Show Posts - Opagust

This section allows you to view all Topics made by this member. Note that you can only see Topics made in areas you currently have access to.

Topics - Opagust

General Discussion / Disappearing template files

11 years ago

When I change one of my custom template files, and then want to save it, I get a warning that it's created with an older NWCfile format and the original version will no longer be able to open it.
This seems normal, so I click 'yes' to proceed.

But after that, the template file is disappeared. It's not showing in the template/custum folder, nor in the folder where I keep my NWC songs.

General Discussion / Problems with customizing toolbars

11 years ago

First thing I wanted to customize in v2.51 was to remove the "Error" buttons in the toolbars.

But they always come back when I restart the program.

Any hints?

General Discussion / MMR of 10 is split in 8 and 2 in Print Preview

11 years ago

In the attached song, in measures 38 to 47 there's only piano to be played. The score is only showing the voices parts, with one special staff 'ALL', wich is used when all voices have to sing unisono. So in all but the piano staff I have a MMR of 10 measures, where the voice staffs are collapsed, so only the 'ALL' show is to be shown.
The problem is : in Print Preview this creates a MMR of 8 in one system, followed by a MMr of 2 in the next system. What I want is 1 MMR of 10.

How can I do this?

General Discussion / Collapsible staffs and visibility property 'Top staff only'

12 years ago

When I have a score with multiple staffs and I use the Visibility property 'Top Staff Only', then it's indeed only printed on the top staff, according to the staffs selected in the Page Setup.
But when I use collapsible staves this does not work, if the staff that's really the top staff on the print preview is not the top staff according to the page setup.
Thus my question is : how to accomplish that something is only printed on the staff that's really the top staff?

General Discussion / How to mute a note in 1 verse.

13 years ago

In the attached song (Frosty the Snowman), the note in measure 58 has only to be sung in the second verse. Is there a way to accomplish this?

General Discussion / Screen doesn't follow the music in the viewer

13 years ago

I'm using Noteworthy Composer version 2.5.3. and the viewer version 2.5.6a. I'm member of a choir and some of the other singers use only the viewer to rehearse the songs.

For one song I recently entered (see attachment) and in wich I used the new features (MMR and Boundary change), the viewer doesn't behave as it should. When playing a song,as the music reaches the right edge of the screen, there are 2 problems, one minor and one more serious:

if the last measure on the screen is incomplete, the screen is shifted only when the music has reached the first note of the next measure
and worse: when there is a double bar reached, the screen is shifted only when the music has reached the next double bar

In other songs the behavior is correct, so I assume the problem is caused by the new features I used.
Has someone experienced similar problems?

General Discussion / Multi-measure rest - playback options

13 years ago

The multi-measure rest is a very handy feature, a specially in combination with the collapsing staff option in the boundary change command.

But what I miss is an option where one could specify that a MMR should be handled as a single measure when played back (and in the viewer), in the case where all the played staves contain MMR's.

This would be very useful for the rehearsal files I create for my choir. I make several files, one for each voice (TTBB) and 1 for ALL voices.

Now one has either to wait in silence till the MMR is fully played, or stop, click behind the MMR and then restart.

Moreover, since some of the choir members use an Apple, I also create midi-files. In that case there's only silence during the MMR. So this option should also be used for exporting to midi-files.

I don't think I am the only one that should find this option usefull.
Or am I?

General Discussion / Fermata - odd behaviour

14 years ago

The example below is the start of the song 'Runaround Sue', arrangement of Jeff Funk.
In the first staff there are fermatae on the last (half) note of a measure; in the second staff fermatae on whole notes. As a result the duration of the notes in the to staffs is not the same anymore !

Code: (nwc) [Select · Download]

!NoteWorthyComposer(2.5)
|ActiveStaff:2|CaretIndex:30|CaretPos:0
|SongInfo|Title:"Run Around Sue"|Author:"Dion Di Mucci and Ernest Maresca"|Lyricist:"Arr. Jeff Funk"|Copyright1:""|Copyright2:""
|PgSetup|StaffSize:15|Zoom:4|TitlePage:Y|JustifyVertically:Y|ExtendLastSystem:Y|DurationPadding:Y|PageNumbers:1|StaffLabels:All Systems|BarNumbers:Boxed|StartingBar:1|AllowLayering:N
|Font|Style:StaffItalic|Typeface:"Times New Roman"|Size:10|Bold:Y|Italic:Y|CharSet:0
|Font|Style:StaffBold|Typeface:"Times New Roman"|Size:7|Bold:Y|Italic:N|CharSet:0
|Font|Style:StaffLyric|Typeface:"Times New Roman"|Size:10|Bold:N|Italic:N|CharSet:0
|Font|Style:PageTitleText|Typeface:"Times New Roman"|Size:24|Bold:Y|Italic:N|CharSet:0
|Font|Style:PageText|Typeface:"Times New Roman"|Size:12|Bold:N|Italic:N|CharSet:0
|Font|Style:PageSmallText|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User1|Typeface:"Boxmark2"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User2|Typeface:"Boxmark2"|Size:10|Bold:N|Italic:N|CharSet:0
|Font|Style:User3|Typeface:"Boxmark2"|Size:12|Bold:N|Italic:N|CharSet:0
|Font|Style:User4|Typeface:"NWCV15"|Size:10|Bold:N|Italic:N|CharSet:0
|Font|Style:User5|Typeface:"NWC2STDA"|Size:10|Bold:N|Italic:N|CharSet:2
|Font|Style:User6|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|PgMargins|Left:1.27|Top:1.52|Right:1.27|Bottom:1.27|Mirror:N
|AddStaff|Name:"Tenor"|Label:"T"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:15|BoundaryBottom:15|Lines:5|Style:Standard|Layer:N|Color:Default
|StaffProperties|Muted:N|Volume:95|StereoPan:127|Device:0|Channel:1
|StaffInstrument|Name:"Flute"|Patch:73|Bank:0,0|Trans:0|DynVel:127,127,127,127,127,127,127,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:0
|Lyric1|Text:"Here\'s my sto-ry, it\'s sad but true;\r\nit\'s a-bout a girl that I once knew.\r\nShe took my love then ran a-round\r\nwith ev-\'ry sin-gle guy in town.\r\n\r\nOh, woh, oh, woh, oh woh, oh.\r\n\r\nI should have known it from the ver-y start,\r\nNow lis-ten, peo-ple, what I\'m tel-ling you,\r\na-keep a-way fom a-Run-a-round Sue.\r\n\r\nI miss her lips and the smile on her face,\r\nthe touch of her hair and this girl\'s warm em-brace.\r\nSo if you don\'t wan-na cry like I do,\r\na-keep a-way from a-Run-a-round Sue.\r\n\r\nOh, woh, oh, woh, oh woh, oh.\r\n\r\nShe likes to tra-vel a-round,\r\nshe\'ll love you, but she\'ll cut you down.\r\nNow, peo-ple, let me put you wise,\r\nSue goes out with oth-er guys.\r\nHere\'s the mor-al and the sto-ry from the guy who knows,\r\nI fell in love and my love still grows.\r\nAsk a-ny fool that she ev-er knew,\r\nthey\'ll say a-keep a-way from a-Run-a-round Sue.\r\nkeep a-way, a-keep a-way from a-Run-a-round Sue.\r\n"
|Clef|Type:Treble|OctaveShift:Octave Down|Visibility:Always
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:4/4
|Text|Text:"Free Tempo"|Font:StaffItalic|Pos:9
|Rest|Dur:Whole
|Tempo|Tempo:90|Pos:7|Visibility:Never
|Bar
|Dynamic|Style:mf|Opts:Volume=57|Pos:-8
|Rest|Dur:4th
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=First
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=End
|Note|Dur:8th|Pos:0
|Note|Dur:4th|Pos:0
|Note|Dur:8th|Pos:0
|Bar
|Note|Dur:4th|Pos:1
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=First
|Note|Dur:8th|Pos:0^|Opts:Stem=Down,Beam=End
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Half|Pos:0
|Bar
|Rest|Dur:4th
|Note|Dur:16th|Pos:0|Opts:Stem=Down,Beam=First
|Note|Dur:16th|Pos:0|Opts:Stem=Down,Beam
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=End
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=First
|Note|Dur:8th|Pos:0^|Opts:Stem=Down,Beam=End
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:8th,Dotted|Pos:0|Opts:Stem=Down,Beam=First
|Note|Dur:16th|Pos:0|Opts:Stem=Down,Beam=End
|Bar
|Note|Dur:4th|Pos:1
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=First
|Note|Dur:8th|Pos:0^|Opts:Stem=Down,Beam=End
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Half|Pos:0
|Bar
|Rest|Dur:8th
|Note|Dur:8th|Pos:0
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=First
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=End
|Note|Dur:4th,Dotted|Pos:0
|Note|Dur:8th|Pos:0
|Bar
|Note|Dur:8th|Pos:2|Opts:Stem=Down,Beam=First
|Note|Dur:8th|Pos:0|Opts:Stem=Down,Beam=End
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Half,Dotted|Pos:1
|Bar
|Rest|Dur:8th
|Note|Dur:8th|Pos:-1
|Note|Dur:8th|Pos:-1|Opts:Stem=Up,Beam=First
|Note|Dur:8th|Pos:-1|Opts:Stem=Up,Beam=End
|Note|Dur:8th|Pos:-1
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:4th,Dotted|Pos:0
|Bar
|Note|Dur:8th|Pos:0|Opts:Stem=Up,Beam=First
|Note|Dur:8th|Pos:-2|Opts:Stem=Up,Beam=End
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Half,Dotted|Pos:-1
|Bar
|AddStaff|Name:"Bas"|Label:"HB"|Group:"Standard"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:15|BoundaryBottom:15|Lines:5|Style:Standard|Layer:N|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:0|Device:0|Channel:3
|StaffInstrument|Name:"Flute"|Patch:73|Bank:0,0|Trans:0|DynVel:127,127,127,127,127,127,127,127
|Lyrics|Placement:Bottom|Align:Standard Rules|Offset:0
|Lyric1|Text:"Oo, oo, ah, oo.\r\nHayp hayp, bum-da ha-dy ha-dy,\r\nhayp hayp bum-da ha-dy ha-dy\r\nhayp hayp bum-da ha-dy ha-dy\r\nhayp. Ah.\r\n\r\nthis girl would leave me with a bro-ken heart.\r\na-keep a-way from a-Run-a-round Sue.\r\n\r\nHayp hayp, bum-da ha-dy ha-dy,\r\nhayp hayp bum-da ha-dy ha-dy\r\nhayp hayp bum-da ha-dy ha-dy\r\nhayp.\r\nHayp hayp, bum-da ha-dy ha-dy,\r\nhayp hayp bum-da ha-dy ha-dy\r\nhayp hayp bum-da ha-dy ha-dy\r\nhayp. Ah. Ah, ah, ah.\r\nHayp hayp, bum-da ha-dy ha-dy,\r\nhayp hayp bum-da ha-dy ha-dy\r\nhayp hayp bum-da ha-dy ha-dy\r\nhayp.\r\nkeep a-way, a-keep a-way from a-Run-a-round Sue.\r\n"
|Clef|Type:Bass
|Key|Signature:Bb,Eb|Tonic:B
|TimeSig|Signature:4/4
|Rest|Dur:Whole
|Bar
|Dynamic|Style:mf|Opts:Volume=75|Pos:-8
|Note|Dur:Whole|Pos:7^
|Bar
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Whole|Pos:7
|Bar
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Whole|Pos:5^
|Bar
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Whole|Pos:5
|Bar
|Note|Dur:Whole|Pos:5^
|Bar
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Whole|Pos:5
|Bar
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Whole|Pos:6^
|Bar
|TempoVariance|Style:Fermata|Pause:0|Pos:9|Justify:Center|Placement:AtNextNote
|Note|Dur:Whole|Pos:6
|Bar
|Dynamic|Style:f|Opts:Volume=92|Pos:-8
|AddStaff|Name:"Right Hand"|Label:"Piano"|Group:"Piano"
|StaffProperties|EndingBar:Section Close|Visible:N|BoundaryTop:10|BoundaryBottom:10|Lines:5|Style:Upper Grand Staff|Layer:N|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Clef|Type:Treble
|AddStaff|Name:"Left Hand"|Group:"Piano"
|StaffProperties|EndingBar:Section Close|Visible:N|BoundaryTop:10|BoundaryBottom:10|Lines:5|Style:Lower Grand Staff|Layer:N|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:6
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Clef|Type:Bass
!NoteWorthyComposer-End

General Discussion / Local and master repeat / special endings

19 years ago

Quote from the help File :

Quote

Local Repeat Open/Close: A special form of sectional repeat symbols. These allow a section to be repeated for a specified number of iterations without specifying special endings for each iteration. These loops can be nested inside a master loop which contains special endings. Special endings do not apply to local repeats. Attempts to combine local repeats and special endings will yield unpredictable results. Unlike master repeats, local repeat loops are performed even after a D.S. or D.C. flow direction has been executed.

Master Repeat Open/Close: Sectional repeat symbols for repeating a section. Each repeat should specify a special ending prior to the closing repeat symbol (see Special Ending Command). The closing repeat mark is ignored after a D.S. or D.C. flow redirection has been initiated.

So if I understand it well:
- Only in a 'local repeat close', you can specify how many repeats are needed
- Only in a 'master repeat close', special endings are taken into account

My questions:
- What if I want three iterations, each with a different ending ?
- More general :How can one use the 3th until 7th special endings that are possible to mark?
- Is this specific for Noteworthy or is it due to music theory (which I don't know much about) ?

Copyright © 2006 by NoteWorthy Software, Inc.