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54
General Discussion / Re: Very complicated score (spartito molto complicato)
Last post by lawrroc -
No, no, it's an exercise to test my ability to "stress" the program  :D (I never print the score). I have plenty of time. Sometimes I persevere, and with your help, I achieve something, even if not everything I set out to do. Other times, I quit the project prematurely, with no results. Bye Flurmy.
56
General Discussion / Re: Very complicated score (spartito molto complicato)
Last post by hmmueller -
Hm. When I studied computer science many decades ago, we learned about the "Turing machine"; and had to do exercises to compute sums of numbers, or counting 1s in strings etc. The challenge was to use a very (very!) limited set of commands to achieve somewhat simple effects - necessary for theoretical reasons, but quite strange and awkward.

Using NoteWorthy's flow control for somewhat complex verse structures notated for humans looks like a similar head-scratcher - albeit without the theoretical benefits. Nice like an afternoon's crossword puzzle, but ... why? But I wouldn't want to discourage anyone from trying  ;D

H.M.
57
General Discussion / Re: Bar Numbering using the bar number user plug in
Last post by Mike Shawaluk -
Couldn't be easier. Just insert a new object and specify the number you want it to start at. The numbers will continue from there.
Code: (nwc) [Select · Download]
!NoteWorthyComposerClip(2.751,Single)
|Clef|Type:Treble
|TimeSig|Signature:4/4
|User|BarCounter.nw|Pos:7|Class:StaffSig|AllBars:Y
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|User|BarCounter.nw|Pos:7|Class:StaffSig|AllBars:Y
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
|Bar
|Rest|Dur:Whole
!NoteWorthyComposerClip-End
59
General Discussion / Very complicated score (spartito molto complicato)
Last post by lawrroc -
Good morning to you, wherever you are!
I wanted to bring the attached score to your attention. I'd like to transcribe it exactly as it appears. All the verses are sung by the Bars and the Basses, but the 1st and 4th start from the beginning, the 2nd and 3rd from the B section. Furthermore, from the D section, the 2nd and 3rd voices are T I and T II. Not to mention the Coda with accompanying markings.
I'm wondering if it's possible to transcribe and perform it as I present it. The most complicated issue for me with transcription is the numbering of the verses, but for performance, who knows...?
Thanks.
Lorenzo
60
General Discussion / Re: Scriptorium Update
Last post by Richard Woodroffe -
Folks
The Scriptorium has been updated with works submitted by :

Stuart Moffatt   Elegy (Moffatt)
Stuart Moffatt   Elegy, Andante  (Moffatt)
Stuart Moffatt   Elegy in Gmi, Quartet (Moffatt)
Stuart Moffatt   Elegy in Bmi (Moffatt)
Stuart Moffatt   Elegy in Gmi: Sextet for string and horn trios (Moffatt)
Stuart Moffatt   Elegy in Cmi, Lento   (Moffatt)
Stuart Moffatt   I found you(Moffatt)
Stuart Moffatt   Country Dance  (Moffatt)
Stuart Moffatt   Nacht  (Schonberg)
Lorenzo Prada L'è tre dì che 'l piove e 'l fioca (It's been raining and snowing for three days)   (Traditional Italian)
Lorenzo Prada Su la più alta cima (On the highest peak)  (Traditional Italian)
Lorenzo Prada L'è tre ore che son chì soto (I've been down here for three hours)  (Traditional Italian)
Lorenzo Prada E ma prima che te töghia (Before you got married)  (Traditional Italian)
Richard Woodroffe   Klage 2nd version D371    (Schubert)

If you would like to be notified every time the Scriptorium is updated, please send an e-mail  requesting Scriptorium Update    notification to nwcscriptorium "at" gmail "dot" com

https://nwc-scriptorium.org/whatsnew.html

Stay safe 

Richard