Last post by Michael W. Powell -
Hi Flurmy, thanks for putting together this tool and the Beats Slashes. This is great and I can see myself getting a lot of use out of these. Besides using NWC for Classical and Wind Ensemble music transcriptions and for transposing parts for other instrumentation, I also use it to compose and transcribe jazz charts and Lead Sheets and this will eliminate a lot of painful and tedious editing to create these.
If you're open to feedback and/or are still making tweaks and refinements to these tools, I was wondering a couple of things. First, how difficult would it be to include a user interface with either tool to allow the selection of a different User font with each use or to allow a user to modify the tool going forward to use their User font of choice? I have created many templates that already utilize User 1 for other markings and it would be a chore to modify each of them to accommodate the tool's default of User 1. I know I could highlight and use Global Mod to make these changes after the fact, but if it can done with one click of a button, why not.
The second thing I'm wondering is with the Rhythmic Slash tool if there is any way to shorten the length of the slash and reposition it to reflect more of what one would see in a jazz chart? This is not a deal breaker by any means, and if it's too much of a pain in the rear I would understand not putting in the effort to make the change. Purely a selfish request on my part that would be a nice to have and not a must. I will still use the tool regardless as it will definitely save me a lot of time.
Last post by Flurmy -
This tool converts rests with durations multiples of 1/4 to beat slashes (a purely visual marker). In jazz and popular music, passages are often notated with slash noteheads that indicate no specific pitch and show no rhythm. Depending on the content, this might indicate an improvised solo and accompaniment pattern to be devised by the player, or a suggestion to continue in the style of previously notated passage.
It uses the char '/' of MusicDingsSans or MusicDingsSerif with the same size of the standard NWC2STDA. By default that font is assumed as font User 1, but a different User font (1..6) can be specified on the command line. E.g., "scripts\fl_BeatSlashes.lua 3" to use User 3.
Rests moved up out of the score can be used instead of headless, stemless crotchet by specifying 'r' on the command line.
Last post by Mike Shawaluk -
If there were still updates being done to NWC, I would vote for a visibility option of "Transparent", which allows that object to be hidden but still take up its normal space on the staff. No more need to move objects into the stratosphere.
Quite often I need to enter comping marks - these are really just a slash in place of a crotchet (quarter note) rest.
Do you mean something like in the attached image? Of course I can make it as an enhancement, but I see it quite different, hence deserving his own tool. I was indeed wondering if creating it or not. Stay tuned.
then I move the rest off the page with Global_mod. The rest must be moved instead of being made invisible or it won't take up the necessary horizontal space. Perhaps you could modify this tool to automate that process too (it would need to move the rest).
Yuk, I forgot that trick (and I was hoping it wasn't needed anymore...)! I don't remember which was the usual value for the offset. Perhaps the maximum allowed. Maybe 25000?
Last post by Lawrie Pardy -
Nice. Can I make an enhancement suggestion?
Quite often I need to enter comping marks - these are really just a slash in place of a crotchet (quarter note) rest. Currently I place a crotchet rest, then create a text entry centred on it in the correct vertical alignment (centred in the staff), then I move the rest off the page with Global_mod. The rest must be moved instead of being made invisible or it won't take up the necessary horizontal space. Perhaps you could modify this tool to automate that process too (it would need to move the rest).
I am curious whether you also saw this review, and whether it was the motivation for creating this user tool.
Yesssss! But there is more. Lately I'm transcribing a lot of jazz for the orchestra and often the guitar part is written this way. I did it by hand for a couple of scores, but then I asked myself what I was waiting to automate it. The review was just the final push.
I think that creating a specific object for this is a sort of overkilling, but sure it will work too. Good luck!
This tool converts a sequence of notes to a rhythmic pattern (visual only) using the rhythmic slash notation. (See attached image as an example.) The original notes (or chords) are uninportant and will be standardized and muted. What matters is simply their duration. Assumes font User 1 being MusicDingsSans or MusicDingsSerif with the same size of the standard NWC2STDA.
I was recently watching a review of NWC on YouTube, that mentioned its lack of rhythmic slash notation. I was unfamiliar with slash notation at that time, so I looked into it a bit. I am curious whether you also saw this review, and whether it was the motivation for creating this user tool.
Of course, when I see something like this, my mind always says "I wonder how this could be done by a user object". It is possible to do something like CueHeads.ms and draw slashes on headless stems. I haven't tried out this new tool yet, but I will do so to get a feel for what it does.
Last post by Flurmy -
This tool converts a sequence of notes to a rhythmic pattern (visual only) using the rhythmic slash notation. (See attached image as an example.) The original notes (or chords) are uninportant and will be standardized and muted. What matters is simply their duration. It uses the char '/' of MusicDingsSans or MusicDingsSerif with the same size of the standard NWC2STDA. By default that font is assumed as font User 1, but a different User font (1..6) can be specified on the command line. E.g., "scripts\fl_SlashNotation.lua 3" to use User 3.
Last post by lawrroc -
Done! Easier than I thought. I thought it involved stems and noteheads, which needed tweaking. These acciaccaturas are repeated throughout many of the 138 measures. I was a little skeptical about the transcription. Thanks! Guten Sonntag! Lorenzo
