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Messages - lawrroc

General Discussion / Re: Final variant

2023-03-18 03:39 pm

Quote from: Opagust – 2023-03-18 01:36 pm

Maybe you can try to place "variant ad libitum" where you want it with the markup composer too?

I tried and tried with markup composer, nothing to do, also the terrible "gap" area gets messed up. The solution proposed by Mike (thanks again!) is simple and effective.
A grateful Lorenzo.

General Discussion / Re: Final variant

2023-03-18 01:08 pm

Here are the results
res. 1. from staves
res. 2. from the print preview
I couldn't get the wording "variant ad libitum" to stay more to the left, even if I inserted it in two lines. That is land of the gap and woe to penetrate it!
Well so too! I worked with Opagust's markup composer (thanks!) to create the copy/paste and then in the properties for later, small adjustments.
Grazie!
Lorenzo

General Discussion / Re: Final variant

2023-03-18 11:40 am

Thanks Lawrie,
I assumed that the solution was in the "gap" and I had also tried, without result. Now that I know that the way is certain, and moreover with your suggestion links, I will try again, also adding the dashed lines of connection.
Good Sunday to you!
Lorenzo

General Discussion / Final variant

2023-03-18 08:15 am

Good morning.
I ask if it is possible to arrive at a result like in the attached image. These are the last two measures of a piece, with an ad libitum variant.
Thank you.
Happy weekend to you!
Lorenzo

General Discussion / Re: Oblique lines between two staves

2023-03-08 01:33 pm

Quote from: Opagust – 2023-03-08 08:04 am

I also suffer from music theory ignorance, so I can't answer your question about the meaning of these lines...

I have no knowledge of codes and the like. However by trying and trying something again I got what I was looking for.
Thanks for the suggestion.
Lorenzo

General Discussion / Re: Oblique lines between two staves

2023-03-08 12:22 pm

Hmm,
I have read your learned explanation several times, with mine and your image in view.
I understood all the references to the melodic lines and now, thanks to you, I know the function of the lines that connect notes placed on different staves.
Instead, I only partially understood your observations on what concerns the correctness of the composition and harmony but I don't pretend nor would I be able to understand it: we are on two different floors, I in the cellar, you on the roof of a skyscraper!

Thank you very much!
Lorenzo

General Discussion / Oblique lines between two staves

2023-03-08 05:53 am

Good morning,
in my ignorance of music theory I am not able to interpret the meaning of the oblique lines that I have highlighted in the attached image.
I see a line going from a Bb/Db chord on the top staff to an Ab on the bottom staff. In the next bar the line goes, always from top to bottom, from a Cb to an Ab.
What do these lines mean? In NWC can they only be written as text (x)?
Thank you.
Lorenzo

General Discussion / Re: Note of a chord

2023-02-19 08:04 am

Quote from: Lawrie Pardy – 2023-02-19 06:24 am

Unfortunately, extra accidental space is not one of the things you can change. Extra accidental space, like extra note space, will affect the whole chord. The only way I can think of to add extra space to a single chord member is to use layering.

Thanks Lawrie,
I just wanted confirmation on that.
Good day.
Lorenzo

General Discussion / Note of a chord

2023-02-19 05:41 am

Good morning.
I ask if it is possible to intervene on the single note of a chord. I know it is possible to delete it (ctrl+backspace) but I would like to understand if I can e.g. add an accidental, create an extra space for accidental, move the note up or down. If this is not possible, is the only solution to delete the component of the chord and write it again? In this case, how can I create in the new note an extra space for the accident?
Thank you and happy Sunday to you.
Lorenzo

General Discussion / Re: Single staff and double staff

2023-02-12 12:26 pm

Thanks to you. Comforted by your judgments, I will continue to use my method: double line and rests when needed.
Good evening (by now...) to Lawrie and ciao to Flurmy.
Lorenzo

General Discussion / Single staff and double staff

2023-02-12 08:19 am

Sometimes, when transcribing voice/piano scores, one finds measures that have notes with stems pointing in both directions in the same staff. I'm always in slight trouble in these cases. Then I add a second line, where I transcribe the notes with the stems down, inserting rests where the meter requires it. I wonder - and I ask the musician friends of the forum - if, in order to avoid inserting too many rests, it is permissible to "break" chords (they are often bichords), inserting in the supplementary line the lower note of the chord that appears in the upper line, the one " official". I hope I made myself understood. I attach an example and my solutions.
Thanks and happy Sunday.
Lorenzo

General Discussion / Page view

2023-02-04 06:58 am

Good morning to you all.
I ask if the percentage value of the page display ("Print preview") can be changed.
You go from a minimal view to a too large one.
Maybe it doesn't depend on NWC but on PC settings?
Thanks and have a nice weekend!
Lorenzo

General Discussion / Re: Ties up and down in a chord

2023-02-01 04:05 am

Thank you both.
Lawrie's solution was simple, how did I not think about it? I tend to give an "up" or "down" direction to tie and to slur and I don't consider that there is a third option.
I know the problem Mike pointed out: I shortened the stems of the quarter notes A b/C, even if it's not a pretty sight. I could add another line, with the notes joined by Slur.Cubic.ms (then working on the vertical positioning of the slur) and make them mute, leaving the notes present now with "sound", but not visible. Tell me if it's a valid solution, but above all ... if it's worth it.
Thank you and have a nice day, it's five o'clock in the morning here and mine has just begun.
Lorenzo

General Discussion / Ties up and down in a chord

2023-01-31 07:21 pm

I ask if it is possible to change the direction of a tie of one of the notes of a chord. In image 1 ("misure difficili", clef of C) the low F ties are pointing down and do not interfere with the C/A chord, which belongs to another staff. I am attaching my attempt, which failed, in the nwc file, with joined staves (2. "due misure unite") and with separated staves (3. "due misure staccate").
Thanks to you.
Lorenzo

General Discussion / Re: Happy New Year - 2023

2023-01-01 06:36 am

I reciprocate the greetings to you all. A new year of health, happiness and... good music. Lorenzo

General Discussion / Merry Christma

2022-12-24 11:57 am

Dear friends, always available and kind, Merry Christmas and a happy New Year to you and your families.
Lorenzo

General Discussion / Re: alternating number of verses

2022-12-10 06:35 pm

Thanks Mike. I'm not in the habit of reading "User" tool guides. The English language always hinders me... I will try to be more diligent.
Have a good evening.
Lorenzo

General Discussion / Re: alternating number of verses

2022-12-10 01:25 pm

Bingo Lawrie!!! Thanks, I'm doing more tests now, but everything seems fine.
Why do I never think of these little solutions???
But if I always managed by myself I wouldn't have the pleasure of talking to you

.
A cordial greeting to you.
Lorenzo

PS: by the way I posted a rather confusing and messy nwc code, apologies.

General Discussion / Re: alternating number of verses

2022-12-10 12:57 pm

So, I've solved the alternating verse problem as pointed out by HMMueller.
However in the press, they appear:
1. the number of lines in each line
2. the number of verses even where there is no text
I put the complete nwc file and the pdf of the print.
I explain that the song is a dialogue between a female barber and a soldier who wants to have his beard trimmed.
Baritones and basses sing like soldier, tenors like female barber.
The 5th verse everyone sings.
Eh, with Google translator I don't know what will come out!!!

Thank you and happy Sunday to you.
Lorenzo

General Discussion / Re: alternating number of verses

2022-12-10 09:09 am

It's just what I needed, done.
Thanks, HMMueller!
Lorenzo

General Discussion / alternating number of verses

2022-12-10 06:09 am

Good day to you.
I ask for information. I need to number the verses of a song alternately (1. 3., 2. 4.). Using the user "Verse number", is it possible to do this? I've made a few attempts to no avail. The attached image should clearly explain what I intend to achieve. If the solution is not possible, I will use a text.
Here in upper Italy, snow and cold, Christmas time.
Thank you.
Lorenzo

General Discussion / Re: Melisma

2022-12-01 05:06 pm

Resolved! I'll have to study the meanings of the terms well, it's always a delicate operation for my almost non-existent English.
Thanks, Mike e Lawrie!
Lorenzo

General Discussion / Re: Melisma

2022-12-01 12:06 pm

Hello, I'm bringing this topic up again due to a problem that I can't solve, and there is definitely a solution. After setting the "Melismatic.nw" object, the melisma does not appear.
The same score, but from a different "edition", brings it up correctly. I superimposed the two staves and they look perfectly the same (see image) but in one melisma ok, in the second "fugitive".
I also try to insert the code of the two lines. For practical effect, drafting the score, I arrive at the desired result, but I'd like to understand why the melisma is not seen in the second line.
Thank you.
Lorenzo

melisma no

Code: (nwc) [Select · Download]

!NoteWorthyComposerClip(2.751,Single)
|User|Melismatic.nw|Pos:0|Class:StaffSig
|Clef|Type:Treble
|Tempo|Tempo:100|Pos:9|Visibility:Never
|Key|Signature:Bb,Eb,Ab,Db|Tonic:A
|Bar|Style:MasterRepeatOpen
|TimeSig|Signature:6/8
|Rest|Dur:4th|Opts:Stem=Up|Visibility:Never
|Rest|Dur:8th|Visibility:Never
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:12/8
|Note|Dur:4th,Dotted|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th,Dotted|Pos:4^|Opts:Stem=Up,Lyric=Always,Tie=Upward
|Note|Dur:4th|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|User|Slur.ms|Pos:5|Pen:dash|Dir:Upward
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:9/8
|User|Slur.ms|Pos:6|Pen:dash|Dir:Upward
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:Half,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:12/8
|Note|Dur:4th,Dotted|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:1|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:1|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th,Dotted|Pos:4^|Opts:Stem=Up,Lyric=Always,Tie=Upward
|Note|Dur:4th|Pos:4|Opts:Stem=Up,Tie=Upward
!NoteWorthyComposerClip-End

melisma sì

Code: (nwc) [Select · Download]

!NoteWorthyComposerClip(2.751,Single)
|User|Melismatic.nw|Pos:2|Class:Span
|Clef|Type:Treble
|Text|Text:"moderato"|Font:StaffItalic|Pos:16
|Key|Signature:Bb,Eb,Ab,Db|Tonic:A
|Bar|Style:MasterRepeatOpen
|Tempo|Tempo:100|Pos:9|Visibility:Never
|TimeSig|Signature:6/8
|Rest|Dur:4th|Opts:Stem=Up
|Rest|Dur:8th|Opts:Stem=Up
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:12/8
|Note|Dur:4th,Dotted|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th,Dotted|Pos:4^|Opts:Stem=Up,Tie=Upward
|Spacer|Width:250
|Note|Dur:4th|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|User|Slur.ms|Pos:7|Pen:dash
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Bar
|TimeSig|Signature:9/8
|User|Slur.ms|Pos:7|Pen:dash
|Note|Dur:4th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:6|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:Half,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|TempoVariance|Style:Breath Mark|Pause:0|Pos:10|Justify:Right
|Bar
|TimeSig|Signature:12/8
|Note|Dur:4th,Dotted|Pos:5|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:1|Opts:Stem=Up,Tie=Upward
|Note|Dur:8th|Pos:1|Opts:Stem=Up,XNoteSpace=1,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th,Dotted|Pos:4^|Opts:Stem=Up,Tie=Upward
|Note|Dur:4th|Pos:4|Opts:Stem=Up,Tie=Upward
!NoteWorthyComposerClip-End

General Discussion / strange notes (for me)

2022-11-26 09:00 am

Good morning,
I am addressing you gentlemen musicians, I am not and you will have noticed it

.
At the end of a long transcription work I came across these notes (see attachment). Time is a Common time (C). What should be done in these cases?
Thanks and a good weekend to you.
Lorenzo

General Discussion / Re: Note in number

2022-11-22 05:47 am

Good morning to you all.
I speak not on the subject but to give due credit to those who care, with kindness and competence (often these two aspects are in conflict with each other...), to provide information for the correct and satisfactory use of NWC. It must be said! This is the function of a discussion group. I am always admired and happy to see the calm and exhaustive answers to the questions posed in the forum, first of all mine. Well done you all!
Lorenzo

General Discussion / Re: internal and external slur

2022-10-29 03:09 pm

Great thanks! I have already seen that the settings of both slur.ms and slurCubic.ms are kept, making the work significantly easier.
Lorenzo

General Discussion / Re: internal and external slur

2022-10-29 11:08 am

That's right, Mike! In fact, the contact of the internal slur with the stems of the notes is not stylistically pleasant: the ends of the slur should be slightly spaced from the stem of the notes. So with the users mentioned the stylistic problem is solved in an excellent way, even if, when there are many of these two-note groups, the work is long and very patient.
In my opinion, being notes at different pitches, you don't even need to add the ligature (

: just enter the user.
Many thanks.
Lorenzo

General Discussion / Re: internal and external slur

2022-10-29 07:13 am

Quote from: Richard Woodroffe – 2022-10-29 06:43 am

I'm not sure if I am understanding you properly

Unfortunately with the translator - and with the writer

- you run this risk!

Yes, I worked with the @ marker, I just wanted to know if there was a quicker immediate method. I will continue with marker @ and with the two users slur.ms. Thanks Richard!
Lorenzo

General Discussion / internal and external slur

2022-10-29 06:25 am

Good morning to you!
I wonder if it is possible to tighten the slurs inside and not above a group of two joined notes. I know that it is possible to work and fix the slur with the user slur.ms and slurCubic.ms and with the combination Alt Gr + @.
I was wondering if this is not possible automatically.
The slurs above the joining bar of the two notes often take away space and are also unsightly from a graphic point of view. I enclose two images that explain better than many words.

Here in my city (Trento, northern Italy) wonderful autumn weather, wonderful colors and almost summer temperatures.
Good Sunday.
Lorenzo

translated with google translator

General Discussion / Re: Melisma

2022-10-22 12:58 pm

Great, Mike, thanks for the tip!
The sun is back, I hope it will shine for a long time - in a metaphorical sense - for you too.
Lorenzo

General Discussion / Melisma

2022-10-22 08:23 am

In the attached image, the final measure of the two staves has a "brevis" (8/4). I solved it with the "brevis" in text format, while for the music I inserted two "semibrevis". User melismatic is set. How can I make the last syllable fall perfectly on the "brevis", without any signs of melisma? Or, is it possible to interrupt the user melisma within the staff?
Excuse my exposition, always the fruit of the almighty but foolish Google translator.
Good Sunday to you (it's raining here in northern Italy).
Lorenzo

General Discussion / Re: stems horizontally split

2022-10-07 08:57 am

Quote from: Flurmy – 2022-10-07 07:23 am

Just for fun: "agreement" in Italian is "accordo"... the same word as for "chord", hence the Google mistranslation.
May years ago, in the first try for automatic translation back and forth to Russian, the sentence "the spirit is willing, but the flesh is weak" came back as "the wiskey is fine but the steak is soft."

Maurizio, if you weren't there to brighten up the days! Sometimes I think that a nice forum in German would not find me so unprepared and without the obligation to resort to the Google translator.
Hello.
Lorenzo

General Discussion / Re: stems horizontally split

2022-10-07 08:54 am

Quote from: Richard Woodroffe – 2022-10-07 06:47 am

For the highest note (the D ?) on it's appropriate staff, go into note properties for the note and then set the extra note spacing to 1 and override stem length to 0 .
Then although you will see a light stem in the editor, if you print out the music or use the viewer mode of viewer, then you will not see the stem and the chord will look correct.

Thanks, done! It's a nice expert trick which you are!
I wrote "key" but I wanted to write "clef" (bass). The affected note is a Fa.
Lorenzo

General Discussion / stems horizontally split

2022-10-07 06:30 am

Dry question. Is it possible to invert the stem of the note horizontally, so that it appears to the right of the head if it was previously to the left? Turn it 180 ° C? I would like to arrive at a representation like the one shown and circled in the annex but without using the agreement. The four voices - this is a key of F - are on separate staves.
Good day to you! Take care.
Lorenzo

General Discussion / Re: long vertical glissando

2022-10-01 11:19 am

Thanks, Maurizio. See how my ignorance of music theory comes to the surface

for let's not talk about practice...
Ciao.

General Discussion / long vertical glissando

2022-10-01 09:54 am

Good day to you,
here I am with my request.
It is possible to graphically obtain the glissando shown in the attachment.
If you then explain to me how to obtain it also from a targeted point of view, I will spare you another intervention

.
Have a nice Sunday.
Lorenzo

General Discussion / Re: Start-Cancel/Forbid collapsible section

2022-09-26 05:44 pm

Thank you! I try to answer, as far as possible, always quickly but my interventions go through the Google translator! I have read your observations, always valuable and relevant. I didn't understand everything: I'll try to understand better, using the complete guide (translated ...). The only point on which I can answer you without difficulty is the "semibreve" argument of the 9th bar. I am attaching an image that should clarify the doubt.
Thanks again for your help and a happy night / evening / morning / afternoon, depending on your time zone ...
Lorenzo

General Discussion / Re: Start-Cancel/Forbid collapsible section

2022-09-26 08:01 am

Thanks, I'll check your suggestions!
Lorenzo

General Discussion / Re: Start-Cancel/Forbid collapsible section

2022-09-26 06:04 am

Good day to you,
here is the raw version of my "Deep River" (transcription by R. Dionisi for male choir). I started from scratch, inserting as many staves as there are various parts that split, come back together, etc., scrupulously following Lawrie's precious indications. I discovered - but it was probably a discovery just for me - that the overview of ALL the staves allows to give a complete and correct picture of the transcription. I only selected some parts, the ones that interested me at the moment, and the staves remained empty! When I entered all the notes and selected ALL the staves, I got what I was looking for. My problems - no problem, really, just indifference ... - with the English language cause these troubles. I thank you for your patience and Lawrie in particular!
Of course, any comments, advice or reproaches are welcome!
Lorenzo

PS1: in bar 9, voice of ten. II, there is a semibreve alone, I should have inserted another staff just for her. I haven't entered it. Tips?
PS2: I have not yet managed to connect the various staves with the grand staff brace, I will study them.

General Discussion / Re: Start-Cancel/Forbid collapsible section

2022-09-25 05:02 am

Quote from: Lawrie Pardy – 2022-09-25 02:09 am

Hi Lorenzo,
does this suit?

Hi Lawrie, your result is just what I was looking for and I have not been able to achieve! Optimal! I have to study your code and the consequent nwc file thoroughly and get a clear and definitive idea of the use of collapsables. The original score that I attached to my first speech lends itself perfectly to this purpose

.
Thank you very much and have a nice day.
Lorenzo

General Discussion / Re: Start-Cancel/Forbid collapsible section

2022-09-24 11:07 pm

It is true, a completely inappropriate example.
I corrected, adding the baritone and bass parts (they are not exactly like the original score, but it doesn't matter at the moment, as long as they cover all measures): there are still the empty bars 13-17 of the falsetto tenors I and II ! Where is my mistake?

Thanks Maurizio, good night!
Lorenzo

Code: (nwc) [Select · Download]

!NoteWorthyComposer(2.751)
|Editor|ActiveStaff:1|CaretIndex:36|CaretPos:12
|SongInfo|Title:"Deep River"|Author:"Trascrizione di R. Dionisi"|Lyricist:"negro spiritual"|Copyright1:""|Copyright2:""
|PgSetup|StaffSize:16|Zoom:4|TitlePage:Y|JustifyVertically:Y|PrintSystemSepMark:N|ExtendLastSystem:N|DurationPadding:Y|PageNumbers:0|StaffLabels:None|BarNumbers:None|StartingBar:1
|Font|Style:StaffItalic|Typeface:"Times New Roman"|Size:10|Bold:Y|Italic:Y|CharSet:0
|Font|Style:StaffBold|Typeface:"Times New Roman"|Size:8|Bold:Y|Italic:N|CharSet:0
|Font|Style:StaffLyric|Typeface:"Times New Roman"|Size:7.2|Bold:N|Italic:N|CharSet:0
|Font|Style:PageTitleText|Typeface:"Times New Roman"|Size:24|Bold:Y|Italic:N|CharSet:0
|Font|Style:PageText|Typeface:"Times New Roman"|Size:12|Bold:N|Italic:N|CharSet:0
|Font|Style:PageSmallText|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User1|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User2|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User3|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User4|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User5|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User6|Typeface:"Times New Roman"|Size:8|Bold:Y|Italic:Y|CharSet:1
|PgMargins|Left:1.27|Top:1.27|Right:1.27|Bottom:1.27|Mirror:N
|AddStaff|Name:"Staff-3"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:ConnectBars|Color:Default
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|Rest|Dur:Whole
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|Bar
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|Rest|Dur:Half
|Rest|Dur:4th
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|Bar
|Note|Dur:4th|Pos:6
|Note|Dur:4th|Pos:7
|Note|Dur:4th|Pos:4
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|Bar
|Note|Dur:Half,Dotted|Pos:4
|Note|Dur:4th,Slur|Pos:3
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|Note|Dur:Whole|Pos:4
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|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
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|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|User|BarCounter.nw|Pos:7|Class:StaffSig|AllBars:Y
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|Bar
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|Chord|Dur:Half,Slur|Pos:-2,5|Opts:Stem=Up,Slur=Upward
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|Marker|Pos:8
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|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
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|Bar
|Rest|Dur:Whole
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|Rest|Dur:Whole
|Bar
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|Bar
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|Chord|Dur:Whole|Pos:2,4
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|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:15|BoundaryBottom:15|Lines:5|WithNextStaff:ConnectBars|Color:Default
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|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
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|Clef|Type:Treble
|Text|Text:"F. Ten. II"|Font:User6|Scale:85|Pos:-10|Color:1
|Key|Signature:F#,C#|Tonic:D
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|Bar
|Note|Dur:Whole|Pos:2
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|Rest|Dur:Whole
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|Rest|Dur:Whole
|Bar
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|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
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|Note|Dur:Whole|Pos:4
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|Note|Dur:Whole|Pos:0
|Bar
|Note|Dur:Whole|Pos:0
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|Bar
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|Note|Dur:Half|Pos:2|Opts:Stem=Up
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|Note|Dur:Whole|Pos:0
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|Note|Dur:Whole|Pos:0
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|Note|Dur:4th|Pos:2|Opts:Stem=Up
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|Note|Dur:8th,Dotted|Pos:4|Opts:Stem=Up
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|Note|Dur:4th|Pos:5|Opts:Stem=Up
|Note|Dur:4th|Pos:7|Opts:Stem=Up
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|Note|Dur:4th|Pos:n6|Opts:Stem=Up
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|Note|Dur:4th|Pos:5|Opts:Stem=Up
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|Bar
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|Bar
|Note|Dur:Whole|Pos:0
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|Note|Dur:Half|Pos:-4|Opts:Stem=Down
|Bar
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|Note|Dur:4th|Pos:5|Opts:Stem=Down
|Note|Dur:8th|Pos:6|Opts:Stem=Down
|Note|Dur:8th|Pos:5|Opts:Stem=Down
|Note|Dur:8th|Pos:4|Opts:Stem=Down
|Note|Dur:4th|Pos:2|Opts:Stem=Down
|Bar
|Note|Dur:4th|Pos:4|Opts:Stem=Down
|Note|Dur:Half|Pos:2|Opts:Stem=Down
|Note|Dur:8th,Dotted|Pos:4|Opts:Stem=Down,XDotSpace=0.5
|Note|Dur:16th|Pos:4|Opts:Stem=Down
|Bar
|Note|Dur:4th|Pos:5|Opts:Stem=Down
|Note|Dur:4th|Pos:7|Opts:Stem=Down
|Note|Dur:4th|Pos:6|Opts:Stem=Down
|Note|Dur:4th|Pos:5|Opts:Stem=Down
|Bar
|Note|Dur:4th|Pos:4
|Note|Dur:Half|Pos:2
|Note|Dur:4th|Pos:1
|Bar
|Note|Dur:Half,Dotted|Pos:0
|Note|Dur:4th|Pos:0
|Bar
|Note|Dur:Half,Dotted|Pos:0
|Note|Dur:4th|Pos:0
|Bar
|Chord|Dur:Half,Dotted|Pos:-3,4|Opts:XNoteSpace=1
|Chord|Dur:4th|Pos:-4,3|Opts:Stem=Down
|Bar
|Chord|Dur:Whole|Pos:-5,2
|Bar
|Note|Dur:Whole|Pos:0
|Bar
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!NoteWorthyComposer-End

General Discussion / Start-Cancel/Forbid collapsible section

2022-09-24 06:44 pm

Greetings to you!
For a few days now I've been breaking my head with a complicated score. I am attaching it to you: I have highlighted the part I am trying to transcribe (I am already in the fourth edition of my work, the first three ended up in the trash ...). Therefore, the staff "falsetti tenors I and II occupies the first five bars, then disappears to reappear in the last three (18-20). From bars 6 to 17 it should not appear. I tried and tried to work on the Boundary (Start a collapsible section and Cancel / forbid collapse from this bar), nothing, the damn bars from 6 to 17 do not disappear. Where am I wrong? In one of the previous "editions" I was able to hit the target in the baritone / bass parts, also present in "united" form (bars 1-12 and 18-20) and in "detached" form (13-17), I think in a purely casual way, even if after many attempts.
In short and not to tire you, I enclose my attempted work for the falsetti tenors I and II.
Good evening and good Sunday.
Lorenzo

General Discussion / Re: staff of "falsetti"

2022-09-21 07:04 am

Thank you. I'm rehearsing. Up to now I have managed to obtain what I am attaching (the whole passage).
It must be said that at bar 19 there is an interruption of the staves which further complicates the situation.
Buona giornata.
Lorenzo

General Discussion / staff of "falsetti"

2022-09-20 06:37 pm

Good evening to you. Here I am with my questions of a mainly graphic type. When in a score - in mine it happens not too often but it happens - a "falsetti" staff appears in the last measures,
How is it possible:
1. do not show all the previous measures (of the "falsetti" staff)
2. give the staff a smaller dimension than the others
I'm rehearsing with the piece of which I am attaching the "offending" part.
Thank you.
Lorenzo

General Discussion / Re: Minimum intervals with dotted notes

2022-09-18 04:39 pm

Thanks HMM, your solution is certainly better, and does not resort to artifice. I don't remember noticing the option you gave me.
Before sleep I will try to change the height of the dots.
Have a good evening.
Lorenzo

General Discussion / Re: Minimum intervals with dotted notes

2022-09-18 11:38 am

Bar 18, with the same method. I close, thank you and have a good day.
Lorenzo

General Discussion / Re: Minimum intervals with dotted notes

2022-09-18 10:46 am

Thanks David, I sensed something like this.
By tweaking I have solved as it appears in the attachment. I have to attach the whole file, red notes to measures 14, 18 and 22.
For me, a former chorister, the correct execution of the part (voice), with its points, is also important.
True, with a little patience - and a lot of free time - NWC lets you do a lot of unscheduled trespasses.
Hello.
Lorenzo

General Discussion / Minimum intervals with dotted notes

2022-09-18 07:36 am

Good morning to you.
Sometimes in my transcriptions it happens to me that notes appear dotted on a minimum interval (eg. second) between two distinct voices. The problem arises of positioning the point correctly, considering both the appearance (the graphics) and the sound (the single voice).
Do you have any other suggestions?
Thanks, happy Sunday.
Lorenzo

General Discussion / Re: Ties Obscuring Notes

2022-09-04 06:59 am

Code: (nwc) [Select · Download]

!NoteWorthyComposer(2.751)
|Editor|ActiveStaff:1|CaretIndex:18|CaretPos:0
|SongInfo|Title:"Sul ciastel de Mirabel"|Author:"armonizzazione L. Pigarelli"|Lyricist:""|Copyright1:""|Copyright2:""
|PgSetup|StaffSize:18|Zoom:5|TitlePage:Y|JustifyVertically:Y|PrintSystemSepMark:N|ExtendLastSystem:N|DurationPadding:Y|PageNumbers:1|StaffLabels:None|BarNumbers:Plain|StartingBar:1
|Font|Style:StaffItalic|Typeface:"Times New Roman"|Size:11.46|Bold:Y|Italic:Y|CharSet:0
|Font|Style:StaffBold|Typeface:"Times New Roman"|Size:8.18|Bold:Y|Italic:N|CharSet:0
|Font|Style:StaffLyric|Typeface:"Times New Roman"|Size:8.18|Bold:N|Italic:N|CharSet:1
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|Font|Style:PageSmallText|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User1|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:1
|Font|Style:User2|Typeface:"Times New Roman"|Size:5|Bold:N|Italic:N|CharSet:0
|Font|Style:User3|Typeface:"Times New Roman"|Size:5|Bold:N|Italic:N|CharSet:0
|Font|Style:User4|Typeface:"Times New Roman"|Size:5|Bold:N|Italic:N|CharSet:0
|Font|Style:User5|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User6|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|PgMargins|Left:1.50|Top:1.00|Right:1.50|Bottom:3.00|Mirror:N
|AddStaff|Name:"1"|Label:"1"|LabelAbbr:"1"|Group:"Standard"
|StaffProperties|EndingBar:Open (hidden)|Visible:Y|BoundaryTop:16|BoundaryBottom:12|Lines:5|WithNextStaff:Bracket,ConnectBars,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:2
|StaffInstrument|Patch:53|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Top|Align:Standard Rules|Offset:10
|Lyric1|Text:"Sul cia-stel de Mi-ra-bel,\nsul cia-stel de Mi-ra-bel\npa-ra-pa-ra-pa pa pa pa pa\npa-ra-pa-ra-pa pa pa pa pa\nGh\'e-ra u-na che can-ta-va,\nsul cia-stel de Mi-ra-bel,\ngh\'e-ra u-na che can-ta-va.\n"
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|Clef|Type:Treble
|Tempo|Tempo:65|Pos:10|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:2/4
|Note|Dur:8th,Dotted|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
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|Note|Dur:8th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Rest|Dur:8th|Opts:Stem=Up
|Note|Dur:8th,Dotted|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:-1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:-2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:4th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Spacer|Width:325
|Note|Dur:16th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th,Dotted|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:4th|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:-1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:0|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th,Dotted|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:16th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Spacer|Width:550
|Note|Dur:Half|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,StemLength=6,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Slur=Upward,StemLength=6,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:4th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:1|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:5|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:4th,Dotted|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:8th|Pos:4|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:4th|Pos:3|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Note|Dur:4th|Pos:2^|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Bar
|Note|Dur:8th|Pos:2|Opts:Stem=Up,Slur=Upward,Tie=Upward
|Rest|Dur:8th|Opts:Stem=Up
|Bar|Style:MasterRepeatClose
|Rest|Dur:4th|Opts:Stem=Up
|Bar|Style:SectionClose|SysBreak:Y
|AddStaff|Name:"Ah! fa vero"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:25|BoundaryBottom:18|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:3
|StaffInstrument|Patch:53|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:-6
|Lyric1|Text:"Ah!\n"
|User|Melismatic.nw|Pos:0|Class:StaffSig|minLength:1.3
|Clef|Type:Treble
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:2/4
|Note|Dur:8th,Dotted|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:16th|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Rest|Dur:8th|Opts:Stem=Down
|Note|Dur:8th,Dotted|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:16th|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:n-4|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,Slur=Downward,Lyric=Never,XNoteSpace=1.5,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-3^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Visibility:Never
|Note|Dur:Half|Pos:-3^|Opts:Stem=Down|Visibility:Never
|Bar|Visibility:Never
|Note|Dur:Half|Pos:-3^|Opts:Stem=Down,XNoteSpace=2|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,XNoteSpace=1.5|Visibility:Never
|Boundary|Style:EndCollapse
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th,Dotted|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:8th,Slur|Pos:-2|Opts:Stem=Down,Slur=Downward,Beam=First,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Beam=End,Tie=Downward
|Note|Dur:4th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th,Dotted|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:8th,Slur|Pos:-2|Opts:Stem=Down,Slur=Downward,Beam=First,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Beam=End,Tie=Downward
|Note|Dur:4th|Pos:0^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Rest|Dur:8th|Opts:Stem=Down
|Bar|Style:MasterRepeatClose
|Rest|Dur:4th|Opts:Stem=Down
|AddStaff|Name:"Ah! fa falso"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:11
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|User|Melismatic.nw|Pos:4.5|Class:StaffSig|minLength:1
|Clef|Type:Treble
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:2/4
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar
|User|SlurCubic.ms|Pos:-4.5|Dir:Downward|StartOffsetY:2.5|EndOffsetY:2.5|RightStrength:2
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,Muted
|Bar
|User|SlurCubic.ms|Pos:-4.5|Dir:Downward|StartOffsetY:2.5|EndOffsetY:2.5|RightStrength:2
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,Tie=Downward,Muted
|Bar
|User|SlurCubic.ms|Pos:-3|Dir:Downward|StartOffsetY:2.5|EndOffsetY:2.5|RightStrength:2
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,XNoteSpace=2,Tie=Downward,Muted
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:-3|Opts:Stem=Down,XNoteSpace=1.5,Muted
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! la vero"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:15|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:6
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:-2
|Lyric1|Text:"Ah!\n"
|Boundary|Style:Collapse
|User|Melismatic.nw|Pos:4.5|Class:StaffSig|minLength:1
|Boundary|Style:Collapse
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Note|Dur:Half|Pos:-1^|Opts:Stem=Down,Tie=Downward|Visibility:Never
|Bar|Visibility:Never
|Note|Dur:Half|Pos:-1^|Opts:Stem=Down,XNoteSpace=2,Tie=Downward|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,XNoteSpace=1.5|Visibility:Never
|Boundary|Style:EndCollapse
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! la falso"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:10
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar
|User|SlurCubic.ms|Pos:-1|StartOffsetX:0.3|StartOffsetY:2|EndOffsetY:2|RightStrength:2
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward,Muted
|Bar
|User|SlurCubic.ms|Pos:-1|StartOffsetX:0.3|StartOffsetY:2|EndOffsetY:2|RightStrength:2
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,Slur=Downward,XNoteSpace=2,Tie=Downward,Muted
|Bar|Style:Double
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:-1|Opts:Stem=Down,XNoteSpace=1.5,Muted
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! do vero"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:14|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:7
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:1
|Lyric1|Text:"Ah!\n"
|User|Melismatic.nw|Pos:0|Class:StaffSig|minLength:1
|Boundary|Style:Collapse
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Note|Dur:Half|Pos:1^|Opts:Tie=Downward|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:1|Opts:XNoteSpace=1.5|Visibility:Never
|Boundary|Style:EndCollapse
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! do falso"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:10|Lines:5|WithNextStaff:Bracket,Layer|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:9
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar
|Boundary|Style:Collapse
|User|SlurCubic.ms|Pos:1|StartOffsetY:1.7|EndOffsetY:1.7|RightStrength:2|Dir:Downward
|Note|Dur:Half|Pos:1|Opts:XNoteSpace=2,Muted
|Bar|Style:Double
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:1|Opts:XNoteSpace=1.5,Muted
|Boundary|Style:EndCollapse
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Ah! solo"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:14|Lines:5|WithNextStaff:Bracket,ConnectBars|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:8
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:5
|Lyric1|Text:"Ah!\n"
|Clef|Type:Treble|Visibility:Never
|Key|Signature:Bb,Eb|Tonic:B|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double
|TimeSig|Signature:3/4|Visibility:Never
|Note|Dur:Half|Pos:3|Opts:XNoteSpace=1.5
|Rest|Dur:4th|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:3/4|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:Whole|Visibility:Never
|Bar|Style:Double|Visibility:Never
|TimeSig|Signature:2/4|Visibility:Never
|Rest|Dur:Half|Visibility:Never
|Bar|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|Bar|Style:MasterRepeatClose|Visibility:Never
|Rest|Dur:4th|Visibility:Never
|AddStaff|Name:"Bass"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:14|BoundaryBottom:16|Lines:5|WithNextStaff:Bracket|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Patch:52|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:0
|Lyric1|Text:"Ah!\n"
|User|Melismatic.nw|Pos:0|Class:StaffSig|minLength:1
|Clef|Type:Bass
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:2/4
|Note|Dur:8th,Dotted|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:16th|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:5|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:7|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:6|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:5|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Rest|Dur:8th|Opts:Stem=Down
|Note|Dur:8th,Dotted|Pos:-2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:16th|Pos:0|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:8th|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:3|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:Half|Pos:2|Opts:Stem=Down,Slur=Downward,Lyric=Never,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-5^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-5^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:Half|Pos:-5^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:-5|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th,Dotted|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:3|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th|Pos:-5|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:4th|Pos:-2|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|User|XText.hmm|Pos:-24|Scale1:130|Text1:"Sul ciastel de Mirabel%br%gh\'era una che cantava.%br% %br%La cantava tanto ben%br%che fin en Francia i la sentiva."
|TimeSig|Signature:2/4
|Note|Dur:8th|Pos:1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:-2|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:3/4
|Note|Dur:Half|Pos:2|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:4th,Dotted|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:3|Opts:Stem=Down,Slur=Downward,Tie=Downward
|User|XText.hmm|Pos:-24|Scale1:130|Text1:"L\'ha sentida el fiol del re,%br%l\'ha domandà chi l\'è che \'l canta.%br% %br%L\'è la fiola del bacan,%br%tuti i dis che l\'ei sì bela!"
|Note|Dur:8th|Pos:-1|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar|Style:Double
|TimeSig|Signature:2/4
|Note|Dur:4th|Pos:-5|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Note|Dur:4th|Pos:-2^|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Bar
|Note|Dur:8th|Pos:-2|Opts:Stem=Down,Slur=Downward,Tie=Downward
|Rest|Dur:8th|Opts:Stem=Down
|Bar|Style:MasterRepeatClose
|Rest|Dur:4th|Opts:Stem=Down
!NoteWorthyComposer-End

Here is what I managed to produce. The word is yours!
Good day.
Lorenzo

General Discussion / Re: About nwctxt

2022-09-04 04:14 am

I'm sorry, but I didn't understand much.
Which text should I select? If I save an nwc file in txt format, the classic nwc file icon appears. If I open it, I see it in the NWC program!
Excuse my pumpkin hardness ...
Thank you!
Lorenzo