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General Discussion / MIDI to score
It sounds right, but importing it in NWC (or elsewere, for that matter) is a complete mess.
Anyone knows a trick to simplify at least a bit the insane work of rewriting it all by hand?
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Trombone oil is used to lubricate trombone slides.
It's basically a light machine oil, but it's also a wonderful metaphor.
Trombone oil is very specialized.
Musicians who need it will pay a high price for the best quality of trombone oil.
And the total world market is a few gallons a year. (Actually, that's a made-up number, but this is a metaphor, so never mind.)
The point is that, no matter how excellent a trombone oil maker you are, no matter how fine your trombone oil is or how much you can charge for it, you're never going to make a really serious amount of money selling it because the total market is just too small.
I find this to be an excellent analogy that can be applied to many situations, and now you can use it too.
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|TimeSig|Signature:AllaBreve
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|Note|Dur:8th|Pos:6|Opts:Stem=Down,Beam=First
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|Note|Dur:4th,Slur|Pos:#8|Opts:Stem=Down
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|Text|Text:""|Font:StaffSymbols|Pos:1|Wide:Y
|Note|Dur:8th|Pos:#1|Opts:Stem=Down|Visibility:Never
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|Note|Dur:8th|Pos:3|Opts:Stem=Up,Beam=First
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!NoteWorthyComposerClip(2.751,Single)Does exist a trick for this?
|Note|Dur:8th,Grace|Pos:3^|Opts:Stem=Up,Slur=Upward,Beam=First|Visibility:Never
|Note|Dur:8th,Grace|Pos:3|Opts:Stem=Up,Slur=Upward,Beam|Visibility:Never
|Note|Dur:8th,Grace|Pos:2^|Opts:Stem=Up,Slur=Upward,Beam|Visibility:Never
|Note|Dur:8th,Grace|Pos:2|Opts:Stem=Up,Slur=Upward,Beam|Visibility:Never
|Note|Dur:8th,Grace|Pos:3^|Opts:Stem=Up,Slur=Upward,Beam|Visibility:Never
|Note|Dur:8th,Grace|Pos:3|Opts:Stem=Up,Slur=Upward,Beam=End|Visibility:Never
|Note|Dur:Half|Pos:2
!NoteWorthyComposerClip-End
for %a in (*.nwc) do nwc2 -convert %a info >> List.txtand NWC crashed badly.
for %a in (*.nwc) do nwc2 -convert "%a" info >> List.txtNo crashes this time, but no info either.
nwc2 -convert foo.nwc info
nwc2 -convert nwc mid <foo.nwc >foo.midbut it's not what I need.
!NoteWorthyComposerClip(2.751,Single)I know it's an odd configuration.
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|Key|Signature:F#|Tonic:G
|TimeSig|Signature:4/4
|Instrument|Name:"Flute"|Patch:73|Trans:0|DynVel:10,30,45,60,75,92,108,127|Pos:8|Wide:Y
|Note|Dur:8th,Dotted,Slur|Pos:5|Opts:Stem=Down,Beam=First
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|Bar
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|Note|Dur:4th|Pos:2
|Note|Dur:4th|Pos:2
!NoteWorthyComposerClip-End
!NoteWorthyComposerClip(2.751,Single)N.B. Of course I solved easily using MPC.
|Dynamic|Style:f|Pos:-8|Visibility:Never
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|Bar
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!NoteWorthyComposerClip(2.75,Single)
|Chord|Dur:16th|Pos:6|Opts:Stem=Down|Dur2:4th,Dotted|Pos2:6
!NoteWorthyComposerClip-End
!NoteWorthyComposerClip(2.75,Single)
|Chord|Dur:Half,Dotted|Pos:-3,b-1,n0,3|Opts:Stem=Up
!NoteWorthyComposerClip-End
!NoteWorthyComposerClip(2.75,Single)By the way: what about a way, in edit mode, to "see" that something invisible is there?
|Chord|Dur:Half,Dotted|Pos:-4z,-3,b-1,n0,3|Opts:Stem=Up
!NoteWorthyComposerClip-End
!NoteWorthyComposerClip(2.75,Single)
|Chord|Dur:4th,Dotted|Pos:#0,1,2,#3,4,5,b6,#7,8|Opts:Stem=Down
!NoteWorthyComposerClip-End
Jack Copeland and Jason Long have remastered the first recording of computer-generated music after finding that it was severely distorted.
!NoteWorthyComposerClip(2.75,Single)
|Clef|Type:Treble
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|Note|Dur:4th|Pos:-1
|Note|Dur:4th|Pos:-1
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|Bar
|Note|Dur:Whole|Pos:-4
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|Key|Signature:F#,C#,G#,D#|Tonic:E
|Dynamic|Style:ff|Pos:-9
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|Bar
|Note|Dur:4th|Pos:0
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|Note|Dur:4th|Pos:-4
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|Note|Dur:8th|Pos:-2|Opts:Stem=Up,Beam=End
|Bar
|Note|Dur:4th|Pos:-4
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|Bar
|Note|Dur:4th|Pos:-1
|Note|Dur:4th|Pos:-2
|Note|Dur:8th|Pos:-3|Opts:Stem=Up,Beam=First
|Note|Dur:8th|Pos:-4|Opts:Stem=Up,Beam
|Note|Dur:8th|Pos:-6|Opts:Stem=Up,Beam
|Note|Dur:8th|Pos:-4|Opts:Stem=Up,Beam=End
|Flow|Style:ToCoda|Pos:8|Justify:Right
|Bar|Style:Double
|Ending|Endings:1
|Note|Dur:Whole|Pos:-4
|Bar|Style:Double
|Ending
|Key|Signature:F#,C#|Tonic:D
|Note|Dur:Whole|Pos:-3^
|Bar
|Ending
|Note|Dur:Half,Dotted|Pos:-3
|Note|Dur:8th|Pos:-4|Opts:Stem=Up,Beam=First
|Note|Dur:8th|Pos:-5|Opts:Stem=Up,Beam=End
|Bar
|Ending
|Note|Dur:Whole|Pos:-4^
|Bar
|Ending
|Note|Dur:Half|Pos:-4
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|Ending|Endings:2
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|Rest|Dur:Whole
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|Note|Dur:8th|Pos:-1|Opts:Stem=Up,Beam=First
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|Note|Dur:4th|Pos:1
|Bar
|Note|Dur:4th|Pos:0
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|Note|Dur:8th|Pos:-3|Opts:Stem=Up,Beam=End
|Note|Dur:Half|Pos:-4^
|Bar
|Note|Dur:Whole|Pos:-4^
|Bar
|Note|Dur:4th|Pos:-4
|Note|Dur:8th|Pos:-2|Opts:Stem=Up,Beam=First
|Note|Dur:8th|Pos:-3^|Opts:Stem=Up,Beam=End
|Note|Dur:4th|Pos:-3
|Rest|Dur:4th
|Flow|Style:DCalCoda|Pos:9|Justify:Right
|Bar|Style:SectionClose
|Flow|Style:Coda|Pos:9
|Note|Dur:Whole|Pos:-4
!NoteWorthyComposerClip-End
!NoteWorthyComposerClip(2.75,Single)
|Clef|Type:Bass
|Key|Signature:C|Tonic:C
|Instrument|Patch:24|Trans:0|DynVel:10,30,45,60,75,92,108,127|Pos:8|Wide:Y
|TimeSig|Signature:4/4
|Rest|Dur:Whole
|Bar
|Chord|Dur:Whole|Pos:3,5,7
|Bar
|Chord|Dur:8th,Dotted|Pos:3^,5^,7^|Opts:Stem=Down,Beam=First
|Chord|Dur:64th|Pos:3,5,7|Opts:Stem=Down,Beam
|Chord|Dur:32nd,Dotted|Pos:3^,5^,7^|Opts:Stem=Down,Beam=End
|Chord|Dur:Half,Dotted|Pos:3,5,7|Opts:Stem=Down
|Bar
|Chord|Dur:8th,Dotted|Pos:3^,5^,7^|Opts:Stem=Down,Beam=First
|Chord|Dur:64th|Pos:3,5,7|Opts:Stem=Down,Beam
|Chord|Dur:32nd,Dotted|Pos:3^,5^,7^|Opts:Stem=Down,Beam=End
|Chord|Dur:Half,Dotted|Pos:3,5,7|Opts:Stem=Down
|Bar
!NoteWorthyComposerClip-End
!NoteWorthyComposerClip(2.75,Single)
|Clef|Type:Bass
|Key|Signature:C|Tonic:C
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|TimeSig|Signature:4/4
|Rest|Dur:Whole
|Bar
|Chord|Dur:Whole|Pos:3,5,7
|Bar
|Chord|Dur:8th,Dotted|Pos:3^,5^,7^|Opts:Stem=Down,Beam=First
|Chord|Dur:64th|Pos:3,5,7|Opts:Stem=Down,Beam
|Chord|Dur:32nd,Dotted|Pos:3^,5^,7^|Opts:Stem=Down,Beam=End
|Chord|Dur:Half,Dotted|Pos:3,5,7|Opts:Stem=Down
|Bar
|Chord|Dur:8th,Dotted|Pos:3^,5^,7^|Opts:Stem=Down,Beam=First
|Chord|Dur:64th|Pos:3,5,7|Opts:Stem=Down,Beam
|Chord|Dur:32nd,Dotted|Pos:3^,5^,7^|Opts:Stem=Down,Beam=End
|Chord|Dur:Half,Dotted|Pos:3,5,7|Opts:Stem=Down
|Bar
!NoteWorthyComposerClip-End