Re: Back again ..... how to select text
Reply #12 –
G'day Danna,
can take some air... but that's OK, some of my best friends will tell you that I'm full of hot air anyway...
Working with NWC and just kicking about this forum and the news group has improved my knowledge of music theory no end. I expect it will do the same for you.
I learned trombone in a brass band where everyone, including the tubas, which we called basses, read transposed treble clef. However trombones are traditionally scored in concert pitch bass clef. A fact I never realised until I started doing a little research. When I started in the big band it came home to me quite quickly...
In church, when I read from lead sheets, I look at the chords being played and just fiddle around a bit 'till something works. Often I'll play the tonic of the chord to support the bass, but then other opportunities come available as the music becomes more familiar. I do enjoy rehearsal times!
If the music consists of a lot of minor or 7th chords I'll often play the 3rd ot the 7th, sometimes the 5th of the chord - just takes time to get familiar. Even if there aren't any 7ths notated I'll occasionally slip one in. Of course the rhythmic patterns I use will be different again... Listen to the lyrics, listen to the other members of the band and highlight what they're doing.
As a trumpeter in a choir, you don't need to carry the melody, though in places you can do so with great effect. More you are a highlight instrument. Less is more. Let the rhythm section (Drums, Bass, guitar and keys) do their thing and you get the fun of embellishment. Get it right and it sounds great, get it wrong and it still often sounds fine (except to you) - just be confident, and don't get it wrong too often 'cos too many mistakes become obvious.
One thing that NWC will do for you is allow you to notate the music (learn to write out the chords as notes) and then you can fiddle with a trumpet line and hear the effects. Create a part for yourself. Then when you go to rehearsal and play your newly created part you'll be a star!
I do this myself. Often we get full piano scores with our music. I'll key that into NWC, play it back a few times and the start picking out where I can "do my thing". I often end up "picking the eye's" out of both hands and puttin 'em together. For a trumpet the source would be a little different, mostly from the right hand part I would expect, but don't be bound by that. "Hear" what you think belongs and put it in. Don't be discouraged if it doesn't come straight away. Some songs I never "hear" anything, others, it's just there.
The thing is to be sensitive to the mood of the music. If you're playing a sweet little ballad or something, you don't want a massive fanfare in the middle of it! Conversely, if you're playing some raucous heavy rock number, 'tis better not to be playing some quiet little harmony somewhere 'cos you won't be heard over the screamin' guitars.
As for discussing this kind of thing here, while the forum is primarily focussed on NWC, so many discussions go off topic I doubt anyone will care.
Actually, there are so many discussions about other aspects of music that this forum is a great educational resource. I'm sure that if a discussion was considered to be getting too "out of hand" someone would pipe up and say so, at which time it could always go to personal messages or email.