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Messages - SEBC

51
General Discussion / Re: Favourite/preferred Soundfont(s)
I often use Unison2. I can’t remember why I chose it, but I did listen to several before making the choice.

I have been having an issue with the trombone though. I’m currently composing for trombone and piano. When I use the “play to” feature in NWC2 viewer to create an MP3, the trombone is quite a bit softer than the piano. I have to reduce the piano channel volume to around 60 to balance it out. That doesn’t make sense to me. I’m using Cool Soft VirtualMidiSynth 2.9.3.

Any ideas what the issue is?
52
General Discussion / Re: Force a Page Break?
Thanks for your help. You didn’t mention it but this only works on the top staff, for future reference.

I have been using the program for 20 years and am still learning new procedures!
53
General Discussion / Force a Page Break?
Hello everyone

I am looking at a part score, and seeing that it would be really nice for the performers if I put page two after a couple of rest bars. The problem is that there is a line of music after the rests on page 1. Any tips to achieve a page break?
54
General Discussion / Re: "Scoring Notes" article on the history of notation programs
It is so interesting to see the NWC and Sibelius scores side by side. Thank you, William and Harald, for making that possible! I haven't had a chance to do a comparison in this way before. I see what you are saying about the readability of the Sibelius score. The notes seem a little chubbier to me, and is the DPI higher for the Sibelius output? It looks crisper, and the background looks whiter on my screen.

Edit to add: William, I really appreciate when you tell us about your experiences! It is something that I have considered, but I just don't have the time right now with my PhD studies to learn a new program. I am always holding out hope that some user adjustments might solve the problems with NWC!

Second edit: Thanks for sharing that article, too, on the history of music notation. It looks like a good read.
55
General Discussion / Re: 2022 starts
As usual, I'm late to the party! Wishing you all a musical and safe 2022! My teaching/doctoral studies are starting up online again instead of in person, our gyms, restaurants, and schools are currently closed, I've just suspended congregational singing in my church, and ordered a case of N95 masks for myself...it's a rough start, but there is hopefully some light at the end of the tunnel for us all!
56
General Discussion / Re: Import troubles
I usually just let the Import Wizard do its thing when importing MIDI because I don't know what the alternate approach would be.  Are there some "best practices" that I should think about next time?
57
General Discussion / Re: Season's greetings, merry Christmas, all the best!
Quote from: hmmueller –

This is the second year we had to cancel our choir's advent concert - we had rehearsed a longer composition "Weihnacht" I had written - with NWC, of course - which would have been nice to sing and, hopefully, listen to. So, next try next year!

I'm sorry to hear that, Harald. It is so disappointing for composers, choral directors, and choir members how this pandemic keeps rearing its ugly, non-singing head! I composed and presented lots of solo music instead this past Advent season, but can't wait till we can sing in ensembles once more. I did a graduate composition course that focused on choral music last year...of course, I haven't been able to hear any of the pieces I produced sung yet!
58
General Discussion / Re: Greetings
Welcome IR

I'm also a longtime user, and find this forum to be invaluable for answering my questions, figuring out solutions, showing me new ways of doing things, and implementing user designed features. It has kept me using NWC all these years, rather than switching to another program. I hope you will enjoy exploring the forum discussions.
60
General Discussion / Re: Graphics....
I am late to the party, but this is an important discussion!

I’m always interested to hear about your experiences, Bill, now that you are using Sibelius. I have considered switching but I just don’t have time at the moment to think about it due to my doctoral work. It hurts my heart to consider switching. I must have an emotional and practical attachment to NWC. Improved graphics would be so nice and I wonder if any of these things are doable without the developer but as plug ins or objects? I don’t know a thing about coding so…
64
General Discussion / I've somehow messed up my templates
Hello everyone

I hope you are having a good summer wherever you are in the world.

The last few times I have tried to create a new project, it seems that I have messed up my templates, and they are nowhere to be found. My workaround has been to save an existing project as a new name and delete everything, but that is getting old fast.

Somehow, the "File' -> "New" is opening a different file. How do I redirect it to open the template folder?

Many thanks for your help,
65
Object Plugins / Re: RepeatMark.test (0.5)
Mike answered me on a different thread, and it was because I had not used any insert spacers alongside the mark. Once I did so, the problem was solved. Thanks for finally finding the question and responding with offers of help, though.  :D
67
General Discussion / Re: Percussion
Ok, I stand corrected, and have used a percussion clef.  I met virtually with my favourite percussionist and he set me straight on a few things.

I am using the simile mark now --it is a user object I think? I press J to access it under "RepeatMark.test". When the percussion part is extracted on its own, the marks all crowd on top of each other, but are fine when the other instruments are on the score. What I have messed up?

!NoteWorthyComposerClip(2.751,Single)
|Tempo|Tempo:65|Text:"Flowing"|Pos:15
|Clef|Type:Percussion
|TimeSig|Signature:4/4
|Dynamic|Style:p|Pos:-8|Justify:Center
|Text|Text:"Ocean Drum (imitate a slow, rolling wave)"|Font:StaffBold|Pos:10
|Note|Dur:Whole,Slur|Pos:0x|Opts:Crescendo,Muted
|Bar
|Note|Dur:Whole|Pos:0x|Opts:Diminuendo,Muted
|Bar
|User|RepeatMark.test|Pos:-1
|Dynamic|Style:p|Pos:-8|Justify:Center|Visibility:Never
|Note|Dur:Whole,Slur|Pos:0x|Opts:Crescendo,Muted|Visibility:Never
|Bar
|User|RepeatMark.test|Pos:-1
|Note|Dur:Whole|Pos:0x|Opts:Diminuendo,Muted|Visibility:Never
|Bar
|User|RepeatMark.test|Pos:-1
|Dynamic|Style:p|Pos:-8|Justify:Center|Visibility:Never
|Note|Dur:Whole,Slur|Pos:0x|Opts:Crescendo,Muted|Visibility:Never
!NoteWorthyComposerClip-End
68
Object Plugins / Re: RepeatMark.test (0.5)
I am having trouble with the simile marks. When I extract the percussion part from the entire score, they seem to pile up on top of each other, instead of being nicely spread out. I am confused why this is happening, since they look fine with all the other parts are present.

69
General Discussion / Re: Percussion
You don't use a clef for cymbals, I believe.

So, no annoying drum roll happening on your end. Very odd. I hope that Lloyd will see that I asked this question.

Thanks for checking, Flurmy.
70
General Discussion / Re: Percussion
!NoteWorthyComposerClip(2.751,Single)
|User|BarLabel.ms|Pos:9|Text:C|Scale:130
|Bar|Style:Double
|Text|Text:"Suspended Cymbal"|Font:StaffBold|Pos:11
|Rest|Dur:Half
|Text|Text:"soft mallets"|Font:PageSmallText|Pos:-8|Justify:Right
|User|TremoloSingle.ms|Pos:2
|Note|Dur:Half|Pos:5x^|Opts:Crescendo,Muted
|Bar
|User|TremoloSingle.ms|Pos:2
|Dynamic|Style:f|Pos:-10
|Note|Dur:Half,Dotted|Pos:5x^|Opts:Muted
|Note|Dur:4th|Pos:5x|Opts:Muted
|Bar
!NoteWorthyComposerClip-End


I'm not sure if this will show the problem or not.
71
General Discussion / Percussion
Hi

I need to score some percussion parts. I've tried out Lloyd's plug in, but does anyone know how do I turn off the roll sound? I've got the staff muted but I'm still hearing the roll in the playback for the cymbal rolls.

Thanks for your help.
72
Object Plugins / Re: DrumStaff.fso (version 0.1)
I'm trying out the percussion plug in. How do I turn off the roll sound? I've got the staff muted but I'm still hearing the roll in the playback.

Thanks for your help.
74
General Discussion / Re: any tricks for tied note decrecendo or crescendo?
Will this work on a note that is tied? The second example is just a whole note, but I need to descrendo over several measures of a tied note.
Code: (nwc) [Select · Download]
!NoteWorthyComposerClip(2.751,Single)
|Dynamic|Style:mf|Pos:10|Placement:AtNextNote
|Note|Dur:8th,Dotted|Pos:0|Opts:Stem=Up,Beam=First
|Note|Dur:16th|Pos:-1|Opts:Stem=Up,Beam
|Note|Dur:8th|Pos:0|Opts:Stem=Up,Beam=End
|Note|Dur:4th,Dotted|Pos:-4^
|Text|Text:"decres."|Font:StaffItalic|Pos:8
|Bar
|Dynamic|Style:mp|Pos:10|Placement:AtNextNote|Visibility:Never
|Note|Dur:Half,Dotted|Pos:-4^
|Bar
|Note|Dur:Half,Dotted|Pos:-4^|Opts:Diminuendo
|Bar
|Dynamic|Style:p|Pos:10.5|Placement:AtNextNote
|Note|Dur:Half,Dotted|Pos:-4
!NoteWorthyComposerClip-End
76
General Discussion / Re: Warren Porter's Spacer tool
Thank you for your responses on this thread. Once again, I am not being notified of replies, so please excuse my tardiness.

Ok, to summarize, you are recommending that the staves end bar setting be Open (Hidden), with a Force new system mark inserted after a manually inserted closed ending bar.

I have never tried that approach before, but I just experimented and it did line things up. However, when I experimented with adding an extra measure or two before the closed ending bar, the new line contained only that one or two measures, so I would still have to fiddle with spacing, probably by forcing a new system in the previous line ahead of where it automatically wants to do so.

Warren, there are times when I would want to decrease the space, say if there was just one measure on the next line, at the bottom of a page, and I didn't want to start a new page. In that case, your spacer tool would still be helpful, so please don't get rid of it. Is there a way to install it on my computer so that I don't have to rely on the internet to use it?

The issue that I mentioned in my original post would still apply unless there is another way around it which I don't know about yet.

Something to note is that I do not usually tell NWC how many bars per line I want. I usually let the software do its thing and then deal with the ending. Perhaps that is something I need to change in my work flow.

Thank you, Mike, for pointing to the FAQ on this. I had missed this along the way, but I've been using NWC for a long time (inefficiently, so it seems!)
77
General Discussion / Re: Warren Porter's Spacer tool
Hi Warren

Here is a sample from the end of a score. When the accompaniment is independent of the vocal or instrumental line, then I find I have a lot of fiddling to do to get all the parts spaced out properly. Then if I end up editing the composition (as I often do) then that might all need to be redone. This example is only a few staves, but I have had pieces where there were many parts that needed individual adjustment.

Sorry for not replying earlier. I am not being notified of replies any more, even though I have the notify box checked, so I don't know what's up with that.
78
General Discussion / Warren Porter's Spacer tool
Hi

I'm just popping in to say how helpful this tool has been for me over the years since I started using it. Every time I do, I quietly bless Warren.

https://www.wjporter.com/nwc/Spacer.htm

What would be an awesome update would be the ability to space multiple staves at the same time. Is that out of question? I don't really know how these things work, just that it saves me a lot of time, and I'm grateful!

80
General Discussion / Articulation volume adjustment: accents, etc.
Hi
I'm sure this has been discussed before, but I am really unhappy with how ENTHUSIASTICALLY my accents are being played back by NWC. So  much so that I have had to take them out of the score, which is not actually what I want. I think I read that they are being played at 40% velocity, but I'm sure what that means and how to tame them so they give a reasonable amount of "oomph" but don't make the listener jump.

I guess the same issue is possibly true of other articulations? Any pianists out there? What's the most artistic use of tenuto, levels of staccato, portato, accent, etc?

Thanks for your help,
81
General Discussion / Re: Rehearsal Marks
Thanks for you answer. I forgot to enable reply notifications, and just saw it now.

Yes, each choir is different.  In my choral conductor training, we were taught to give the location based on the page number, approximate location of the page, lyric, voice parts, and measure number: for example, "Ok, bottom of page 3, the third "All creatures", measure 56, let's hear the bass part". There is still usually a bit of confusion, so I can see how adding measure numbers to our own scores is helpful for everyone involved.

When acting as an adjudicator in musical competitions, each score was required to have handwritten measure numbers for each measure, to aid in our written and verbal assessments of the performers. They would lose marks if they didn't have these measures added to the score.

82
General Discussion / Re: Changing Page Size
Thank you, everyone, for chiming in. I decided to omit the flute and drum part, and just include the voice and piano parts for the choral version. This gives me two systems per page.

I checked with a choral prof at my university and he said that's quite normal, although the conductor will have the full score, and obviously the instruments will have part scores.
83
General Discussion / Re: Using Soundfonts with NoteWorthy Composer
Quote from: Bart –
I am using Coolsoft VirtualMIDISynth already for a long time, but I recently noticed the following strange behavior:
When my PC goes in sleep mode, and has woken up again, NWC cannot find the VirtualMIDISynth driver anymore.
Did someone else perceive the same behavior?


Yes, I have had the same issue but am not sure when it tends to happen. I am having a similar issue with Java not being able to be found by LibreOffice.


84
General Discussion / Re: Changing Page Size
Hi Harald

Thanks for your reply. I was hoping you would see the question. I have my margins at .5 inches. and am using shortform names, so I tried out using the legal size option in PDFCreator, but I got the same result with just a huge amount of white space between the last staff and the copyright info at the bottom. I'm going to try taking out the instruments other than piano and see what happens.

I should mention that my font size is 16. To get two systems on a page, I need to go down to 12, which isn't practical.
85
General Discussion / Re: Rehearsal Marks
It's cool that there are multiple ways to accomplish the same goal.

Harald, do you usually put the marks in each part? I have been putting them with the instrumental part (as in a flute part) but not with the piano part or choral part. The score for the pianist and choir will be printed with all parts.  I will print the instrument part alone, for ease in playing with less page turns. My composition prof told me to give the instrumentalist the full score, though, but the players don't seem to prefer that for the performance.

86
General Discussion / Changing Page Size
Happy New Year to everyone,

I'm working on an SSAA choral piece that includes flute, percussion, and piano, so I'm not happy with how it's looking on the page  - with all those staves (eight), there's only one system that fits per page, so it's a 26 page monstrosity, which isn't really great for the choristers who have so many page turns. If the page size was a little bigger, I could fit two systems. How is this achieved in NWC? I don't see anywhere to change those parameters.

All the best,
SEBC
87
General Discussion / Re: Rehearsal Marks
Hi Mike

There is a user tool that you can add to your NWC set up. It is called "Bar label.ms". Have a look in the user tool section of the forum for complete instructions. It is super easy once you get the hang of it.
88
General Discussion / Re: Very Sad news.
So sorry to hear about Rick's passing. He was one of the great NWC advisors on this forum. It's such a terrible time in the world to be sick, which makes it even more difficult for families.
92
General Discussion / Re: Text under music
Actually, now that I think about it, this ability to do different fonts in the lyrics would be a great feature to add to the program. Being totally ignorant on these matters, how difficult would it be to create a user tool that would accomplish this? And even if it is difficult, is it something that one of you programming wizards would like to undertake?  :)) I've often thought that it would be nice to have the ability to change a line or chorus into italics.
93
General Discussion / Re: Text under music
I have nothing helpful to add, other than to say, "Salut, Pierre-Gérard!" (as my Quebec friends put it). 
The French responses were awesome to read -- this forum is a friendly place to find help.
94
General Discussion / Re: Is the NWC Viewer/Player available as a webpage
Oh yes! Fumbling around trying to stop the recording is fun, but I just trim off any starts and stops that I don’t want with the Windows photo app. The paid version of FlashBack allows you to edit within it, but it’s not a big deal to use the free photos app instead.

I’ve also experimented with using the setting that allows an editable frame on the screen and found that useful for some performance videos that were mistakenly recorded with the iPhone held vertically instead of horizontally. I just played the videos on my computer and used Flashback to zoom in. This eliminates all the black bars around the iPhone video when it’s not been held horizontally to do the original video. I’m not technologically competent so am pleased when I can figure this stuff out!
95
General Discussion / Re: XML feature
I'm going to answer the first part of my own question with what I just read in the version history:

Version 2.0
Rewritten as a server-side code for online processing, no need to install anything anymore
No need for NWC to be open or installed on the machine where the converter is used
The converter now generates a full .nwctxt file that can be open in NWC 2.5+
The offline, .NET version is not maintained and will not be available anymore
96
General Discussion / Re: XML feature
Hi and thanks for the link. It looks like it is an online tool that was once downloadable. Is it still downloadable? I can't seem to find that information on the website.

Does anyone know about the security of these kind of online conversion tools?
97
General Discussion / XML feature
It would be great if someone could develop a tool that would convert NWC or midi files to/from XML. Or does this exist already?

If not, is there a safe software to download to do these activities? With my own compositions, I am hesitant to upload files into cyberspace.
99
General Discussion / Re: Learning to crescendo and decrescendo
I just wanted to announce that 2 years after the fact, thanks to the patient guidance of Richard Woodroffe, I am finally set up with Virtual Midi Synth, and am currently testing out new soundfonts, and learning about patches, banks, etc. I have also installed an mp3 converter and so I can do renderings "in house". The difference is sound quality is amazing! Feel free to say "I told you so." :)

Quote from: Lawrie Pardy –
* I create .mp3s by playing back using NWC whilst recording the output with "Audacity" then exporting from Audacity to .mp3.
https://www.audacityteam.org/download/
There are many useful plugins for Audacity you should get too.  IIRC you need a plugin for the .mp3 export.
https://www.audacityteam.org/download/plug-ins/

Lawrie, I also have Audacity, and the mp3 plug in. Could you explain in more detail how you use it to make mp3s from NWC? Also, I am looking for more help with Audacity. I have some specific questions about editing live recordings. Do you know the best place to do that?
100
General Discussion / Re: Old Midi interface won't work
This is probably a ridiculous question, but is there a way to change the end of a cable? My old midiman cable is round, like a PS/2 and I don't have any ports like that on my new laptop