax know how. If it could be a tool the idea is to achieve a shortcut to turn say an hour into some mere minutes by say chromatic interval prompts up or down without having to constantly count consecutively to allow fast working with scoral numeric formulas that created these two of my nwc files. This Avant-Garde post is like a subprogram withing a Program pretendinding to be a Program.
I have this idea of a program as an
Extensive user tool or LUA that can
Compose an entire work like these two
By a few numeric prompts to automate
The entire score with final click useful
In as a shortcut/s for your theme or
Algorithmic idea like I did with these
But I had to do it manually & wished It
Could have been faster for the
Completion of all intervals and some chordals since to the power of would
Be immense project. Nota: I have
Attached the snapshots from my book
Of algorithms for your analytical curiosity. One can see what was not
Included otherwise my manual
Idea modularizations of sensible
Contrasts and details imputed on
The fly.

Bout " Superhuman ":
Imagine the awe of superhuman running &/or flying in physical
&/or neuronic proportions. Much copy n paste & complex ratios
of retrograde along with attempted non-repeating sequentias
of rhythmic patterns for the sake of would-be diametria as the
work lasts 2:36 minutes/secs Alt-236 the PC code for the
infinity sign or the unlied 8 as well otherwise the same in
it's octahedronic lore....-dkb,10/3/2021 10:55:13 AM

Bout " Substance=Cohesion ":
Couldn't be in a better key except for maybe d minor or g minor?
Unlike orchestrations or too impractical to perform the other
i call extremetrical or/& quasi-extremetrical are those practical
to perform with human hands or 2 hands as a solo. Try some old-
school New Age Music as a comparison but yet added elements of
nu passionate innovation like the newness of vintage French
imperativity like say the French Automotonists to say the
Automotronists in contrast even though preserved as a simplex
proto-skeletonic model. Many diadems i like, to collect like
fav style & form signatures along the way, like New Age,
Dawn, Vampeer, Gothic, Victorian, & The Neos of, all contain
their own music formula like you know the 12-measure jazz one.
Omit measures 20-27's-R.H. Lower
Voice notes for an easy & practical
2-hand original performanza. This piece is designed to be performed,
& it is only then that one can truly appreciate it without
leaving an important component to be desired in the equation.
Requires the human touch as the Midi or NWC cannot due it
100% justice as one playing it on an acoustic pianoforte
not to mention the magic of the " via humana transference."
I find on the computer more difficult & even illusive objective
to transfer all adamants in their essential & just entirety.
-dkb 10/3/2021 2:42:36 PM
P.S. " Sometimes in my music i paint Pure Green Utopias as one
example from a possible however far or even impossible future
or futuristic & Neo-reality/ies that longs to Shine via human
obsession, predilection identified genesis explanatory."
NOTA: " My music ix a new(Neo or Nu) equation & there are sum
or some elements of notative articulation. I hope you enjoy this
one." -dkb, 10/3/2021 3:10:34 PM
8608ṡṅ45041723666

Re: "Nu Algorithmic Possibilities"

Reply #1
Interesting - what you challenge us, if I understand you correctly: You want us/a listener to FIND OUT the "formula" behind this.

I only listened to "Quinsex". In tempo 333, this is certainly not possible  :) I reduced the tempo to 120 - then, patterns begin to emerge that I can partially grasp.

However, on first hearing, there are some "deviations": In m.8, m.14 , m.21 and 24 and 26, m.43 and 47 and then m.80 (and certainly some more I overheard), there is an augmented fourth (tritone). All other fourths are perfect ones. But I do not see, right now, a pattern where these tritones are located ...

... certainly there's more to see and find here!

Thanks!
H.M.

Re: "Nu Algorithmic Possibilities"

Reply #2
Yes,those were exceptions I cannot
Confirm but the work works something
Right written. I had lots to say bout
This there was an unexpected wipeout
Unfortunately. I have several methods
Of producing forms, in this case constant number patterns I would say in
Any, any? Persistent systematic combinations. Lawrie,if empty layering box in
In the page setup I Get no layer with staff and no layer lower Voice dot placement possible. I guess I could
Have allowed layered instead at least
With all the all sensible ones though I
Probably would have gotten more
Visible staffs when I wanted minimal.

8608ṡṅ45041723666

Re: "Nu Algorithmic Possibilities"

Reply #3
Interesting - what you challenge us, if I understand you correctly: You want us/a listener to FIND OUT the "formula" behind this.

I only listened to "Quinsex". In tempo 333, this is certainly not possible  :) I reduced the tempo to 120 - then, patterns begin to emerge that I can partially grasp.

However, on first hearing, there are some "deviations": In m.8, m.14 , m.21 and 24 and 26, m.43 and 47 and then m.80 (and certainly some more I overheard), there is an augmented fourth (tritone). All other fourths are perfect ones. But I do not see, right now, a pattern where these tritones are located ...

... certainly there's more to see and find here!

Thanks!
H.M.

Ms 8 was all 6s and 5s but your right the
Quarters varied as minor 3rd, major 3rd,
And the Tritone in the measure’s right
Hand. I guess this was an manual extra
Disarray from the algorithmic formula.
Thanks!
8608ṡṅ45041723666