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User Tools / Re: NWCCONVERTOR
Furthermore, "Sorry, no new users possible".
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You can start a PageTxt in the second bar. This makes it skip the first page.
This instruction doesn't make it clear whether you can have just one PageTxtMaestro on a staff to serve more than one PgTxt object, or , if you have more than one PgTxt object on that staff, you need more than one PageTxtMaestro objects.
Add an object of type PageTxtMaestro.nw into the front of your top staff.
This object does all of the printing work, so you need to add it first.
Note that your top staff must contain at least one note before PageTxtMaestro can do its job.
But it doesn't answer the question of why you would want 1.75 installed on a Windows 10/11 system alongside 2.75.
the glorious days of 4MB of RAM and single-tasking?

Is there something that 1.75 does that the newer versions don't?
Too hard on the eyes.
Analysing...
Input file: F:/Tmp/elpueblo.mxl
Unzipping...
Unzipping META-INF/container.xml
Extracted: META-INF/container.xml
Unzipping score.xml
Extracted: score.xml
Waiting for setup...
Converting...
Conversion completed.
Output saved in:
F:/Tmp/elpueblo-mxl.nwctxt
The demo version has several limitations:
Possibly staccato, but if I encountered it while sight reading I'd probably immediately think staccatissimo.
Umm, I was referring to re-purchasing NWC, not the need for a reader... Guess I should have been more explicit.
An optical drive will connect to your laptop by USB and allow you to read your Noteworthy installation disc. They aren't very expensive - I found refurbished or "open box" units online for less than $30CDN.
I actually have several usb DVD burners that would be perfectly fine for the job.
Further to David's reply, no, you shouldn't need to buy anything AFAIK.

No way to borrow a USB unit from a friend?
Simply install 2.5 from your CD
!NoteWorthyComposerClip(2.751,Single)Hint: read attentively what Mike wrote.
|Clef|Type:Treble
|Key|Signature:Bb,Eb,Ab,Db,Gb,Cb|Tonic:G
|TimeSig|Signature:3/4
|Chord|Dur:4th|Pos:-4,-1|Opts:Stem=Down|Dur2:4th,Dotted|Pos2:2
|RestChord|Dur:8th|Opts:Stem=Up,ArticulationsOnStem,HideRest|Dur2:4th|Pos2:-2
|Note|Dur:8th|Pos:5|Opts:Stem=Up
|Chord|Dur:8th|Pos:4|Opts:Stem=Up,Beam=First|Dur2:4th|Pos2:-2,1
|Note|Dur:8th|Pos:3|Opts:Stem=Up,Beam=End
|Bar
|Chord|Dur:8th|Pos:-5^,-3|Opts:Stem=Down,Beam=First|Dur2:4th,Dotted|Pos2:2
|Chord|Dur:8th|Pos:-5,-1|Opts:Stem=Down,Beam=End
|RestChord|Dur:8th|Opts:Stem=Up,ArticulationsOnStem,HideRest|Dur2:Half|Pos2:-5,-2
|Note|Dur:8th|Pos:2|Opts:Stem=Up
|Note|Dur:8th|Pos:1|Opts:Stem=Up,Beam=First
|Note|Dur:8th|Pos:0|Opts:Stem=Up,Beam=End
|Bar
!NoteWorthyComposerClip-End
I have attached a work in progress < Beethoven's Emperor concerto
No messing around with tempos, which would affect other staves that may not have tuplets to worry about.
I hope the Noteworthy programmers correct this bug in the future version.
04/07/2024: 2.0.01
- including the pencil_icon in the zip file.
!NoteWorthyComposerClip(2.751,Single)This is just for information; I think implementing it in the program is too much hassle for too little.
|User|TupletMarks.fso|Pos:11.5|span:2|number:2
|Note|Dur:8th,Dotted,Slur|Pos:7|Opts:Stem=Down,Beam=First,XDotSpace=-1
|Note|Dur:8th,Dotted|Pos:6|Opts:Stem=Down,Beam=End,XDotSpace=-1
|User|TupletMarks.fso|Pos:10.5|span:2|number:2
|Note|Dur:8th,Dotted,Slur|Pos:5|Opts:Stem=Down,Beam=First,XDotSpace=-1
|Note|Dur:8th,Dotted|Pos:4|Opts:Stem=Down,Beam=End,XDotSpace=-1
!NoteWorthyComposerClip-End
I think you will have move the pedal marks manually at the right place in the staff where they belong
Maybe you should change your colour theme?
Analysing...
Input file: C:/Users/Flurmy/Desktop/Il genetliaco.xml
Waiting for setup...
Converting...
Suppose you went back to Ada Lovelace and asked her the difference between a script and a program.
She’d probably look at you funny, then say something like: «Well, a script is what you give the actors, but a program is what you give the audience».
That Ada was one sharp lady…
Since her time, we seem to have gotten a bit more confused about what we mean when we say scripting.
It confuses even me, and I’m supposed to be one of the experts.
I don't know what caused it, but I managed to fix itAt least I am able now to log in as NWC User.
I tried logging in with the username "NWC User" and password "Usertools", but I got this message:
> "Sorry, unrecognized username or password. Have you forgotten your password?"
I guess I'm inferring from the second piece, that the composer used the wrong symbols to signal his intent.... or the typesetter made a mistake in his manuscript interpretation.
Either way, it'll print out exactly like the original and the end-user can make up their own mind how to interpret it.
The D.C. at end was likely intended to return to the beginning of the verses, NOT including the 2-measure repeat ad-lib at the start.
) means "da capo" that is verbatim for "from the beginning". I'd then expect to resume the whole score, including the first two measures.I think it's because they're in octaves and thus could be correct.
(notice that the 4th note in the 1st bar is erroneously affected by the accidental on the preceding note - this is a long time quirk of NWC):
)
When changing a note to an octave chord, all attributes of the original note are applied to the created one.

!NoteWorthyComposer(2.751)
|Editor|ActiveStaff:1|CaretIndex:21|CaretPos:-1
|SongInfo|Title:""|Author:""|Lyricist:""|Copyright1:""|Copyright2:""
|PgSetup|StaffSize:16|Zoom:4|TitlePage:Y|JustifyVertically:Y|PrintSystemSepMark:N|ExtendLastSystem:N|DurationPadding:Y|PageNumbers:0|StaffLabels:None|BarNumbers:Plain|StartingBar:1
|Font|Style:StaffItalic|Typeface:"Times New Roman"|Size:10|Bold:Y|Italic:Y|CharSet:0
|Font|Style:StaffBold|Typeface:"Times New Roman"|Size:8|Bold:Y|Italic:N|CharSet:0
|Font|Style:StaffLyric|Typeface:"Times New Roman"|Size:7|Bold:N|Italic:N|CharSet:0
|Font|Style:PageTitleText|Typeface:"Times New Roman"|Size:24|Bold:Y|Italic:N|CharSet:0
|Font|Style:PageText|Typeface:"Times New Roman"|Size:12|Bold:N|Italic:N|CharSet:0
|Font|Style:PageSmallText|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User1|Typeface:"MusikDingsSans"|Size:18|Bold:N|Italic:N|CharSet:0
|Font|Style:User2|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User3|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User4|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User5|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User6|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|PgMargins|Left:1.27|Top:1.27|Right:1.27|Bottom:2.00|Mirror:N
|AddStaff|Name:"Staff"|Group:"Standard"
|StaffProperties|EndingBar:Open (hidden)|Visible:Y|BoundaryTop:12|BoundaryBottom:16|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:0
|Lyric1|Text:"\n"
|Lyric2|Text:"two two two two\ntwo two two two\n"
|Lyric3|Text:"three three three three\nthree three three three\n"
|Clef|Type:Treble
|Key|Signature:C|Tonic:C
|Tempo|Tempo:220|Pos:10
|TimeSig|Signature:4/4
|Dynamic|Style:f|Pos:-8|Visibility:Never
|Note|Dur:Half|Pos:0|Opts:Lyric=Never
|Note|Dur:Half|Pos:0|Opts:Lyric=Never
|Bar
|Note|Dur:Half|Pos:0|Opts:Lyric=Never
|Note|Dur:Half|Pos:0|Opts:Lyric=Never
|Bar|Style:LocalRepeatClose|Repeat:2|Visibility:Never
|Ending|Visibility:Never
|Bar|Style:MasterRepeatClose
|Note|Dur:4th|Pos:0
|Note|Dur:4th|Pos:0
|Note|Dur:4th|Pos:0
|Note|Dur:4th|Pos:0
|Bar
|Note|Dur:4th|Pos:0
|Note|Dur:4th|Pos:0
|Note|Dur:4th|Pos:0
|Note|Dur:4th|Pos:0
|Flow|Style:DaCapo|Pos:10
|Bar|Style:SectionClose|SysBreak:Y
!NoteWorthyComposer-End
, wrote "to be played at full strength" and, a few bars later, "stronger".