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Tips & Tricks / Re: Entering lyrics efficiently
The syllables then show themselves one after another with ev'ry note you enter and you can quickly check their correctness..
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Wow, that was simple. The endings are normally rendered by the top staff (Visibility: Default = yes), with lower staves default = not visible, and I didn't think to try to override that. But all that was needed was to set the top staff ending visibility to Never and the second staff to Always!
Idea for a workaround (which may have problems of its own): Add invisible (0-line) staves above and below; and connect the bar lines from above and to the lower one. See attached example.
H.M.
When you change the notehead shape (E.G. to an X) it will remain the new shape until changed again. This is always a manual action.
I would suggest that if you don't find a UserPlugins string in the registry, that you could assume the default user plugin location that NWC uses.
I'm getting this error when I try to run it.
(It took me a while to find the program. It would be nice if it gave the option of creating a shortcut on my desktop )
I'm getting this error when I try to run it.
(It took me a while to find the program. It would be nice if it gave the option of creating a shortcut on my desktop )
I didn't provide a selection window yet because my lack of LUA knowledge prevents me to implement this right now.
Just in case someone (else) cares about this feature, this new version of the object can show and print the chords "the italian way" (I mean: Do, Re, Mi, Fa, Sol, La, Si).
Perhaps if your example was a .nwctxt of the whole file instead of the single staff..?
Hey Opagust... Umm, what's it supposed to do? If it's put the numbers 1 and 2 to the left of the staff then it didn't work for me...
!NoteWorthyComposerClip(2.751,Single)
|User|Markup.rg|Pos:2|Class:StaffSig|Markup:"/m0.7/x-2 1/y-7/x-1.5 2"
|Clef|Type:Treble|OctaveShift:Octave Down|Visibility:Always
!NoteWorthyComposerClip-End
I am currently working on a way to allow Slur.ms and SlurCubic.ms to span systems, based on suggestions I've gotten from Eric. The programming is a bit tricky (at least to me) so stay tuned while I work out the kinks.
Thanks,
Mike
Lastly, it is important to understand that only the smaller duration item is actually used in aligning notes on a score. When creating split-stem chords, the notes in the larger duration are ignored when formatting and alignment is performed with respect to other notes above and around this item
!NoteWorthyComposerClip(2.751,Single)
|Bar|SysBreak:Y
|Chord|Dur:4th|Pos:-5,-3|Opts:Stem=Up,Lyric=Never
|Chord|Dur:4th,Slur|Pos:-3|Opts:Stem=Down,Slur=Upward,Lyric=Never|Dur2:4th,Dotted|Pos2:0
|Note|Dur:4th,Slur|Pos:-2|Opts:Stem=Down,Slur=Upward,Lyric=Never
|Note|Dur:8th,Slur|Pos:1|Opts:Stem=Up,Lyric=Never
!NoteWorthyComposerClip-End
!NoteWorthyComposer(2.751)
|Editor|ActiveStaff:24|CaretIndex:2|CaretPos:2
|SongInfo|Title:"Flow Selector (&f)"|Author:""|Lyricist:""|Copyright1:""|Copyright2:""
|PgSetup|StaffSize:16|Zoom:5|TitlePage:Y|JustifyVertically:Y|PrintSystemSepMark:N|ExtendLastSystem:N|DurationPadding:Y|PageNumbers:0|StaffLabels:None|BarNumbers:None|StartingBar:1
|Font|Style:StaffItalic|Typeface:"Times New Roman"|Size:10|Bold:Y|Italic:Y|CharSet:0
|Font|Style:StaffBold|Typeface:"Times New Roman"|Size:8|Bold:Y|Italic:N|CharSet:0
|Font|Style:StaffLyric|Typeface:"Times New Roman"|Size:7|Bold:N|Italic:N|CharSet:0
|Font|Style:PageTitleText|Typeface:"Times New Roman"|Size:24|Bold:Y|Italic:N|CharSet:0
|Font|Style:PageText|Typeface:"Times New Roman"|Size:12|Bold:N|Italic:N|CharSet:0
|Font|Style:PageSmallText|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User1|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User2|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User3|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User4|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User5|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|Font|Style:User6|Typeface:"Times New Roman"|Size:8|Bold:N|Italic:N|CharSet:0
|PgMargins|Left:1.27|Top:1.27|Right:1.27|Bottom:1.27|Mirror:N
|AddStaff|Name:"_"|Label:"glyph"|Group:"_"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:7|BoundaryBottom:7|Lines:1|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Spacer|Width:50
|Bar|Style:MasterRepeatClose|Visibility:Always
|Text|Text:"(f)"|Font:StaffItalic|Pos:-3
|Spacer|Width:0
|AddStaff|Name:"Single"|Label:"Single"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Visibility:Always
|AddStaff|Name:"Double"|Label:"Double"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:Double
|AddStaff|Name:"Section Open"|Label:"Section Open"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:SectionOpen
|AddStaff|Name:"Section Close"|Label:"Section Close"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:SectionClose
|AddStaff|Name:"Master Repeat Open"|Label:"Master Repeat Open(&r)"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:MasterRepeatOpen
|AddStaff|Name:"Master Repeat Close"|Label:"Master Repeat Close"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:MasterRepeatClose
|AddStaff|Name:"Local Repeat Open"|Label:"Local Repeat Open"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:LocalRepeatOpen
|AddStaff|Name:"Local Repeat Close"|Label:"Local Repeat Close"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:10|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:LocalRepeatClose|Repeat:2
|AddStaff|Name:"Broken Single"|Label:"Broken Single"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:BrokenSingle
|AddStaff|Name:"Broken Double"|Label:"Broken Double"|Group:"1"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:6|BoundaryBottom:6|Lines:5|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Bar|Style:BrokenDouble
|AddStaff|Name:"1st Ending"|Label:"1st Ending"|Group:"Spcl"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Ending|Endings:1
|AddStaff|Name:"2nd Ending"|Label:"2nd Ending"|Group:"Spcl"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Ending|Endings:2
|AddStaff|Name:"3rd Ending"|Label:"3rd Ending"|Group:"Spcl"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Ending|Endings:3
|AddStaff|Name:"4th Ending"|Label:"4th Ending"|Group:"Spcl"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Ending|Endings:4
|AddStaff|Name:"Continue Ending"|Label:"Continue Ending"|Group:"Spcl"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Ending
|AddStaff|Name:"Conclude Ending"|Label:"Conclude Ending"|Group:"Spcl"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:1
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Ending|ClosedBracket:Y
|AddStaff|Name:"Segno"|Label:"Segno"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:2
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:Segno|Pos:0|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"D.S. al Coda"|Label:"D.S. al Coda"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:3
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:DSalCoda|Pos:0|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"To Coda"|Label:"To Coda"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:4
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:ToCoda|Pos:0|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"Coda"|Label:"Coda"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:Coda|Pos:0|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"Fine"|Label:"Fine"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:Fine|Pos:0|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"Da Capo"|Label:"Da capo"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:DaCapo|Pos:0|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"D.C. al Coda"|Label:"D.C. al Coda"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:DCalCoda|Pos:-1|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"D.C. al Fine"|Label:"D.C. al Fine"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:DCalFine|Pos:1|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"Dal Segno"|Label:"Dal Segno"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:DalSegno|Pos:-1|Wide:Y|Color:1|Visibility:Always
|AddStaff|Name:"D.S. al Fine"|Label:"D.S. al Fine"|Group:"Flows"
|StaffProperties|EndingBar:Section Close|Visible:Y|BoundaryTop:5|BoundaryBottom:5|Lines:0|Color:Default
|StaffProperties|Muted:N|Volume:127|StereoPan:64|Device:0|Channel:5
|StaffInstrument|Trans:0|DynVel:10,30,45,60,75,92,108,127
|Flow|Style:DSalFine|Pos:1|Wide:Y|Color:1|Visibility:Always
!NoteWorthyComposer-End
Personally, I would very much like the ability to customize the multipliers used for the various articulations (velocity and duration), in the same way that dynamic multipliers can be customized in instrument settings.
When something on the staff has a duration, can there be anything else in the Dur: field outside of note length, dot or triplet status, and presence of a slur? If I need to change the duration of a note or chord, I need to keep the slur intact.
Anything else to be on the alert for? I need to clear this up before converting ThreeEight.html to a user tool.
TIA
NoteWorthyComposerClip(2.751,Single)
|Note|Dur:8th,Grace,Slur|Pos:0
|Note|Dur:8th,Triplet=First|Pos:2|Opts:Stem=Down,Beam=First
|Note|Dur:8th,Triplet,Staccato,Tenuto,Slur|Pos:2^|Opts:Stem=Down,Beam=End
|Note|Dur:8th,Triplet=End,Staccatissimo,Slur,Marcato|Pos:2
!NoteWorthyComposerClip-End
What I can do is to search through Behind Bars for the relevant details/rules, since I happen to own a copy, and I can try to summarize them here if there is interest in creating a tool.
cd C:\Program Files (x86)\Noteworthy Software\NoteWorthy Composer 2
for /F "delims=" %%i in ('dir /b C:\Users\gustv\Documents\Music\NWC2\Kaaterliedjes\*.nwc ^| findstr /e .nwc') do (
nwc-conv "C:\Users\gustv\Documents\Music\NWC2\Kaaterliedjes\%%i" NWCTXT > "C:\Users\gustv\Documents\Music\NWC2\Kaaterliedjes\NWCTXT\%%itxt".
)
for /F %%i in ('dir /b C:\Users\gustv\Documents\Music\NWC2\Kaaterliedjes\*.nwc | findstr /e .nwc') do (
echo %i
)
| was unexpected at this time.
Code: [Select · Download]for %%i in (*.nwc) do "C:\Programs\NoteWorthy Composer 2\nwc2.exe" -convert "%%i" "%%~dpni.nwctxt"
Edit: N.B. this is for a batch file!
For the command line:Code: [Select · Download]for %i in (*.nwc) do "C:\Programs\NoteWorthy Composer 2\nwc2.exe" -convert "%i" "%~dpni.nwctxt"
for %%i in (C:\Users\gustv\Documents\Music\NWC2\Kaaterliedjes\Testcopies\*.nwc) do "C:\Programs\NoteWorthy Composer 2\nwc2.exe" -convert "%%i" "%%~dpni.nwctxtBut that gave errors "Het systeem kan het opgegeven pad niet vinden.", which means, according to Google translate: "The system cannot find the path specified."