The Parts user tool is helpful, but it leaves rest sequences like the following when a voice is completely deleted:
!NoteWorthyComposerClip(2.75,Single)
|Rest|Dur:4th
|Rest|Dur:8th,Dotted
|Rest|Dur:16th
|Rest|Dur:8th,Slur
|Rest|Dur:8th
|Rest|Dur:8th,Staccato
|Rest|Dur:8th,Staccato
|Bar
|Rest|Dur:4th
|Rest|Dur:4th
|Rest|Dur:Half
|Bar
!NoteWorthyComposerClip-End
(from this:
!NoteWorthyComposerClip(2.75,Single)
|Rest|Dur:4th
|Note|Dur:8th,Dotted|Pos:2|Opts:Stem=Down,Beam=First
|Note|Dur:16th|Pos:3|Opts:Stem=Down,Beam=End
|Note|Dur:8th,Slur|Pos:4|Opts:Stem=Down,Beam=First
|Note|Dur:8th|Pos:3|Opts:Stem=Down,Beam
|Note|Dur:8th,Staccato|Pos:2|Opts:Stem=Down,Beam
|Note|Dur:8th,Staccato|Pos:1|Opts:Stem=Down,Beam=End
|Bar
|Note|Dur:4th|Pos:0
|Rest|Dur:4th
|Rest|Dur:Half
|Bar
!NoteWorthyComposerClip-End
Is there an easy way (read: a tool) to rewrite these rest sequences (and, more generally, also sequences of identical notes and chords) to the shortest possible rest/note/chord?
(Additional "possible hiccup": Musically, it is not ok to span a note over a "beat boundary", e.g., the 4th and 5th eighth in a 4/4 measure - they must be written as two tied eights. But then again, in some rhythms - e.g. when the 4/4 measures are split into 3+3+2 eighths -, it is ok to write a single quarter note. I do not know which and how many additional parameters one would need to control this - a string of the form "2+2/4" for a standard 4/4 time signature or "3+3+2/8" with semantics "no note spanning the boundaries indicated by +" might be the most versatile ...
//Edit: No, this is not enough; one needs such a string for each subdivision: 1/1, 2/2, [none for /4], 3+3+2/8, 2/16 as a shortcut for the repeated group 2+2+2+2+2+2+2+2/16, meaning that no eights can start at an odd sixteenths; etc.
// Edit^2: I think this is about the 3rd or 4th time I invent this, isn't it?? - including the Edit^2 idea ... I should use "search" more often and not invent so many things ...).
Thanks for help!
Harald