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Messages - lawrroc

1
General Discussion / Re: Melisma
Resolved! I'll have to study the meanings of the terms well, it's always a delicate operation for my almost non-existent English.
Thanks, Mike e Lawrie!
Lorenzo
2
General Discussion / Re: Melisma
Hello, I'm bringing this topic up again due to a problem that I can't solve, and there is definitely a solution. After setting the "Melismatic.nw" object, the melisma does not appear.
The same score, but from a different "edition", brings it up correctly. I superimposed the two staves and they look perfectly the same (see image) but in one melisma ok, in the second "fugitive".
I also try to insert the code of the two lines. For practical effect, drafting the score, I arrive at the desired result, but I'd like to understand why the melisma is not seen in the second line.
Thank you.
Lorenzo

melisma no
Code: (nwc) [Select · Download]
!NoteWorthyComposerClip(2.751,Single)
|User|Melismatic.nw|Pos:0|Class:StaffSig
|Clef|Type:Treble
|Tempo|Tempo:100|Pos:9|Visibility:Never
|Key|Signature:Bb,Eb,Ab,Db|Tonic:A
|Bar|Style:MasterRepeatOpen
|TimeSig|Signature:6/8
|Rest|Dur:4th|Opts:Stem=Up|Visibility:Never
|Rest|Dur:8th|Visibility:Never
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:12/8
|Note|Dur:4th,Dotted|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th,Dotted|Pos:4^|Opts:Stem=Up,Lyric=Always,Tie=Upward
|Note|Dur:4th|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|User|Slur.ms|Pos:5|Pen:dash|Dir:Upward
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:9/8
|User|Slur.ms|Pos:6|Pen:dash|Dir:Upward
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:Half,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:12/8
|Note|Dur:4th,Dotted|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:1|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:1|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th,Dotted|Pos:4^|Opts:Stem=Up,Lyric=Always,Tie=Upward
|Note|Dur:4th|Pos:4|Opts:Stem=Up,Tie=Upward
!NoteWorthyComposerClip-End

melisma sì
Code: (nwc) [Select · Download]
!NoteWorthyComposerClip(2.751,Single)
|User|Melismatic.nw|Pos:2|Class:Span
|Clef|Type:Treble
|Text|Text:"moderato"|Font:StaffItalic|Pos:16
|Key|Signature:Bb,Eb,Ab,Db|Tonic:A
|Bar|Style:MasterRepeatOpen
|Tempo|Tempo:100|Pos:9|Visibility:Never
|TimeSig|Signature:6/8
|Rest|Dur:4th|Opts:Stem=Up
|Rest|Dur:8th|Opts:Stem=Up
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:12/8
|Note|Dur:4th,Dotted|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th,Dotted|Pos:4^|Opts:Stem=Up,Tie=Upward
|Spacer|Width:250
|Note|Dur:4th|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|User|Slur.ms|Pos:7|Pen:dash
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:9/8
|User|Slur.ms|Pos:7|Pen:dash
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:Half,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|TempoVariance|Style:Breath Mark|Pause:0|Pos:10|Justify:Right
|Bar
|TimeSig|Signature:12/8
|Note|Dur:4th,Dotted|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:1|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:1|Opts:Stem=Up,XNoteSpace=1,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th,Dotted|Pos:4^|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:4|Opts:Stem=Up,Tie=Upward
!NoteWorthyComposerClip-End

3
General Discussion / strange notes (for me)
Good morning,
I am addressing you gentlemen musicians, I am not and you will have noticed it  ;D.
At the end of a long transcription work I came across these notes (see attachment). Time is a Common time (C). What should be done in these cases?
Thanks and a good weekend to you.
Lorenzo
4
General Discussion / Re: Note in number
Good morning to you all.
I speak not on the subject but to give due credit to those who care, with kindness and competence (often these two aspects are in conflict with each other...), to provide information for the correct and satisfactory use of NWC. It must be said! This is the function of a discussion group. I am always admired and happy to see the calm and exhaustive answers to the questions posed in the forum, first of all mine. Well done you all!
Lorenzo
6
General Discussion / Re: internal and external slur
That's right, Mike! In fact, the contact of the internal slur with the stems of the notes is not stylistically pleasant: the ends of the slur should be slightly spaced from the stem of the notes. So with the users mentioned the stylistic problem is solved in an excellent way, even if, when there are many of these two-note groups, the work is long and very patient.
In my opinion, being notes at different pitches, you don't even need to add the ligature (;): just enter the user.
Many thanks.
Lorenzo
8
General Discussion / internal and external slur
Good morning to you!
I wonder if it is possible to tighten the slurs inside and not above a group of two joined notes. I know that it is possible to work and fix the slur with the user slur.ms and slurCubic.ms and with the combination Alt Gr + @.
I was wondering if this is not possible automatically.
The slurs above the joining bar of the two notes often take away space and are also unsightly from a graphic point of view. I enclose two images that explain better than many words.

Here in my city (Trento, northern Italy) wonderful autumn weather, wonderful colors and almost summer temperatures.
Good Sunday.
Lorenzo


translated with google translator
9
General Discussion / Re: Melisma
Great, Mike, thanks for the tip!
The sun is back, I hope it will shine for a long time - in a metaphorical sense - for you too.
Lorenzo
10
General Discussion / Melisma
In the attached image, the final measure of the two staves has a "brevis" (8/4). I solved it with the "brevis" in text format, while for the music I inserted two "semibrevis". User melismatic is set. How can I make the last syllable fall perfectly on the "brevis", without any signs of melisma? Or, is it possible to interrupt the user melisma within the staff?
Excuse my exposition, always the fruit of the almighty but foolish Google translator.
Good Sunday to you (it's raining here in northern Italy).
Lorenzo
11
General Discussion / Re: stems horizontally split
Just for fun: "agreement" in Italian is "accordo"... the same word as for "chord", hence the Google mistranslation.
May years ago, in the first try for automatic translation back and forth to Russian, the sentence "the spirit is willing, but the flesh is weak" came back as "the wiskey is fine but the steak is soft."  :))
Maurizio, if you weren't there to brighten up the days! Sometimes I think that a nice forum in German would not find me so unprepared and without the obligation to resort to the Google translator.
Hello.
Lorenzo
12
General Discussion / Re: stems horizontally split
For the highest note (the D ?) on it's appropriate staff,  go into note properties for the note and then set the extra note spacing to 1 and override stem length to 0 .
Then although you will see a light stem in the editor, if you print out the music or use the viewer mode of viewer, then you will not see the stem and the chord will look correct.
Thanks, done! It's a nice expert trick which you are!
I wrote "key" but I wanted to write "clef" (bass). The affected note is a Fa.
Lorenzo
13
General Discussion / stems horizontally split
Dry question. Is it possible to invert the stem of the note horizontally, so that it appears to the right of the head if it was previously to the left? Turn it 180 ° C? I would like to arrive at a representation like the one shown and circled in the annex but without using the agreement. The four voices - this is a key of F - are on separate staves.
Good day to you! Take care.
Lorenzo
15
General Discussion / long vertical glissando
Good day to you,
here I am with my request.
It is possible to graphically obtain the glissando shown in the attachment.
If you then explain to me how to obtain it also from a targeted point of view, I will spare you another intervention  ;D .
Have a nice Sunday.
Lorenzo
16
General Discussion / Re: Start-Cancel/Forbid collapsible section
Thank you! I try to answer, as far as possible, always quickly but my interventions go through the Google translator! I have read your observations, always valuable and relevant. I didn't understand everything: I'll try to understand better, using the complete guide (translated ...). The only point on which I can answer you without difficulty is the "semibreve" argument of the 9th bar. I am attaching an image that should clarify the doubt.
Thanks again for your help and a happy night / evening / morning / afternoon, depending on your time zone ...
Lorenzo
18
General Discussion / Re: Start-Cancel/Forbid collapsible section
Good day to you,
here is the raw version of my "Deep River" (transcription by R. Dionisi for male choir). I started from scratch, inserting as many staves as there are various parts that split, come back together, etc., scrupulously following Lawrie's precious indications. I discovered - but it was probably a discovery just for me - that the overview of ALL the staves allows to give a complete and correct picture of the transcription. I only selected some parts, the ones that interested me at the moment, and the staves remained empty! When I entered all the notes and selected ALL the staves, I got what I was looking for. My problems - no problem, really, just indifference ... - with the English language cause these troubles. I thank you for your patience and Lawrie in particular!
Of course, any comments, advice or reproaches are welcome!
Lorenzo

PS1: in bar 9, voice of ten. II, there is a semibreve alone, I should have inserted another staff just for her. I haven't entered it. Tips?
PS2: I have not yet managed to connect the various staves with the grand staff brace, I will study them.
19
General Discussion / Re: Start-Cancel/Forbid collapsible section
Hi Lorenzo,
does this suit?
Hi Lawrie, your result is just what I was looking for and I have not been able to achieve! Optimal! I have to study your code and the consequent nwc file thoroughly and get a clear and definitive idea of the use of collapsables. The original score that I attached to my first speech lends itself perfectly to this purpose  >:( .
Thank you very much and have a nice day.
Lorenzo
20
General Discussion / Re: Start-Cancel/Forbid collapsible section
It is true, a completely inappropriate example.
I corrected, adding the baritone and bass parts (they are not exactly like the original score, but it doesn't matter at the moment, as long as they cover all measures): there are still the empty bars 13-17 of the falsetto tenors I and II ! Where is my mistake?  :'(  :'(  :'(
Thanks Maurizio, good night!
Lorenzo
Code: (nwc) [Select · Download]
!NoteWorthyComposer(2.751)
|Editor|ActiveStaff:1|CaretIndex:36|CaretPos:12
|SongInfo|Title:"Deep River"|Author:"Trascrizione di R. Dionisi"|Lyricist:"negro spiritual"|Copyright1:""|Copyright2:""
|PgSetup|StaffSize:16|Zoom:4|TitlePage:Y|JustifyVertically:Y|PrintSystemSepMark:N|ExtendLastSystem:N|DurationPadding:Y|PageNumbers:0|StaffLabels:None|BarNumbers:None|StartingBar:1
|Font|Style:StaffItalic|Typeface:"Times New Roman"|Size:10|Bold:Y|Italic:Y|CharSet:0
|Font|Style:StaffBold|Typeface:"Times New Roman"|Size:8|Bold:Y|Italic:N|CharSet:0
|Font|Style:StaffLyric|Typeface:"Times New Roman"|Size:7.2|Bold:N|Italic:N|CharSet:0
|Font|Style:PageTitleText|Typeface:"Times New Roman"|Size:24|Bold:Y|Italic:N|CharSet:0
|Font|Style:PageText|Typeface:"Times New Roman"|Size:12|Bold:N|Italic:N|CharSet:0
|Font|Style:PageSmallText|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User1|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User2|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User3|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User4|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User5|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User6|Typeface:"Times New Roman"|Size:8|Bold:Y|Italic:Y|CharSet:1
|PgMargins|Left:1.27|Top:1.27|Right:1.27|Bottom:1.27|Mirror:N
|AddStaff|Name:"Staff-3"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:ConnectBars|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Boundary|Style:Collapse
|User|BarCounter.nw|Pos:7|Class:StaffSig|AllBars:Y
|Clef|Type:Treble
|Key|Signature:F#,C#|Tonic:D
|TimeSig|Signature:Common
|Rest|Dur:Whole
|Bar|Style:MasterRepeatOpen
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Boundary|Style:NewSystem|NewPage:N
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar|Style:MasterRepeatClose
|Boundary|Style:NewSystem|NewPage:N
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Boundary|Style:NewSystem|NewPage:N
|Boundary|Style:EndCollapse
|Rest|Dur:Half
|Rest|Dur:4th
|Text|Text:"Falsetti"|Font:User6|Scale:80|Pos:10|Color:1
|Note|Dur:4th|Pos:-1
|Bar
|Note|Dur:4th|Pos:3
|Note|Dur:4th|Pos:2
|Note|Dur:4th|Pos:5
|Note|Dur:4th|Pos:6^
|Bar
|Note|Dur:4th|Pos:6
|Note|Dur:4th|Pos:7
|Note|Dur:4th|Pos:4
|Note|Dur:4th|Pos:3
|Bar
|Note|Dur:Half,Dotted|Pos:4
|Note|Dur:4th,Slur|Pos:3
|Bar
|Note|Dur:Whole|Pos:4
|Boundary|Style:Collapse
|Bar
|Boundary|Style:NewSystem|NewPage:N
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|AddStaff|Name:"Falsetti Ten. I"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:15|BoundaryBottom:15|Lines:5|WithNextStaff:Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|User|BarCounter.nw|Pos:7|Class:StaffSig|AllBars:Y
|Clef|Type:Treble
|Text|Text:"F. Ten. I"|Font:User6|Scale:85|Pos:10|Color:1
|Key|Signature:F#,C#|Tonic:D
|TimeSig|Signature:Common
|Rest|Dur:Half
|Chord|Dur:Half,Slur|Pos:2^,4^|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:MasterRepeatOpen
|Chord|Dur:Whole,Slur|Pos:2^,4|Opts:Tie=Upward
|Bar
|Chord|Dur:Whole|Pos:2,5
|Bar
|Marker|Pos:8
|Chord|Dur:Half,Slur|Pos:-1,4|Opts:Stem=Up,Slur=Upward
|Chord|Dur:Half,Slur|Pos:-2,5|Opts:Stem=Up,Slur=Upward
|Bar
|Marker|Pos:8
|Chord|Dur:Whole|Pos:-1,4
|Boundary|Style:Collapse
|Bar|SysBreak:Y
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar|Style:MasterRepeatClose|SysBreak:Y
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar|SysBreak:Y
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Boundary|Style:EndCollapse
|Bar|SysBreak:Y
|Chord|Dur:Whole|Pos:2,4
|Bar
|Chord|Dur:Whole|Pos:n1,3
|Bar
|Chord|Dur:Whole|Pos:2,4
|AddStaff|Name:"Falsetti Ten. II"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:15|BoundaryBottom:15|Lines:5|WithNextStaff:ConnectBars|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:2
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|User|BarCounter.nw|Pos:7|Class:StaffSig|AllBars:Y
|Clef|Type:Treble
|Text|Text:"F. Ten. II"|Font:User6|Scale:85|Pos:-10|Color:1
|Key|Signature:F#,C#|Tonic:D
|TimeSig|Signature:Common
|Rest|Dur:Half
|Note|Dur:Half|Pos:-1^|Opts:Stem=Down,Tie=Downward
|Bar|Style:MasterRepeatOpen
|Note|Dur:Whole|Pos:-1
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:2^|Opts:XNoteSpace=1.5,Tie=Downward
|Bar
|Note|Dur:Whole|Pos:2
|Boundary|Style:Collapse
|Bar|SysBreak:Y
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar|Style:MasterRepeatClose|SysBreak:Y
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar|SysBreak:Y
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Boundary|Style:EndCollapse
|Bar|SysBreak:Y
|Note|Dur:Whole|Pos:-1
|Bar
|Note|Dur:Whole|Pos:-2
|Bar
|Note|Dur:Whole|Pos:-1
|AddStaff|Name:"Staff-1"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:ConnectBars,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:3
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|User|BarCounter.nw|Pos:7|Class:StaffSig|AllBars:Y
|Clef|Type:Bass
|Key|Signature:F#,C#|Tonic:D
|Text|Text:"Bar."|Font:User6|Scale:85|Pos:7|Color:1
|TimeSig|Signature:Common
|Rest|Dur:Half
|Note|Dur:Half|Pos:4^
|Bar|Style:MasterRepeatOpen
|Note|Dur:Whole|Pos:4^
|Bar
|Note|Dur:Whole|Pos:4
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:4
|Bar
|Note|Dur:Half|Pos:#3|Opts:Stem=Up
|Note|Dur:Half|Pos:2|Opts:Stem=Up
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:0
|Bar|Style:MasterRepeatClose
|Note|Dur:8th|Pos:5|Opts:Stem=Up
|Note|Dur:4th|Pos:5|Opts:Stem=Up
|Note|Dur:8th|Pos:6|Opts:Stem=Up
|Note|Dur:8th|Pos:5|Opts:Stem=Up
|Note|Dur:8th|Pos:4|Opts:Stem=Up
|Note|Dur:4th|Pos:2|Opts:Stem=Up
|Bar
|Note|Dur:4th|Pos:4|Opts:Stem=Up
|Note|Dur:Half|Pos:2|Opts:Stem=Up
|Note|Dur:8th,Dotted|Pos:4|Opts:Stem=Up
|Note|Dur:16th|Pos:4|Opts:Stem=Up
|Bar
|Note|Dur:4th|Pos:5|Opts:Stem=Up
|Note|Dur:4th|Pos:7|Opts:Stem=Up
|Note|Dur:4th|Pos:6|Opts:Stem=Up
|Note|Dur:4th|Pos:5|Opts:Stem=Up
|Bar
|Note|Dur:4th|Pos:4|Opts:Stem=Up
|Note|Dur:Half|Pos:4|Opts:Stem=Up
|Note|Dur:4th|Pos:3|Opts:Stem=Up
|Bar
|Note|Dur:4th|Pos:4|Opts:Stem=Up
|Note|Dur:Half|Pos:5|Opts:Stem=Up
|Note|Dur:4th|Pos:n6|Opts:Stem=Up
|Bar
|Note|Dur:Half,Dotted|Pos:#6|Opts:Stem=Up
|Note|Dur:4th|Pos:5|Opts:Stem=Up
|Bar
|Note|Dur:4th|Pos:4|Opts:Stem=Up
|Note|Dur:4th|Pos:7|Opts:Stem=Up
|Note|Dur:4th|Pos:6|Opts:Stem=Up
|Note|Dur:4th|Pos:5|Opts:Stem=Up
|Bar
|Note|Dur:Whole|Pos:#4
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:0
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|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|User|BarCounter.nw|Pos:7|Class:StaffSig|AllBars:Y
|Clef|Type:Bass
|Key|Signature:F#,C#|Tonic:D
|Text|Text:"Bassi"|Font:User6|Scale:85|Pos:-10|Color:1
|TimeSig|Signature:Common
|Rest|Dur:Half
|Note|Dur:Half|Pos:0^|Opts:Tie=Downward
|Bar|Style:MasterRepeatOpen
|Note|Dur:Whole|Pos:0^|Opts:Tie=Downward
|Bar
|Note|Dur:Whole|Pos:0|Opts:Tie=Downward
|Bar
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,XNoteSpace=1.5
|Note|Dur:Half|Pos:-2|Opts:Stem=Down
|Bar
|Note|Dur:Whole|Pos:0|Opts:XNoteSpace=1.5
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Half|Pos:0|Opts:Stem=Down
|Note|Dur:Half|Pos:-2|Opts:Stem=Down
|Bar
|Note|Dur:Half|Pos:-3|Opts:Stem=Down
|Note|Dur:Half|Pos:-4|Opts:Stem=Down
|Bar
|Chord|Dur:Whole|Pos:-7,-3
|Bar|Style:MasterRepeatClose
|Note|Dur:8th|Pos:5|Opts:Stem=Down
|Note|Dur:4th|Pos:5|Opts:Stem=Down
|Note|Dur:8th|Pos:6|Opts:Stem=Down
|Note|Dur:8th|Pos:5|Opts:Stem=Down
|Note|Dur:8th|Pos:4|Opts:Stem=Down
|Note|Dur:4th|Pos:2|Opts:Stem=Down
|Bar
|Note|Dur:4th|Pos:4|Opts:Stem=Down
|Note|Dur:Half|Pos:2|Opts:Stem=Down
|Note|Dur:8th,Dotted|Pos:4|Opts:Stem=Down,XDotSpace=0.5
|Note|Dur:16th|Pos:4|Opts:Stem=Down
|Bar
|Note|Dur:4th|Pos:5|Opts:Stem=Down
|Note|Dur:4th|Pos:7|Opts:Stem=Down
|Note|Dur:4th|Pos:6|Opts:Stem=Down
|Note|Dur:4th|Pos:5|Opts:Stem=Down
|Bar
|Note|Dur:4th|Pos:4
|Note|Dur:Half|Pos:2
|Note|Dur:4th|Pos:1
|Bar
|Note|Dur:Half,Dotted|Pos:0
|Note|Dur:4th|Pos:0
|Bar
|Note|Dur:Half,Dotted|Pos:0
|Note|Dur:4th|Pos:0
|Bar
|Chord|Dur:Half,Dotted|Pos:-3,4|Opts:XNoteSpace=1
|Chord|Dur:4th|Pos:-4,3|Opts:Stem=Down
|Bar
|Chord|Dur:Whole|Pos:-5,2
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:0
!NoteWorthyComposer-End
21
General Discussion / Start-Cancel/Forbid collapsible section
Greetings to you!
For a few days now I've been breaking my head with a complicated score. I am attaching it to you: I have highlighted the part I am trying to transcribe (I am already in the fourth edition of my work, the first three ended up in the trash ...). Therefore, the staff "falsetti tenors I and II occupies the first five bars, then disappears to reappear in the last three (18-20). From bars 6 to 17 it should not appear. I tried and tried to work on the Boundary (Start a collapsible section and Cancel / forbid collapse from this bar), nothing, the damn bars from 6 to 17 do not disappear. Where am I wrong? In one of the previous "editions" I was able to hit the target in the baritone / bass parts, also present in "united" form (bars 1-12 and 18-20) and in "detached" form (13-17), I think in a purely casual way, even if after many attempts.
In short and not to tire you, I enclose my attempted work for the falsetti tenors I and II.
Good evening and good Sunday.
Lorenzo
22
General Discussion / Re: staff of "falsetti"
Thank you. I'm rehearsing. Up to now I have managed to obtain what I am attaching (the whole passage).
It must be said that at bar 19 there is an interruption of the staves which further complicates the situation.
Buona giornata.
Lorenzo
23
General Discussion / staff of "falsetti"
Good evening to you. Here I am with my questions of a mainly graphic type. When in a score - in mine it happens not too often but it happens - a "falsetti" staff appears in the last measures,
How is it possible:
1. do not show all the previous measures (of the "falsetti" staff)
2. give the staff a smaller dimension than the others
I'm rehearsing with the piece of which I am attaching the "offending" part.
Thank you.
Lorenzo
24
General Discussion / Re: Minimum intervals with dotted notes
Thanks HMM, your solution is certainly better, and does not resort to artifice. I don't remember noticing the option you gave me.
Before sleep I will try to change the height of the dots.
Have a good evening.
Lorenzo
26
General Discussion / Re: Minimum intervals with dotted notes
Thanks David, I sensed something like this.
By tweaking I have solved as it appears in the attachment. I have to attach the whole file, red notes to measures 14, 18 and 22.
For me, a former chorister, the correct execution of the part (voice), with its points, is also important.
True, with a little patience - and a lot of free time - NWC lets you do a lot of unscheduled trespasses.
Hello.
Lorenzo
27
General Discussion / Minimum intervals with dotted notes
Good morning to you.
Sometimes in my transcriptions it happens to me that notes appear dotted on a minimum interval (eg. second) between two distinct voices. The problem arises of positioning the point correctly, considering both the appearance (the graphics) and the sound (the single voice).
Do you have any other suggestions?
Thanks, happy Sunday.
Lorenzo
28
General Discussion / Re: Ties Obscuring Notes
Code: (nwc) [Select · Download]
!NoteWorthyComposer(2.751)
|Editor|ActiveStaff:1|CaretIndex:18|CaretPos:0
|SongInfo|Title:"Sul ciastel de Mirabel"|Author:"armonizzazione L. Pigarelli"|Lyricist:""|Copyright1:""|Copyright2:""
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|StaffInstrument|Patch:53|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Top|Align:Standard Rules|Offset:10
|Lyric1|Text:"Sul cia-stel de Mi-ra-bel,\nsul cia-stel de Mi-ra-bel\npa-ra-pa-ra-pa pa pa pa pa\npa-ra-pa-ra-pa pa pa pa pa\nGh\'e-ra u-na che can-ta-va,\nsul cia-stel de Mi-ra-bel,\ngh\'e-ra u-na che can-ta-va.\n"
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|Note|Dur:8th,Dotted|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Rest|Dur:8th|Opts:Stem=Up
|Note|Dur:8th,Dotted|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:-1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:-2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:4th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Spacer|Width:325
|Note|Dur:16th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th,Dotted|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:4th|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th,Dotted|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Spacer|Width:550
|Note|Dur:Half|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,StemLength=6,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Slur=Upward,StemLength=6,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:4th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:Double
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|Note|Dur:8th|Pos:5|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:4th|Pos:2^|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Rest|Dur:8th|Opts:Stem=Up
|Bar|Style:MasterRepeatClose
|Rest|Dur:4th|Opts:Stem=Up
|Bar|Style:SectionClose|SysBreak:Y
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|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:3
|StaffInstrument|Patch:53|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:-6
|Lyric1|Text:"Ah!\n"
|User|Melismatic.nw|Pos:0|Class:StaffSig|minLength:1.3
|Clef|Type:Treble
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:2/4
|Note|Dur:8th,Dotted|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:16th|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Rest|Dur:8th|Opts:Stem=Down
|Note|Dur:8th,Dotted|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:16th|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:n-4|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,XNoteSpace=1.5,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-3^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Visibility:Never
|Note|Dur:Half|Pos:-3^|Opts:Stem=Down|Visibility:Never
|Bar|Visibility:Never
|Note|Dur:Half|Pos:-3^|Opts:Stem=Down,XNoteSpace=2|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,XNoteSpace=1.5|Visibility:Never
|Boundary|Style:EndCollapse
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th,Dotted|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:8th,Slur|Pos:-2|Opts:Stem=Down,Slur=Downward,Beam=First,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Beam=End,Tie=Downward
|Note|Dur:4th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th,Dotted|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:8th,Slur|Pos:-2|Opts:Stem=Down,Slur=Downward,Beam=First,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Beam=End,Tie=Downward
|Note|Dur:4th|Pos:0^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Rest|Dur:8th|Opts:Stem=Down
|Bar|Style:MasterRepeatClose
|Rest|Dur:4th|Opts:Stem=Down
|AddStaff|Name:"Ah! fa falso"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:11
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|User|Melismatic.nw|Pos:4.5|Class:StaffSig|minLength:1
|Clef|Type:Treble
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:2/4
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar
|User|SlurCubic.ms|Pos:-4.5|Dir:Downward|StartOffsetY:2.5|EndOffsetY:2.5|RightStrength:2
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,Muted
|Bar
|User|SlurCubic.ms|Pos:-4.5|Dir:Downward|StartOffsetY:2.5|EndOffsetY:2.5|RightStrength:2
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,Tie=Downward,Muted
|Bar
|User|SlurCubic.ms|Pos:-3|Dir:Downward|StartOffsetY:2.5|EndOffsetY:2.5|RightStrength:2
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,XNoteSpace=2,Tie=Downward,Muted
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,XNoteSpace=1.5,Muted
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! la vero"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:15|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:6
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:-2
|Lyric1|Text:"Ah!\n"
|Boundary|Style:Collapse
|User|Melismatic.nw|Pos:4.5|Class:StaffSig|minLength:1
|Boundary|Style:Collapse
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Note|Dur:Half|Pos:-1^|Opts:Stem=Down,Tie=Downward|Visibility:Never
|Bar|Visibility:Never
|Note|Dur:Half|Pos:-1^|Opts:Stem=Down,XNoteSpace=2,Tie=Downward|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,XNoteSpace=1.5|Visibility:Never
|Boundary|Style:EndCollapse
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! la falso"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:10
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar
|User|SlurCubic.ms|Pos:-1|StartOffsetX:0.3|StartOffsetY:2|EndOffsetY:2|RightStrength:2
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward,Muted
|Bar
|User|SlurCubic.ms|Pos:-1|StartOffsetX:0.3|StartOffsetY:2|EndOffsetY:2|RightStrength:2
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,Slur=Downward,XNoteSpace=2,Tie=Downward,Muted
|Bar|Style:Double
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,XNoteSpace=1.5,Muted
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! do vero"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:14|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:7
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:1
|Lyric1|Text:"Ah!\n"
|User|Melismatic.nw|Pos:0|Class:StaffSig|minLength:1
|Boundary|Style:Collapse
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Note|Dur:Half|Pos:1^|Opts:Tie=Downward|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:1|Opts:XNoteSpace=1.5|Visibility:Never
|Boundary|Style:EndCollapse
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! do falso"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:9
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar
|Boundary|Style:Collapse
|User|SlurCubic.ms|Pos:1|StartOffsetY:1.7|EndOffsetY:1.7|RightStrength:2|Dir:Downward
|Note|Dur:Half|Pos:1|Opts:XNoteSpace=2,Muted
|Bar|Style:Double
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:1|Opts:XNoteSpace=1.5,Muted
|Boundary|Style:EndCollapse
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! solo"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:14|Lines:5|WithNextStaff:Bracket,ConnectBars|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:8
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:5
|Lyric1|Text:"Ah!\n"
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:3|Opts:XNoteSpace=1.5
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Bass"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:14|BoundaryBottom:16|Lines:5|WithNextStaff:Bracket|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Patch:52|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:0
|Lyric1|Text:"Ah!\n"
|User|Melismatic.nw|Pos:0|Class:StaffSig|minLength:1
|Clef|Type:Bass
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:2/4
|Note|Dur:8th,Dotted|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:16th|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:5|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:7|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:6|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:5|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Rest|Dur:8th|Opts:Stem=Down
|Note|Dur:8th,Dotted|Pos:-2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:16th|Pos:0|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:Half|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-5^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-5^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-5^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:-5|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th,Dotted|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:3|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th|Pos:-5|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:4th|Pos:-2|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|User|XText.hmm|Pos:-24|Scale1:130|Text1:"Sul ciastel de Mirabel%br%gh\'era una che cantava.%br% %br%La cantava tanto ben%br%che fin en Francia i la sentiva."
|TimeSig|Signature:2/4
|Note|Dur:8th|Pos:1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-2|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:2|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th,Dotted|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:3|Opts:Stem=Down,Slur=Downward,Tie=Downward
|User|XText.hmm|Pos:-24|Scale1:130|Text1:"L\'ha sentida el fiol del re,%br%l\'ha domandà chi l\'è che \'l canta.%br% %br%L\'è la fiola del bacan,%br%tuti i dis che l\'ei sì bela!"
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:4th|Pos:-5|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:4th|Pos:-2^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:8th|Pos:-2|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Rest|Dur:8th|Opts:Stem=Down
|Bar|Style:MasterRepeatClose
|Rest|Dur:4th|Opts:Stem=Down
!NoteWorthyComposer-End

Here is what I managed to produce. The word is yours!
Good day.
Lorenzo
29
General Discussion / Re: About nwctxt
I'm sorry, but I didn't understand much.
Which text should I select? If I save an nwc file in txt format, the classic nwc file icon appears. If I open it, I see it in the NWC program!
Excuse my pumpkin hardness ...
Thank you!
Lorenzo
30
General Discussion / Re: Ties Obscuring Notes
I propose this beautiful question for the magister HMM.
In the attached score, Ah! sung by the second tenors with notes held up to four measures.
The tie on the first Ah! (F) does not give problems.
These begin on the second Ah! (F / A chord) because the slurs interfere with the first notes of the “pa-ra-pa-ra-pa”.
Same goes for the next agreement (F / A / C)
On the fourth Ah! (F / A / C / E) no problem, not carrying tie.
Another drawback is given by the lyrics with melisma of the various Ah !, placed at different heights.
I thought of solving it like this.
For the first three Ah! I added a staff. On this I copied the "mother" score, then F, F / A, F / A / C, and here I worked with Mike's slur cubic, adjusting the height and width of the arc. These notes I have made mute. Each mother score has been made invisible but not mute: therefore the slurs behave correctly (sound kept) but are not seen.
However, the problem of text with melisma arises: this last user object is not displayed by the slur cubic, I think. So I brought the text of the "mother" scores (which can be heard but not seen), ie the various "Ah!" on the "false" staves (which can be seen but not heard), at various heights as per the score.
I still can't enter this work of mine which is still very crude!
Have a nice Sunday.
Lorenzo

PS:I hope the Google traductor works clearly!
31
General Discussion / About nwctxt
How do you open an nwctxt file in the form that appears in the forum? That is in code form, see attachment. I am only able to open the file with notepad, which is another matter entirely.
Thank you.
Lorenzo
33
General Discussion / Re: BarCounter numbers size
Thanks Lawrie! For time zone reasons you  :)  are always the first to answer but you are always very kind and helpful. I solved it by following your instructions.
Lorenzo
34
General Discussion / BarCounter numbers size
Good morning to you,
in an nwc file - and only in this one - the numbers of the BarCounter (user) are large. Wonder where you can change the size of this attribute. The same problem also occurs in the top bar.
Thank you.
Lorenzo
35
General Discussion / Re: reinstalling NWC
You have been very kind. I have already found the folder with the various installation files. As Mike said, I'll run them one after the other in chronological order. I'll ask the vendor about the Windows migration that Lawrie is talking about.
Thanks again and good evening / night / morning.
Lorenzo

PS: I was advised not to install Windows 11 :(
36
General Discussion / Re: reinstalling NWC
Good morning to you. I am about to change the computer and refer back to this thread to ask how I can reinstall NWC. I have the original CD of the first installation (2002) and the documents of the following updates. Over time I have made the payments that are mentioned by Mike. I have already written to the assistance, I hope they answer with clear information. NWC can't be missing from my PC!
Thanks for your attention.
Lorenzo
38
General Discussion / Re: Arrow between two staves
Good morning to you. I studied markup.rg, within the limits of my computer skills, which are immense. I ask what character is the last of the series: it would seem a high point, but in the ASCII characters I have not found it. This is what the arrowhead shows in this case.
Thank you.
Lorenzo
39
General Discussion / Re: Arrow between two staves
For now I am satisfied with this. Between almost absolute ignorance of the English language and absolute ignorance of the computer language, for the moment I am more than satisfied.
Thank you.
Good day.
Lorenzo
41
General Discussion / Arrow between two staves
Hello everyone.
I should insert an oblique arrow between the stem of one note and the head of another note located on a staff below. Is there a way to carry out this intervention, perhaps with a pleasant result also from a graphic point of view? In the attached image the red arrow would be a great goal. The black arrow is a Yu Gothic UI text font, 330%, but unfortunately it is not orientable.
Thanks.
Good evening.
Lorenzo
44
General Discussion / Re: slur and chords
Unfortunately, the same cannot be said for the "tie" function. It cannot be moved and sometimes it overlaps with slur or other ties.
Tips.
Good day to you.
Lorenzo
45
General Discussion / Re: slur and chords
Maybe it has already been written in the forum.
I discovered that by adjusting the ends of the slur with the markers (AltGr + @)), if you make the first marker invisible, the slur also no longer appears visible. So you can insert slur.ms or slurCubic.ms for an optimal and personal rendering from the graphic point of view, without compromising the musical line.
A good evening to you.
Lorenzo
48
General Discussion / Re: quarter note's rest out side of the staff
Hello, I refer to this topic with two specific questions.
1. the numerical values of slur.ms, slurCubic.ms, alt ctrl + @,  how are they chosen? In other words, 0 (zero) corresponds to the position of the notehead, to the center line of the staff (in which each space is equal to 1?)...
2. Is it possible to set the direction of slur (the "official" one, ctrl +;) before inserting it? Let me explain: when the stem of the note is up, the direction of the slur is down and vice versa. Each time it is necessary to enter the properties of the note and reverse the direction of the slur. I hope I have explained.
Thanks to you, I wish you a day.
Lorenzo
49
General Discussion / Re: slur and chords
Thanks Lawrie, that's what I did trying again after submitting my request. Excellent result, considering that the slurs can be modified making them very beautiful from a graphic point of view.
Have a good week.
Lorenzo
50
General Discussion / Re: slur and chords
I return to this discussion to ask how I can resolve the slur of the chord shown in the image. I have tried various combinations, to no avail. Thank you. Lorenzo